Monday, March 27, 2017

What I'm Watching: Legends of Tomorrow

Legends of Tomorrow: Season 2, Episode 15 "The Fellowship of the Spear" (B)

This is the second time in just a few weeks that this show has invoked a recent piece of pop culture in a way that is meant to be so crucial and relevant to the very fabric of its characters' existence. I would never have predicted any sort of connection between J.R.R. Tolkien and the blood of Jesus Christ, but I guess I don't know very much. The episode's title was clever, but it wasn't as fun as seeing Ian Fleming as James Bond precursor in a similarly-themed "Timeless" episode earlier this season. That's partly because of the violent setting of this quest which was awfully innocuous thanks to the apparent invincibility of the legends and their impressive establishment of a ceasefire on the battlefield. After Mick thought it was a hallucination, it turns out that Snart is really back, plucked from the past to do as much destruction as he could. I always thought that he was more well-intentioned and not as bad as Mick, but now he's fully loving the carnage and encouraging Mick to join him too. Not that there was ever much risk that she would, I'm glad that Amaya made the definitive choice not to join the bad guys but instead to stick to her convictions, even knowing what her future held. I hope she'll stick around next season - she's been a great addition to the show. The now five-member Legion of Doom is set to manipulative events to their will after activating the spear, and it's going to be an uphill battle for the legends to topple them.

What I'm Watching: New Girl


New Girl: Season 6, Episode 20 "Misery" (B)

I understand that this episode's title is meant to serve as a parody of the Oscar-winning 1990 film helmed by Rob Reiner, who got to have fun played the bed bound character here whose caretaker, under the guise of keeping up his health and speeding along his recovery, wouldn't let him out. Like many of Jess' plotlines of late, it fell flat, and it's better just to ignore and forget it altogether. I enjoyed the fact that Schmidt and Cece just showed up at the loft and found that every single person, including Winston's mom, made mention of them having moved out and asked what they were doing there. They were so eager to still be involved in their lives since living in a house wasn't all they had hoped it would be, and I laughed when Cece reacted to Nick not having her number in his phone. Egging Nick on to assert himself in Reagan's life a bit wasn't an initially intelligent idea, but I think it pushed him far enough to be able to realize that he and Reagan just don't work. If Jess ever answered her phone, maybe they could get started on getting back together since anything else seems inevitable at this point. Winston hosting a fake radio show just so that his mom wouldn't know that he was a cop was the epitome of ridiculousness, and I'm glad that Aly found something different - bargain shopping - to bond with his mom about which led to some serious honesty and included a few funny moments.

What I'm Watching: The Flash

The Flash: Season 3, Episode 17 "Music Meister" (C+)

So I don't really read much about shows or episodes before they air, and as a result some major crossover events like this one come as a surprise to me. I'm not sure I would have been any more excited had I known what was in store. The entire existence of the Music Meister felt unnecessary, and showing up to teach them a lesson about the power of love was far from a convincing legitimization of his appearance. I'm also not sure why we needed a musical episode, though I can understand that the talent involved makes it seem like a no-brainer. I remember seeing Grant Gustin, Jesse L. Martin, and Victor Garber in musicals back when I first heard of each of them, and it suddenly occurred to me halfway through the episode that the Meister was played by Darren Criss, who had a thread with Gustin during his breakout role on "Glee." Having Cisco, Stein, Winn, and Merlyn play parts in the musical was moderately fun, but I've seen the same thing done better in other projects in the past. I honestly would have preferred to see Kara and Barry get together before going back to the old inevitable couples from their respective shows. Barry re-proposing to Iris while belting out an incredibly operatic tune was one way to reignite the romance, and at least it means that they'll be back on the right track, united to finally try to defeat Savitar once and for all by the end of the season. This musical diversion shouldn't last past this episode, and I think there's more to be done to cover the team in its own universe without the need for more musical tunes.

Sunday, March 26, 2017

What I’m Watching: Humans


Humans: Season 2, Episode 7 (B+)

Okay, so I know that AMC actually aired the eighth and final episode of this season right after the seventh, but I’d prefer to stretch this show out longer, especially since this hour was really good. It’s hard to decipher who the good guys and who the bad guys are when the one at the top is actually Dr. Morrow, whose feelings about synths come from a much more personal place and who isn’t intent on making the sentient ones suffer the same way as some of her colleagues are. After Hester nearly intimidated Mattie into cooperation by force at the start of the episode, she showed a cool, calculating demeanor when she didn’t let herself be talked down by a surprisingly adept Pete and instead killed both the doctor and Pete. I’ll admit that Pete’s death caught me off-guard since I hadn’t imagined that he would be killed and certainly not like this, and the most intense part of it was seeing Karen sob with such sadness and then reveal no trace of any emotion just seconds later. The devastation that Leo and Anita felt when all of the freed synths collapsed behind them after they had been broken out was poignant, and it’s easy to forget that they too can be simply switched off with a mere touch or click. As they are immersing themselves fully into the battle, Niska is deciding that she doesn’t want to be a part of it anymore, preferring instead to spend time with her girlfriend, someone who makes her feel human. The news that Renie isn’t really a synth probably shouldn’t be too surprising, and it’s just the latest interesting comment about what kind of behavior passes for normal in this new world.

What I’m Watching: Jane the Virgin

Jane the Virgin: Season 2, Episode 14 “Chapter Fifty-Eight” (B)

I’m usually all for this show and its imagined diversions enthusiastically described by the narrator, but I wasn’t too fond of the election parody that served as the meat of this episode. Having Jane and Petra fight to be room mom was dramatic enough on its own, and the “I’m with her” ending, which mildly amusing, wasn’t worth the whole thing. I do like the fact that Rafael ended up being the choice, though I’m not sure what that says about patriarchy in society (not much, I assume, just a bit of food for thought). Mateo’s new aide seemed a little casual and laidback, ready to clash with Jane on everything, but he turned out to be just the right dose of optimism for both Jane and Rafael, who were feeling insecure in the face of Mateo’s behavior. I enjoyed Rogelio having a Sunday Funday with Mateo which involved being fitted for suits, and clearly Rogelio’s inappropriate communication was well-timed since Bruce got the hint that Xiomara wasn’t over her ex, who may now have moved past his kid condition. It’s nice to see Alba reinvesting in her romance with Jorge, despite an unfortunate mishap. As the narrator would say, she’s not the only one jumping back into the dating scene, with Jane declaring herself ready to think about it and Rafael and Petra going down a very familiar road for what’s now probably the third or fourth time. Will it stick this time? I’m betting not, but I’m eager to see how it plays out and what happens when it comes out.

Saturday, March 25, 2017

What I’m Watching: Supergirl

Supergirl: Season 2, Episode 16 “Star-Crossed” (B-)

I didn’t find this episode to be all that great, mainly because, once again, characters jumped to conclusions and assumed that personalities had changed overnight when that couldn’t be further from the case. Yes, it’s true that Mon-El lied to Kara about who he was, but that’s also because Daxomerites and Kryptonians apparently really hate each other. I didn’t recognize Teri Hatcher, famous for her own part in a Superman series, at the end of the last episode, and if I hadn’t seen her name before Kevin Sorbo’s in the credits I may not even have recognized her. It’s a fun idea to have the likes of Hatcher, Dean Cain, Lynda Carter, and Laura Vandervoort take on guest roles on this show, but this was the most lackluster such spot thus far. I’m not sure the whole plotline added much, other than leading to Kara’s breakup with Mon-El, which was immediately followed by the appearance of yet another otherworldly disruptor to trap Kara in a trance of sorts and lead to the very exciting end titles declaring that this story would be continued on “The Flash,” an unexpected but welcome crossover just a few months after the last CW multi-show event. Lyra turning into a con woman felt like it came from out of nowhere, and of course she was just doing it for her kidnapped younger brother, a device that seems to be used very often. Let’s hope a visit to Earth-One will help improve the quality once this show picks back up next week.

Friday, March 24, 2017

What I’m Watching: Girls

Girls: Season 6, Episode 6 “Full Disclosure” (B+)

This episode was a return to more of the conversations that have helped to define this show throughout its run, and the content of this half-hour constituted what this show should be covering right now. Hannah isn’t being too subtle about her pregnancy, telling the world in a blunt way and almost always receiving laughter as a response since no one can believe that she would actually be seeing considering having a baby. I enjoyed the fact that even the likes of Keith, her father’s boyfriend, decided to weigh in on whether she should tell the father, something she apparently considered at the end of the episode even if it didn’t lead to much since the operator couldn’t connect her to Jean-Louis. Jessa coming by to tell her that she was hurt was interesting, and her choice of the word “dear” to describe her friendship with Hannah was telling, since it didn’t indicate any sort of real or true closeness but rather an enduring presence devoid of substance or strength. Adam was obsessed, predictably since it’s his nature, with Hannah watching the movie to tell him if it was real, and the lingering shot of him calling her back to the bed at the end of the episode suggests that he may well be where she’s headed in the end. Desi showing up high was a predictable development, and the more telling thing is that, as articulated by her mom, Marnie still can’t tell when she’s around someone who’s not in his right mind and clearly under the influence of drugs. I’m not sure that we needed to see Marnie’s mom as her partner slash fake sister, since this seemed like a ripe opportunity to focus in on Marnie’s revitalized career as a solo artist.

What I’m Watching: Billions


Billions: Season 2, Episode 5 “Currency” (B)

I’ll admit, I didn’t exactly follow what happened in this episode and who was playing who. Axe is all about risking it all for a huge return, and he nearly got screwed over – I think – by one of his former allies, and then managed to bait his other friends-slash-enemies into sticking with it to ensure he could still make a boatload of money. Not telling Boyd about his impending arrest after he found out was a calculated move, and he managed to get the upper hand with Chuck by telling him that he definitely expected to see more of Chuck arresting people with him looking on and getting to walk away. I’m not sure why we needed so much time devoted to Wags on his personal journey back to a place of soundness and mental fitness, and anyone should have been able to realize that he was feeling inferior because he was no longer Axe’s only right-hand man. It was jarring to see Axe exhibit such cruelty towards Lara, someone he has always supported up to this point, and I think it’s something that she’s not going to soon get over since he clearly doesn’t want her to be successful, certainly not as much as him. Despite the church status update, it doesn’t seem that the world’s least friendly and social internal auditor Oliver is really headed anywhere with his case, still determined to find a smoking gun that may not be there in the way he wants it to be if he hasn’t been able to stumble upon it yet.

What I’m Watching: Big Little Lies

Big Little Lies: Season 1, Episode 5 “Once Bitten” (B)

There were a lot of flashes happening at the beginning and end of this episode, and a few throughout as well, and they’re not providing all that much information and absolutely no answers. We had our first bit of true danger with Madeline, who was confronted by the man who was ready to run away with her and then was involved in a pretty major car accident that luckily didn’t cause her any damage and didn’t even make anyone close to her wonder why she was in that car in the first place. Celeste reached an important point in her secret solo therapy when she acknowledged that Perry hurts her and started to realize that maybe it wasn’t right or something that she had to stay in, but hugging Perry so tightly when she went to surprise him with the kids at the airport didn’t show any more progress in that area. Jane outright lied to her new friends about her intentions with the father of her son, and it’s a good thing that she decided not to use that gun she brought with her even if she was pretty frenzied on her drive home, erratic enough to get herself pulled over. Ziggy didn’t cause any trouble in this episode, and in fact seemed perfectly content and elated to spend some extra time with his friend Chloe when Madeline picked them up from school, and it was Amabella’s turn to be seen as a child who might have some issues dealing with society by her extremely concerned parents who have little patience left for the way the situation at school is being handled.

Thursday, March 23, 2017

What I’m Watching: The Walking Dead


The Walking Dead: Season 7, Episode 14 “The Other Side” (B-)

We’re getting closer to what’s sure to be an explosive end to the season, but we’re still inching towards it piece by piece with a continually segmented approach. We haven’t visited the Hilltop in a bit, and therefore it’s somewhat stirring to see the intensity of the training that’s going on to ensure that, when everyone finally decides that it’s time to rise up, they know how to fight. The dramatic music to go along with that was pretty effective, and unfortunately the rest of the episode didn’t quite match it. I think we’ve seen Maggie, Sasha, and Rosita plan to trek over to the Saviors’ compound and take their revenge enough times already, and it was remarkably simple for them to get there and have Negan in their crosshairs within moments of arrival. The shot wasn’t taken, of course, and then Eugene didn’t even want to leave with them despite a clear path of escape. It’s hard to tell whether Gregory is going to give the mutineers up or if he’s playing them so that he can allow his people to take them out by seeming like he’s cooperating, but I’m betting on the former, which is bad news for everyone involved. I’m getting very tired of seeing the Saviors show up and tell the good guys how great they have it, and how they should be grateful for the privilege of not having every single thing they have and find immediately pillaged from them by the more powerful.

What I’m Watching: Homeland


Homeland: Season 6, Episode 9 “Sock Puppets” (C)

I’m not amused by this episode’s title, which references the scheme being put on by Brett O’Keefe’s people. His character makes some sense as a conspiracy theorist, and it is mildly interesting to see that he’s directing his minions to troll the Internet with his ideas and ensure that mass chaos and disruption are created whenever possible. Yet Max having the perfect resume and just being his own antisocial self to get the job without so much as a background check or a reference doesn’t track at all, since, even if Brett didn’t trust those avenues, he’d still need to do something to research his hire before letting him have unfettered access to everything, exposing himself in a big way. We’ve learned from this show that paranoia is worthwhile, and no one is immune from it. Dar should be watching his back as he literally has Quinn in his home demanding answers and Carrie gunning for him with Keane’s full support after she completely flip-flopped and decided to trust Carrie implicitly after writing her off last week. The notion that Saul goes down for all of this even though he’s always been pure of heart and intention is miserable, and I’d be far more impressed if the action was more compelling and involving. This show doesn’t seem to have a point other than to show how broken the homeland security system is, and rare moments of tangential relief, like Carrie getting visitation with Franny – which of course immediately struck me as a trap engineered by Dar – are meant to be the only light in an otherwise very dark world.

Take Three: Making History


Making History: Season 1, Episode 3 “The Boyfriend Experience” (B+)

This show continues to be a lot of fun going into episode three, and it didn’t take long for some of Dan’s lies about all the things from the future that he invented to come back to haunt him. It’s funny that he was surprised that Deborah was listening so closely to him while he was yammering on about everything that existed in the future, and watching her react to the wonder of Dan’s brilliance was very entertaining. She’s not nearly as clueless as she often seems, as her rejection of Chris’ assertion that there are different kinds of smart indicated. It’s totally true that dressing up as someone whose appearance she wasn’t familiar with as a romantic gesture was hopelessly misguided, but at least it managed to impress her enough after he fell into one of her traps and apparently drank his own fake breast milk to survive the hour or two that he spent in there. My favorite line of the episode, highlighted by exceptional delivery, was Dan’s reply of “Yon woods?” Chris fighting for tenure does seem to be a little more intense of a battle in a literal way than you’d expect, but it appears that he’s forever tethered to his good friend Dan, which is all but guaranteed to keep his academic future from being too bright. I like that Dan went back to the past to get some sage advice from his friends, who were supportive of his plan but not appreciative of the fact that he didn’t ask them anything about how their revolution was going.

Pilot Review: Iron Fist

Iron Fist (Netflix)
Premiered March 17

I feel like I need to be watching all of these new Marvel series, partly because I know that I’m going to want to follow “The Defenders” when it premieres and won’t want to miss anything from the mythology. While I was completely enthralled with “Jessica Jones” from the first episode, it took me considerably longer to warm to both “Daredevil” and “Luke Cage.” This show, on the other hand, seems markedly different, and much, much less sophisticated and impressive. This introductory exposition felt like it dragged so much, with the nonchalant and mysteriously alive Danny Rand insisting over and over that he was who he said he was while two people from his past refused to even acknowledge the possibility before eventually turning much more sinister, making their intentions to keep his potential existence quiet clear. The one scene in which Danny did something impressive, flipping himself out of the way when a taxi nearly took him out, also felt somewhat forced and out of place, and I can only hope whatever action awaits going forward will be far more convincing and compelling. I feel like I need to give this show another try just to see if there’s anything of interest to be found, but at this point, I’m not at all optimistic given this extremely lackluster and plodding start. No one in the cast did much to help that, and I’m finding Danny more irritating than anything else, hardly what you want to be saying about your main character from the very beginning.

How will it work as a series? We know that there’s more to Danny than he’s letting on and that he is indeed who he says he is, and so I assume we’re going to learn a lot more about what turned him into who he is today and why everyone seems to want him did. It might be a bit interesting, but I’m not sold.
How long will it last? Premiering this show last was probably smart for Netflix since, seeing the dismal reviews that it has gotten across the board, I assume there’s going to settle for Iron Fist being a character on an ensemble show and not getting another showcase season of his own.

Pilot grade: C

Wednesday, March 22, 2017

What I’m Watching: Santa Clarita Diet

Santa Clarita Diet: Season 1, Episode 8 “How Much Vomit?” (B+)

Of course on this show the killer who they accidentally turned into a zombie instead of taking him out would want to “kill with music” rather than go on a literal killing spree. I enjoyed the fact that Sheila immediately took to Loke and that they bonded because there was no one else they knew who could relate to what they were going through. Sure, things got a little weird when he brought a literal food locker for Sheila to go through, but I like that he kept recording things he said because he thought that they would make great lyrics. Falling for Sheila and determining that he had to murder Joel wasn’t a great development, but they managed to make use of the extra stuff that they bought when they went shopping – even though it wasn’t on the list – to take him out and solve that problem once and for all. Abby and Eric got into shenanigans of their own when they sold Joel’s bike, which was promptly chopped up for parts, and then had to figure out how to best dismember it so that they could kill two birds with one stone and show Sheila and Joel that Abby was ready to be on board with their new lifestyle. The ending scene was comic and disgusting at the same time, with Joel humorously indulging Sheila’s efforts to turn her missing toe into something sexy before her eye decided that it was the right time to drop out of its socket. Oh, what it must be like to film this show.

What I’m Watching: Sneaky Pete (Season Finale)

Sneaky Pete: Season 1, Episode 10 “The Longest Day” (B+)

Well, this concluding hour didn’t disappoint. I’m relieved to know that it was Winslow and not Audrey who got himself shot when the gun went off, though it clearly put her in a state of shock as her walking out in front of the car when Otto and Taylor pulled up indicated. For as goofy and unserious as Taylor has seemed throughout this season, he sprang into action in an impressive way, calmly figuring out what to do to ensure that Audrey and Otto wouldn’t be incriminated in any way by what had happened with Winslow. Lance looked like one hell of a fool trying to turn the tables on Chayton and insist that the land was worth so much because of the uranium, and Julia was not in the mood to humor him even for a moment. She really has been a crucial part of this show, and still ranks as my favorite character. Things played out differently than I expected with the whole Vince situation, with Pete stepping in to play cards and then getting caught cheating with the other guy, implicating all of them in yet another con on Vince. Fortunately, there were so many layers that even with Vince shooting someone he managed to get shot and they all got away safe. Eddie was hurt that he didn’t know what was going on, but Pete was smart not to let him in on everything since he did confess right away to try to save his brother. Saying goodbye to the family wasn’t too definitive, which is good, but it looks he has entirely different troubles, in the form of Desmond Harrington from “Dexter,” waiting for him next season. I look forward to it – this has been a great season!

Season grade: A-
Season MVP: Marin Ireland as Julia

What I’m Watching: The Catch

The Catch: Season 2, Episode 2 “The Hammer” (B-)

There’s a certain silliness to this show that doesn’t quite feel appropriate for the rather serious and deadly content that does happen on this show, both with the assassination of Margot’s most loyal henchman and Tommy’s precarious predicament. I can’t understand why Margot would think to hire Alice and Val, and I’m just as puzzled by the fact that they didn’t try to ensnare her in a trap so that they could send her back to jail. Somehow, they pulled this off without the FBI catching on or even noticing that anything was up since Justine was too busy mocking Ben and Rhys for thinking that they knew better regarding how to execute a job. They’re both being awfully casual about this informant-undercover work they’re doing, and just as unsubtle with impromptu dinner parties complete with Rhys wearing an apron and preparing a home-cooked meal. I’m not growing too fond of Tommy the more we get to know him, and tracking down Rhys to do something illicit with the money that we’ve just learned is very dangerous is a twist that just serves to complicate matters. Their plan to smoke out the sniper was admittedly pretty cool, and it worked very well even if he did get off a few shots at the decoys. Sophie being mad at Danny for not checking in on her might have been more compelling if the two were more fully-established characters, and instead we just got to see Sophie jump way in to an ill-advised romance with Tommy.

Pilot Review: Snatch

Snatch (Crackle)
Premiered March 16

I have a somewhat foggy memory of watching the film “Snatch” probably a few years after it came out. What I remember is that it was fast-paced, frantic, and near-impossible to understand. I didn’t expect too much from a show that serves as a remake of the film, and I was pleasantly surprised to find a relatively involving pilot that wasn’t all that hard to understand and structured itself pretty well. I enjoyed the introduction of someone as an “upstanding citizen,” immediately followed by a shot of him disposing of a body. The music is also a very commendable part of the show, getting very intense when the match went the other way and then again towards the end when they realized that there were two trucks. Having their big gain be caught on camera and promptly uploaded to the Internet is a very bad thing, and it’s just those kind of antics that are going to define this show. In the cast, aside from Ed Westwick from “Gossip Girl,” Marc Warren from “The Good Wife,” and Dougray Scott from “Mission: Impossible II,” Rupert Grint, best known as Ron Weasley in the “Harry Potter” movies, is clearly having fun playing against type as Charlie. This is actually a show I might not mind which could be engaging, but I don’t think that I need to get involved with it right now. I can be more than content knowing that it surpassed my expectations and served as more than decent entertainment for the one hour of it that I watched.

How will it work as a series? This world has more than enough craziness and intrigue to populate a season if not a number of seasons, and ending the episode with this big discovery assures that the fallout should be well worth it and capable of maintaining viewers’ interest.
How long will it last? I think this one might be a hit despite the fact that the reviews haven’t been overwhelmingly positive. Ratings data isn’t really published or available by the streaming service, which premiere all ten episodes last week. My bet is that this will be renewed.

Pilot grade: B

Tuesday, March 21, 2017

What I’m Watching: Underground

Underground: Season 2, Episode 2 “Things Unsaid” (B)

I’m not sure it’s that the quality of this show is changing, but I think I’m becoming less and less drawn to it. There’s no denying the strength and effectiveness of the music, which was used a few times throughout this episode to propel its characters along and amplify their stories. We’re shifting now to a story that’s much more about constantly being on the run and about trying to keep the Underground Railroad functional, with a new slavecatcher with a reputation introduced to make things as difficult as possible. Harriet Tubman is becoming an important figure, and Rosalee is also being framed as a major leader. I was surprised when Rosalee got shot by the woman who vowed to take her and Tubman down since it felt like this show was literally just cleaning out all its characters and introducing a new slate, but not only did she survive, but now we have a familiar face – Cato – returned to make Noah’s suffering considerably more personal and vindictive. While I am curious to see how he got there, the prospect of not knowing doesn’t seem disappointing to me. This show is holding up okay with much of its infrastructure toppled, Elizabeth mourning the death of her husband and no stable place of either safety from the slavecatchers or reliable misery, and I imagine it can continue to tell a decent story for some time to go. I still think that I’m ready to bid this show goodbye and consider what I’ve seen satisfactory.

What I’m Watching: Legion

Legion: Season 1, Episode 6 “Chapter 6” (B+)

If I’m understanding things correctly – and I think I am – this entire episode took place inside David’s mind. Lenny is the manifestation of the much more powerful, evil mutant that exists within him, and therefore she got to play the doctor sitting down and diagnosing all of her patients with whatever they didn’t want to hear to make them feel inferior and incompetent. It’s a terrifying concept, but it was extraordinarily well-executed, and a superb showcase for Aubrey Plaza, who I thought was perfect back when she was supposed to be just an actually disturbed inmate at the mental institution and not a villain who uses intimidation, seduction, and manipulation to her advantage. Syd seemed to be the most aware that something was wrong, noting the strangeness of David confusing their conditions. Explained as a dream that doesn’t quite seem right, this makes total sense since none of them, including the Eye, who had a few humorous moments interacting with Dr. Lenny, were able to realize that they were in the wrong place and that things didn’t add up. Lenny telling Cary and Kerry that it wasn’t healthy for them to be so inseparable was amusing, particularly with their reaction to that comment. Maybe the man in the mask can help them get out of there, because we saw how difficult it was to wake David up after they all got trapped in his head the first time, and I don’t see how anyone else is going to be able to turn that door into a real existent door that’s consistently there.

Take Three: National Treasure

National Treasure: Season 1, Episode 3 (B+)

I’m relieved to see that Dee’s vehicular incident wasn’t in fact a fatal one, though she’s still going through a lot. It seems that it has actually opened up a dialogue with her father for him to talk about what he may have done and for us to see back into the past for more damning evidence against him. Marie’s visit to the set to find Paul didn’t recommend his character all that much, but there was nothing more memorable in this hour than the death stare that Dee gave her mother when her father came to hug her after her overdose. Evidently, things have changed after so many years when, as an adult, she wants to move back home, but it’s just as obvious that she has always preferred her father, something that surely doesn’t sit well with her mother. Paul describing his father’s abuse of him and how it would paint him in a bad light didn’t do anything to help his case, and the casual nature of his recounting was disturbing. Offering to go to the police to tell them that he remembers something was an empty gesture both because the police were no longer the ones in charge and because all Marie wanted to know was whether he actually remembered doing it or if he was just saying it to be perceived more favorably. I can’t imagine we’ll get too much resolution in the one remaining episode, but this has undoubtedly been one of the more moving and involving shows that I’ve seen recently even with just a few episodes.

Pilot Review: Trial and Error

Trial and Error (NBC)
Premiered March 14 at 10pm

The mockumentary-style sitcom has become increasingly popular in recent years since “The Office” used it and many others followed suit. Such a format can be used in any setting, and we don’t even see it played out in a courtroom. This show is probably most comparable to “Unbreakable Kimmy Schmidt” in the absurdity of all of its events and the backwards laws – like “death by bear” – that couldn’t have ever been even remotely legal in less sophisticated times. The insistence that a “Northeasterner” – code for “Jewish” – represent John Lithgow’s Larry was just the tip of the iceberg, with the guards at the courthouse allowing in a firearm that they complimented and confiscating lip balm because they heard the word “balm” serving as among the most ridiculous. The team that Nick D’Agosto’s Josh has assembled is also absurd, with a private investigator who used to be a cop but left his patrol car in reverse and a secretary who can’t recognize faces and passes out whenever she sees anything beautiful. Add to that a client who cares more about his skate wrench than his murdered wife, may have killed his first wife, and always seems to say something incriminating and unhelpful when given the opportunity. This show is pretty wild, but it’s not all that bad. I like D’Agosto here much more than I did on “Heroes” or “Masters of Sex,” and there’s no question that Lithgow is right for this role. I also like Jayma Mays (who used to be on “Heroes” too), and this is a fun part for her. I might be back to check out a third episode of this decent comedy – we’ll see.

How will it work as a series? My first thought was that it’s meant to be a weekly series, and so I’m not sure how that’s going to jive with a murder case that’s eventually going to run its course and will in all likelihood end with the defendant being executed. While it lasts it should be fun though!
How long will it last? I expected the reviews to be a lot worse than they are, with people having mostly positive things to say about the show. Premiering this show immediately following the season finale of “This Is Us” seems like an odd choice because the audience isn’t the same, and hopefully week two moved to the 9pm hour should prove than the debut airing which wasn’t watched by all that many people.

Pilot grade: B

Monday, March 20, 2017

What I’m Watching: The Detour

The Detour: Season 2, Episode 5 “The Birth” (B+)

We’re going back far into the past on this show, spending very little time in the present, with just the episode’s final scene returning us to the trial in motion. I like the brief glimpse of the future that we saw with both interogators realizing that Nate and Robin might both know more about the other’s stories than they’re letting on. It doesn’t surprise me at all that Nate would dress up as a blood-covered doctor with a chainsaw on Halloween while Robin was inside on the couch very pregnant with the twins, and that he got a comment from a concerned parent that he was going to be a terrible father. After contending with two women who couldn’t believe that he was with someone as hot as Robin, he had the quite epic journey to the hospital, highlighted by some other guy at the club being named Nate and trying desperately to injure himself so that the cops would give him a ride to the hospital. There’s a certain sweetness to the moments that he and Robin share that are defined by absurdity yet grounded in a nice connection, one that can set things back on course after a certain unwelcome husband showed up to try to claim fatherhood. I’m not even going to ask about this science regarding one woman having sex with two men during the same twenty-four hour period resulting in two different fathers of twins, but given how this show works, it seems pretty clear that Jareb may not be Nate’s son, a fact that isn’t ultimately going to matter because this family sticks through everything, no matter how crazy, together.

What I’m Watching: You, Me, Her

You, Me, Her: Season 2, Episode 5 “Stoner Sensai’s Secrets of Love” (B+)

Okay, so now it’s seeming like maybe Jack didn’t sleep with Ruby, and he’s attempting to take the moral high ground camping out on this brother’s couch. It’s interesting that the first thing that happened when Izzy showed up was them ripping off each other’s clothes and having sex, but that’s also been how their one-on-one relationship has been defined. Izzy likes to deal head-on with problems and disagreements without necessarily considering the big picture and how things will be affected going forward. Trying to advocate and apologize on behalf of Emma was good-natured, but Jack was right to note that it wasn’t really coming from her. With Izzy out trying to win Jack back, Emma turned to a strange ally – Lori – who is becoming more and more sympathetic. Carmen had some trouble getting through her own attempt to spice things up in the bedroom with Dave because she couldn’t get the safety of her kids and what Emma was doing socially with Lori out of her mind. Even though she isn’t supportive of Emma’s recent life-love decisions, she still wants to be her go-to friend and doesn’t want to be sidelined of favor of someone she really doesn’t like at all. I like that Ava is trying so hard not to be her mother that she literally analyzes each situation to do the opposite of what her mother would do, including giving someone a hug, which made Lori giving someone else a hug a damaging blow to everything she thought she knew to be true.

What I’m Watching: Legends of Tomorrow

Legends of Tomorrow: Season 2, Episode 14 “Moonshot” (B)

I’ve written before about how this show is covering a lot of the same content as “Timeless” has this past season, but I think it’s fair to say that this moon-centered episode is very different from what that show presented. Rip dropping Nate’s grandfather off back in 1965 so that he could protect his portion of the Spear of Destiny was cool, and I like that he worked his way up the chain in NASA so that he could use the flag planted on the moon as a hiding place. Amaya insisting that he couldn’t return to the timeline caused some drama and may have inspired Henry to sacrifice himself, and the idea that Henry invited his son to the control room so that he could meet him and then couldn’t because he was never there makes me think this show has a great understanding of time travel (not that I’m the expert, of course, but based on my understanding of it). What’s less convincing is Eobard’s reference to having worked with Cisco and Caitlin, because as far as I comprehend, this Eobard is the one who traveled straight from the future back to the past to kill Barry’s mother and never assumed Harrison Wells’ identity. I’ll have to do some research on that, because maybe I’m wrong. Amaya looking at her future is definitely not a good thing, and I hope she sticks with this group since I find her to be a very positive addition. Ray channeling Matt Damon in “The Martian” was fun, and about as serious as Stein’s chosen distraction activity with his impromptu solo in the control room.

What I’m Watching: This Is Us (Season Finale)

This Is Us: Season 1, Episode 18 “Moonshadow” (B)

And this is it, the end of the first season of one of the biggest crowdpleasers to hit network television in a few years. The show was renewed for not one but two additional seasons a while ago, but this first year was kept at just eighteen episodes. I’ve found myself to be as impressed as everyone else just a few times throughout this season, and therefore I don’t mind it signing off early. I’m not convinced that having this entire episode, save for the closing moments where we got a brief update on each of the adult children, set in the past was the way to go, though I can appreciate the effectiveness of showing someone like Jack at a younger age before he met Rebecca when their marriage is in serious trouble and we know that he’s going to die soon. Their blowup fight was huge, and it seems like coming back from that is going to be very difficult. Jack had a certain sweetness to him that came from working hard despite his father’s disapproval, and the fact that he didn’t go through with a cash register robbery because he was entranced by Rebecca’s singing only makes their love story stronger. Just like Randall’s story was defined by his parents meeting, even if that was just a brief flicker of the history of William and his family, Jack and Rebecca’s union is crucial to how all these grown-up children live their lives. On that note, I think Randall planning to adopt is the biggest news we got. It’s going to be a long wait for this show to return, something I assume will happen in September, and I imagine that I’ll be watching if only for the general hype and enthusiasm others have heaped upon this decent series that’s nowhere near as good as the somewhat similar “Parenthood” was when it was on.

Season grade: B+
Season MVP: Ron Cephas Jones as William

Sunday, March 19, 2017

What I’m Watching: New Girl


New Girl: Season 6, Episode 19 “Socalyalcon VI” (B)

I laughed a good deal throughout this episode, and I’d say that my only real objection to its quality is that Jess should have figured out long, long ago that she’s really the glue that’s holding the relationship between Nick and Reagan together. It’s true that Reagan wants Nick to succeed, but that’s more about him becoming a productive member of his society than him being happy. Her inability to answer Nick’s question about the book was the best and simplest demonstration of her involvement, whereas Jess throws herself into it wholeheartedly. Now I’m not sure it would really be any different for a friend, but the point is that she does have feelings for Nick that are not going away anytime soon. I think it will be easy enough for Reagan to leave and disappear from the show’s narrative completely, but I’m not sure what that accomplishes since we’ve already seen Jess and Nick together. I do believe that some of their time as a couple was the height of this show’s quality, but I don’t know about going down that road again. Schmidt becoming paranoid about the many points of entry to their new home was predictable, and locking them out of the house thanks to a complex electronic system is a frequent sitcom plotline that was made most entertaining here by the sight of him opening the door after getting in through the chimney. Winston trying to reveal secrets from his past failed miserably, and Aly definitely won that war with her storage unit full of stuff from the Asian game shows that enabled them to be completely unserious and distracted from their real-life work as police officers.

What I’m Watching: The Flash

The Flash: Season 3, Episode 16 “Into the Speed Force” (B)

This episode was markedly better than the last time our main speedster got himself trapped in the speed force, though it’s still odd that it’s able to take the form of people in Barry’s life to truly torment him. I’m also not sure why a speedster needs to be trapped there, but it’s a convenient way for Jay to make a big sacrifice for now so that Savitar can eventually be put back to where he needs to be so that all worlds are safe. It was fun to see two characters who are now dead, Eddie Thawne and Leonard Snart, and though they were nowhere near as freaky as the time wraith that loves pursuing Barry and any others who mess with the timeline too much, they were nowhere near as warm as they used to be in real life. For those watching “Legends of Tomorrow,” the easy solution here would be to get a former main player from this show stuck in the speed force to help everyone out, but I assume we’ll get to that in time (or not, because time can be manipulated). Getting Wally back did seem pretty easy, and hooray for HR for figuring out that Savitar is a human being – who, I wonder? – and therefore venerable to pain if directed the right way. Barry moving out to give Iris some space is a sad development, and I can only hope that it will help things, allowing him to focus on taking on this big threat so that they can get back to run-of-the-mill metahuman criminals who can’t travel through time or dimensions.

What I’m Watching: Humans


Humans: Season 2, Episodes 5 and 6 (B+)

A double dose of this show is never a bad thing, though it does mean that we’re closer to the end of the season, which is now just two episodes away, and the show has yet to be renewed for a third season. The most momentous event from both hours was Niska declaring that she no longer accepted the authority of the court that was about to rule on her humanity, which was promptly followed by a well-executed escape. I like the idea that Anita or Mattie could help reverse the order that’s out there for all synths to immediately radio in when they see her, but it seems that going to one human that she knows she can trust is probably the smartest plan, especially since said human refused to acknowledge that Niska could be anything but human. Karen’s new take on things, not wanting to have to pretend, is intriguing, and it’s cool that she and Pete are now investigating Dr. Morrow. The death of her daughter is sad, certainly, but it’s even more worrisome since it means that she’s going to fight harder to be with what’s left of her daughter, who can apparently now feel fear. Leo and Hester having sex does seem to have changed their relationship, as Leo warned, and Max finding out that the man they kidnapped was found dead means that he may be switching sides, which isn’t good for anyone. Anita quickly reprogramming herself was brilliant, and it was just a little terrifying to see her start back up after the entire Hawkins family panicked when Mia was nowhere to be found. Sophie acting like a synth is strange, and it’s definitely getting to both of her parents. Odi going to church for confession was not something I ever would have imagined, and he really is trying to be as helpful as he can now that he has all these feelings.

What I’m Watching: Girls

Girls: Season 6, Episode 5 “Gummies” (B)

There’s a lot to this show, and for me it’s about friendships and relationships and the notion of someone just deciding to have a baby when she gets pregnant without thinking much about what it actually means. Its title has a more direct reference to the drug usage that takes place in this hour, not played up to much effect but still serving to direct its plot as Hannah spent the better part of the half-hour searching for her gummy-eating mother with Elijah’s help after breaking the news to her about being an expectant mother. Becky Ann Baker is undeniably excellent, and I hope that she earns an Emmy nomination to go along with her onscreen ex-husband, Peter Scolari, who won last year. It feels both insightful and inappropriate to be re-watching some of the show’s most iconic scenes as reinterpreted by Adam, who is having the time of his life filming his story. Jessa, on the other hand, doesn’t want to put nearly as much weight into it, partially because she sees Hannah as a supporting rather than driving player in Adam’s life, which clearly he doesn’t. Ray breaking up with Marnie was an inevitability that should have happened long ago, and good for him for standing up for himself when Marnie had to make up an excuse to avoid being with him for just a few minutes during an admittedly boring and indulgent activity that has Ray getting very nostalgic about what it means to be alive. Hannah meeting the actress playing her, who apparently has a few kids and loves being pregnant, was a poignant end to the episode that served as a far better way for her to find out about this movie than I would ever have expected.

Saturday, March 18, 2017

Round Two: Feud

Feud: Season 1, Episode 2 “The Other Woman” (B)

So many people told me that I was crazy to have not stuck with “American Crime Story: The People vs. OJ Simpson” past its initial episode, which didn’t do much for me. I understand the power of Ryan Murphy in the industry and the fact that shows like that are going to dominate awards cycles for years to come. I watched this second hour out of obligation, to see if it piqued my interest any more than the first one or if it would just be worthwhile for me to conclude that it’s a strong show I’m sure others will enjoy but I don’t need to be watching. Given the number of shows currently are to keep with on a weekly basis, I’m going to defer to the latter opinion going forward. It is interesting to see how quickly Joan and Bette slipped back into hating each other when Robert made his dastardly move to divide them. He’s also the one they call, and the fact that he slept with Bette after turning down Joan’s advances is sure to eventually come to light and made things torrentially worse. I do like the casting of Kiernan Shipka from “Mad Men” as Bette’s daughter, and Dominic Burgess seems like he’s having fun as the “unexpectedly homosexual” Victor Buono. I imagine I may encounter this show again sometime soon, in Emmy episode viewing or in its already-announced second season, but for now I think I’ll have to acknowledge the quality of its storytelling and acting that others will be able to benefit from enjoying.

What I’m Watching: Billions


Billions: Season 2, Episode 4 “The Oath” (B+)

I wrote just last week about the dangers of gloating in Axe’s presence. He doesn’t like to lose, but he hates being told that he’s lost even more than that. It was foolish from the start for Chuck to come along to the deposition, and Axe was made to realize right away from his newly-shaven lawyer that he could very easily get caught in a lie if he answered too arrogantly. What ended up happening was pretty fantastic, with Ira positioning Axe to have to admit that Chuck had hurt him either emotionally or mentally in order to get what he wanted. Unfortunately for Chuck, Axe got a call moments later that his dismissive treatment of someone’s faith-based ethics had cost him the NFL deal he so wanted and thought he had in the bag, and he’s going to blame Chuck for that. While I’m not sure that will hold up, it is a game-changer (purposeful pun!). I’m intrigued that Chuck knows – or at least thinks he knows, since it doesn’t appear to be true – that Brian betrayed him and hasn’t done anything about it, but I am finding the antics of that office to be less and less engaging. I did enjoy how Chuck literally startled Dollar Bill, who promptly started waving his arms in front of the computer so that the attorney couldn’t see what he was working on. Wags going back to Wendy for treatment at Axe’s behest is probably a positive development since it will rein him in from all of the craziness that has defined him lately.

What I’m Watching: Big Little Lies

Big Little Lies: Season 1, Episode 4 “Push Comes to Shove” (B)

We’re still no closer to finding out who has been killed and who is responsible, but the drama continues with a specifically legal showdown with Madeline and Renata on opposing sides. Having Celeste on Madeline’s side really helped, though it’s very unfortunate to see Perry react violently to the news that, in his mind, she lied to him, and that she may in fact continue doing something that doesn’t just constitute raising his children and could give her some happiness in life. Her going to see the therapist on her own was a big step, but it doesn’t seem likely that the destructive cycle Celeste is caught in is going to stop anytime soon. There is so much hostility between Madeline and Nathan, and Ed paying Bonnie a visit didn’t seem to help the situation at all. We got to see a side of Madeline with her guard down, as her coconspirator in all things “Avenue Q” made a move on her that she definitely didn’t resist at all and now wants to go public with it rather than leave it as a one-shot (or two-shot) dalliance. It’s worrisome that Ziggy’s teacher is continuing to watch him so closely, though obviously Jane thinks there’s cause enough for concern to have him go see and talk to someone. An interesting bit of news is that actor Iain Armitage, who plays Ziggy, will soon play a nine-year-old Sheldon Cooper in the likely ill-fated CBS spinoff “The Young Sheldon.” The easy conclusion would be that either Ziggy killed someone or got killed by someone, but I suspect that there’s a reason we haven’t seen our main characters interviewed about the incident. My current bet is on Perry as the victim with Renata as the runner-up.

What I’m Watching: The Walking Dead


The Walking Dead: Season 7, Episode 13 “Bury Me Here” (B-)

It seems to me that we are headed toward an inevitable conclusion to this entire Negan saga, in which everyone either bands together against the oppressive dictator or they become a casualty along the way. Each time we see Ezekiel the king brought down a couple hundred pegs by the unkind and disrespectful treatment by the Saviors, the likelihood that he will soon revolt against their oppression increases. It’s just as true that Morgan won’t be able to be nonviolent forever since he doesn’t exist in a world where others play by those rules, and while he can survive without resorting to violence, he won’t be able to protect others. I’ll admit that I didn’t expect him to beat Richard to death just to show how far he’s descended, but it’s all representative of the same general idea. People can only take so much before they either kill or are killed, particularly in a world overrun with zombies. Carol learning the truth was an important but also predictable moment, and I think we’ve been ambling along for way too long, and it’s about time we see some definitive and transformative action on the part of our main characters. The difference that remains between the “us” that constitutes everyone aside from those within Negan’s camp is that they still hold to different standards; they do what they need to do but not to excess and not punitively. It’s just a matter of how long they can last before they all explode like Morgan, and hopefully they’ll stop killing their owns and focus their efforts on the true threats.

Friday, March 17, 2017

What I’m Watching: Homeland


Homeland: Season 6, Episode 8 “alt.truth” (C-)

A friend and colleague asked me yesterday whether I was still watching this show, and, ready for him to agree that it has gone so far downhill, I was shocked to hear him argue for how strong it is this season. Every episode, we’re reminded that this show is no longer about actual threats to the country and more about the broken inner workings of the system, with a heaping dose of family and mental drama mixed in. Now both Saul and Carrie have been made to look like fools by an ally they should never have trusted, and Keane was unwise to dismiss Carrie outright because she knows her history and should be well aware that she’s going to trigger a major relapse on her part, especially after Franny was taken away, a devastating reality Saul helped to mediate by showing and assuring her that she was safe. Quinn, on the other hand, continues to be number one distraction on this show, and there is no way that he could hold his breath underwater for a longer period of time then his would-be assassin was willing to wait given the state he’s in. It reminds me of the absurd scene in the movie “The Gunman” where Sean Penn’s protagonist literally passes out in the middle of a chase scene yet still manages to get the upper hand on his pursuers. To tie this show in to the real world again, I keep thinking that Jake Weber’s conspiracy theorist host Brett O’Keefe would be either not heard at all or brutally tweeted against by the president-elect, but the fact that Dar is working directly with them gives way to a whole new slate of unbelievable theories of collusion against those in power.

Round Two: Making History


Making History: Season 1, Episode 2 “The Shot Heard Round the World” (B+)

I wasn’t sure how this show was going to work week-to-week, but this very funny second installment really impressed me and gave me confidence. The way that some history is preserved, like Dan and Chris struggling over the gun so they actually couldn’t tell who fired the first shot and Deborah going riding disguised as her father telling everyone that the British were coming (to take their guns), is fun because it isn’t meant to be serious but does make a little bit of sense, especially in this show’s reality. The mockery of olden times is fantastic, with the inability of Sam Adams and John Hancock to take Chris seriously because he wasn’t wearing a wig and talking about what plans people had the next few fortnights. Deborah being so inspired by the wrapper of a Peppermint Patty was great, and she seems very set to explore the future, even if most of the things she wants to see haven’t yet been invented, and it’s logical given how horrible her father is, relieved to learn that she is still alive because that means that she can now do his laundry. The casting of Brett Gelman from “Married” as Paul Revere was spot-on, and it’s probably the best use of that actor that I’ve seen yet. The parody of the colonial Americans being so obsessed with their guns was entertaining if all too realistic, and it turns out that those same guns had immediate negative consequences, with Chris’ new best friend Davey being the first casualty of reckless shooting.

What I’m Watching: Santa Clarita Diet

Santa Clarita Diet: Season 1, Episode 7 “Strange or Just Inconsiderate?” (B+)

Say what you will about this show being weird or excessively gory, but I think it has some of the best and most memorable lines on TV these days. While “Men can kill too” was enhanced by its delivery, I think I appreciated a few of Joel’s lines in this hours more, namely “In another time, they would have been cowboys,” “I see things I feel are true and I share them,” and of course, the winner, “You never know when your neighbor might kill you with a shovel – I don’t have to tell half of you that.” I didn’t think that Dan was dead already, but it turns out that it was great fodder for some physical comedy involving Sheila and Joel having to hide the body while bickering about using the garage as a home office, something they both ultimately decided they liked, and Eric getting his chance to come share his true feelings with Dan postmortem. It took me a minute to recognize Natalie Morales from “Parks and Recreation” and “The Grinder” as Dan’s partner, who sounds emotionless but harbors quite a bit of affection for Lisa, who didn’t seem at all devastated by Dan’s disappearance. Casting Dan as the one who killed Gary and Loki is convenient, though after the disgusting scene in which Sheila demonstrated just how hairy Dan was, seeing her find her own severed toe in the bathtub is disquieting news at best. This episode’s title was a slam dunk, referencing the humorously shameless description that Sheila and Joel adopted for themselves to avoid something much worse.

What I’m Watching: Sneaky Pete

Sneaky Pete: Season 1, Episode 9 “The Turn” (B+)

I wasn’t keeping track of where we were in the season, and it now makes total sense that this was the second-to-last episode, ending on an extremely intense note and sure to produce a very memorable finale. Things at the office at the start of the episode were tense to say the least, and it was interesting to see the alliances that formed as Pete figured out a way to salvage the situation only to have Detective Winslow show up and lead him to his death, leaving Otto and Lance to join forces with what should have been a foolproof plan to get out of jail free, so to speak. Unfortunately, Pete grabbed the money, and all Winslow wanted to do was execute him in the woods and keep them money. Enter Audrey, who was angry at Otto but more intent on protecting her grandson. The fact that she wouldn’t even hear his repeated assertion that Pete wasn’t actually Pete shows her loyalty to family, even if he isn’t that, and she was ready to intimidate Winslow into submission all on her own, offering him the choice to ride inside or outside the car, and ending the episode with a gunshot and a splattering of blood doesn’t mean anything good, even if it’s likely the corrupt cop and not Audrey who is dead. Carly held her own against Winslow even if she couldn’t keep him out of the house, and now Taylor is plenty suspicious of things going on. Eddie being able to tell that their mark was cheating without knowing how wasn’t as helpful as it should have been, and Vince sitting down to play at his own table is an intriguing development. Hopefully Pete can arrive and sort things out to save Eddie, and I have no idea where and how that will lead into season two.

Thursday, March 16, 2017

What I’m Watching: The Catch (Season Premiere)

The Catch: Season 2, Episode 1 “The New Deal” (B)

I almost forgot entirely about this show, one of the midseason surprises from last year, and it’s nice to have it back. I’m not sure I’m totally on board with all of its developments, but it’s undeniably fun. Ben surrendering himself to serve his three to five years in prison wasn’t nearly as simple as he wanted it to be, with the government offering him the chance to get out right away and go undercover and his old pal Reese, who is suddenly one of the good guys, getting him stabbed so that he could break out of prison. I don’t think that Margot engineering a hostile takeover negates the fact that Reese is a violent psychopath who shouldn’t be trusted and certainly shouldn’t be given the information about Ben’s undercover assignment. After a season of playing cat and mouse, Agent Dao is now firmly on the side of Anderson Vaughan, but now we have Agent Justine Diaz, played by Gina Torres of “Firefly” fame, to go toe-to-toe with the private investigators and continue the dance. I’m less taken with the other new character, Alice’s brother Tommy, played by Shonda Rhimes regular T.R. Knight, who seems like bad news all around and ready to make lots of trouble for everyone involved. Margot showing up asking for Alice’s help at the end of the episode was quite the twist, and I really am curious to see exactly what she wants to propose and in what way they’re going to be able to work together.

What I’m Watching: Life in Pieces

Life in Pieces: Season 2, Episode 16 “Dirtbike Old Mechanic Earthquake” (B)

The Short family has a bunch of dynamics that have been explored over the course of this show’s one and a half seasons. One of the themes that has been revisited time and time again is that Matt is the black sheep and Greg can do no wrong. It’s not too surprising, therefore, that Greg would be hanging on to the fact that Matt stole his birthday money decades earlier and that he would try to relive the excitement of a kids’ gift that he would have bought then, only to then assume that Matt had gone ahead and stolen it again and blame him preemptively without realizing that Jen was in fact the one who took it. I didn’t find the exploration of Joan starting to feel ignored and presumed incompetent by her children and grandchildren to be all that funny, though Joan did embrace the opportunity to appear senile to make her point. Colleen’s inability to be mean despite wanting to stand up for what she knew she was seeing and hearing was amusing, and rating the employee five stars after trying to take him down in blistering fashion was a highlight of that. Showing up with three female family members in tow proved to be somewhat effective, but unfortunately that led to the reveal that it was her vibrator stuck between the seats making all that noise. I love that Tim forces his children to do earthquake survival drills, and that, after suffering through a day of testing involving lots of begging for money, his kids knew exactly what to do to get him back for making them endure all of that.

What I’m Watching: The Great Indoors

The Great Indoors: Season 1, Episode 15 “Relationship Jack” (B+)

We’ve seen how Jack responds in a handful of situations, but I don’t think we’ve ever really seen him happy. It was Eddie’s initial reaction to hearing him use the word “blankies” that first sounded the alarm, and things only got worse from there. I kept waiting for Jack to suddenly snap out of it and start being mean again, but even his insults were tempered to the point of secret cuddling time. I was pleased to see that even Rachel found it to be too much, and that she was desperate to work with Roland to figure out a way to get the regular Jack back. It’s completely true that Jack immerses himself in everything he does if he likes it, and the allure of staying on a couch barely moving for two full days doesn’t seem like something that would normally be up hi alley, but apparently it enabled him to fully change his behavior, even stooping to the level of asking Esther a follow-up question to her morning anecdote. Clark slipping into the Jack persona was an entertaining if highly unbelievable experience, and the way that he managed to appeal to Esther, Emma, and Brooke just by dressing and speaking differently was pretty absurd. I hope that somehow he’ll be able to keep a bit of that to pursue the relationship with Emma that seems to have been put on hold recently. Roland’s alcohol references, if repetitive, remain consistently amusing, but not as much as the fact that he couldn’t remember the exact number of times that he’d been married.

What I’m Watching: Powerless

Powerless: Season 1, Episode 5 “Cold Season” (B+)

This episode was really funny, and I like how it incorporated elements of the show’s universe into it. Emily’s response to the impending cold season made sense, but of course in this world, it’s right in the middle of the summer when all the icy supervillains come to town and start freezing things. Teddy’s heat gloves were pretty cool, able to pop popcorn and then eventually able to be used by Crimson Fox to defeat the villains. I love that Emily motivated Teddy to initially consider submitting to the Wayne Innovation contest by comparing him to the “Hobbit” movies, and that he had offended her earlier by describing something as “Emily Exciting.” I’m particularly intrigued by the fact that Lena Dunham exists in this show’s universe. While Emily thinks she understands how her younger dog walker sister feels having to live up to her expectations, Teddy living in the shadow of his space doctor brother who gets calls from the president is a considerably bigger deal. I love that Van thought that there was a ransom note in the toy box and that he turned to Ron to follow the instructions to put everything together. It’s great that he was assembling an invisible jet that, of course, Emily couldn’t see when she just walked right through it, and finally he let it all bottle up, resulting in quite the explosion at Van, thanks in part to the news that Dylan is actually a girl and he had to build something else entirely. I like the dynamic that Ron and Van have, even if they’re never going to really know each other.

Wednesday, March 15, 2017

What I’m Watching: Underground (Season Premiere)

Underground: Season 2, Episode 1 “Contraband” (B)

This show isn’t like most of the other fare that I watch, set in the past where slavery was still lawful and a few were starting to revolt and try to change the times. The season finale was extremely eventful, and we’re now starting this year off a few characters down. This show does do a great job of using music to underscore its events and give it its own feel, and that was truer than ever during the extended opening scene of this episode. It’s interesting to see John using his position as a white lawyer to try to defend property theft rather than murder, using legal means to ensure that he has control over where the slaves that he’s trying to save are. Unfortunately, that plan didn’t work too well, with the judge ruling against him and ordering a hanging. Fortunately, the runaway slaves are doing a good job of intimidating the catchers who are after them and engineering a series of explosions to try to rescue Noah as he literally had a rope around his neck. That plan wasn’t all that well thought-out since the cavalry was on them right away, and Rosalee was clearly distraught by not being able to save Noah. The far more troubling development came at the very end of the episode when John emerged triumphant from the courthouse with Elizabeth on his arm ready to make a much bigger impact as a judge and then promptly got shot in the head. I’m not sure what comes next – I’m not feeling like I need to stick with this show but will probably give it another shot.

What I’m Watching: Legion

Legion: Season 1, Episode 5 “Chapter 5” (B+)

The scope of David’s powers is still unknown, and there was something incredibly theatrical about the way that he marched through the facility where Amy was being held performing for the cameras, taking out a whole group of guards with nothing more than a wave of his hand. What Cary identified in this episode is very important since it recognizes the terrifying man we’ve seen before in David’s mind as another mutant who somehow was separated from his consciousness and now exists as part of David to wreak havoc and destruction. It seems that Lenny is one of his forms, and it was downright scary to see her show up and then morph into something much more frightening when Syd tried to flee the moment with David to his white place. It’s incredible that he can just disappear into an imaginary getaway when a bullet is coming and that he and Syd have gotten so close, eager to be devious together wearing black, planning rescue missions, and going to invented realities where they can touch and have sex. This show continues to have excellent, purposeful lighting and terrific cinematography, and they’re complemented well by oddly subdued scenes like the one featuring David singing “The Rainbow Connection.” Cary and Kerry healing each other was a cool process, and I’m glad that they’re already action-ready. The transition from red strawberries in David’s white place to Kerry’s bloody wound was very effective, and this show’s music continues to be superb. Ending the episode with Syd trapped in some weird hell of her own with Lenny as the doctor leading group therapy is disconcerting, and I’m worried about how susceptible those other than David are to the menacing aspects of his mind.

Round Two: National Treasure

National Treasure: Season 1, Episode 2 (B+)

This really is an exceptional series. What’s most fascinating about it is the way the main characters who are at the certain of this whole thing turn inwards on themselves to think back and try to figure out what they really know. While their lawyer is busy swearing a lot so that the reporters can’t use anything, Paul is thanking people for believing in and standing by him. There are no issues skirted around – he went on a radio show to discuss his innocence, explaining that a presumption of guilt has been encouraged with the announcer bringing up the counterargument about whether the law should be protecting possible perpetrators or possible victims. Dee described her behavior not as a cry for help but as a cry for clarity, and the flashbacks to a far more menacing Paul playing with his young daughter and then eagerly watching as the babysitter walked in indicate that he’s more guilty than he remembers. The layered nature of the memories presents a complex version of events, with the babysitter purposely flirting with Paul to cover up what she and Dee were doing, one that still doesn’t excuse his behavior. Marie’s comment that he is never unfaithful in an important way, one that matters, is an interesting if all too forgiving perspective. What’s clear is that this has all taken a tremendous toll on Dee, who is afraid of losing her own kids, and her destructive driving at the end of the episode doesn’t indicate anything good.

What I’m Watching: The Detour

The Detour: Season 2, Episode 4 “The Court” (B+)

This show is knocking it out of the park this season. It may well be the strangest comedy on television, but it’s so incredibly aware of what it is and doesn’t tend to leave things, or supporting players behind. While this episode provided a rare showcase for Vanessa, who argued for her relevance as a character, it also had some fantastic moments with Delilah and Jareb where the somewhat precocious daughter pointed out that they’re almost always there when the parents are talking, Jareb ordered a cheeseburger in court, and Delilah ran back into the court just in time to hear that her brother might actually have a different father – something that wouldn’t surprise me at all on this show. I love how Robin sarcastically suggested a series of flashbacks and then precisely that happened, with Nate and the judge making numerous appearances to object to the absurdity of what was going on. My favorite lines included “That’s a trick question because adults don’t have favorite colors” and “Grills – who discusses that kind of stuff?” Serving as a green card spouse for hire is quite the profession, and so much of Robin’s storied past was revealed in this episode. Nate’s entry wasn’t exactly noble, as he was the least boring guy in Syracuse for Vanessa to randomly hook up with and then bring to a funeral. I’m excited to see what comes next with Carlos’ wild assertion, and I enjoyed the ending shot of Nate angrily breaking the pencil in half.

What I’m Watching: You, Me, Her

You, Me, Her: Season 2, Episode 4 “Cat in the Box” (B)

Seeing characters do drugs on shows and in movies is rarely a positive sight, since it usually creates unserious comedy that dilutes from the project’s effectiveness. I remember reading about how great it was that, on “Six Feet Under,” the main players would just smoke and then go on with their lives, and while that is what happens here too, I don’t love that the young ones – Izzy, Nina, and Andy – all got so silly and stupid listening to Lori go on about her miserable life. There was enough in the way of ridiculousness already with Lori begging to be invited to girls’ night and then just complaining about how awful things were for her when she did show up. I don’t quite understand how Andy was allowed to attend, though he proved to be an effective bartender and is getting to a very good place with both Nina, who doesn’t want to confess her deep affection for him, and Izzy, who is doing considerably better than Jack in terms of feeling included in the relationship. His interaction with Ruby while he was out with the boys was wholly inappropriate, and I don’t think that feeling like a third wheel is any excuse for that. Coming home to find Emma and Izzy taking a bubble bath together was unfortunate, since it was innocent enough but was just about the worst thing that could have happened in the moment to make him feel once again like he was on the outside, sending him right to Ruby’s door, a choice that can’t possibly have positive consequences.

Tuesday, March 14, 2017

What I’m Watching: Legends of Tomorrow

Legends of Tomorrow: Season 2, Episode 13 “Land of the Lost” (B+)

I, for one, am very glad that Rip is back. I wasn’t too fond of this whole plotline in which his memory was manipulated to turn him into a villain, and I’m happy to report that the episode in which he found himself again was actually the best installment of this show in a while. Only on this show would Gideon the computer manifest as a beautiful woman appealing to every member of the crew (and portrayed by the actress who voices her, Amy Pemberton) and then somehow remember making out with Rip just before his mind was collapsing. I enjoyed Sara telling Jax that they were going to have to “kick our own asses,” and it was cool to see Rip have powers of his own within his mind as he slowly found his way back to himself. It was triumphant comeback for the captain, who nearly got the ship blown up before its epic crash in the snow. There’s no argument that Amaya communing with a dinosaur was awesome, and it’s understandable that Nate wants to pursue a relationship with her, especially considering her sudden flirtatiousness, despite Ray’s warnings that she needs to return to the timeline eventually so that she can have a granddaughter and fulfill her destiny that sets her apart from the rest of these timeless legends that history won’t miss. As if the stakes weren’t high enough, somehow our friend Eobard Thawne, who was clever enough to think of everything but corrupting artificial intelligence, has put himself in a position to affect who gets launched into space. That’s going to be intense.

What I’m Watching: This Is Us

This Is Us: Season 1, Episode 17 “What Now?” (B)

This episode’s title was very fitting, since the previous installment in which William died was a fitting farewell to the character but didn’t address how to move forward. William played an important and sweet role in this tribute, leaving instructions for his granddaughters to plan his “fun-eral,” which turned out to be a truly endearing and great goodbye. Randall giving a toast rather than a eulogy was a way to keep things from being too heartbreaking, and hearing stories from Jesse and from the mailman who got to know William on his morning walks helped to ensure that William is remembered fondly. Randall dreaming that Jack and William were talking to each other about their son was sweet, and the best part was Beth coming to home to find a postcard from her constituting her own ability to find closure. Pairing this with flashbacks to Jack having trouble dealing with Rebecca leaving for her tour and then ultimately showing him demonstrate his loyalty was moderately affective, and then we got the devastating news – not quite confirmed – that Kate caused her father’s death, presumably by sending him after his mother to apologize and make things right. Even though he didn’t get the theater critic he really wanted to come to the show, Kevin somehow managed to elicit a phone call in the middle of the night from Ron Howard offering him a part in his new movie, and he’s even gotten back together with the love of his life, putting him on top at the moment and at serious risk of falling down soon.

What I’m Watching: The Flash

The Flash: Season 3, Episode 15 “The Wrath of Savitar” (B)

I’ll admit that I don’t have anything close to a true understanding of the speedforce and how it works, and the episode that found Barry running through his memories is one of my least favorite hours of this show. I can’t comprehend how Savitar exists or came to be, though he does claim that he created himself because, after all, he’s a god. What I do find interesting is Barry’s commitment to trying to prevent a future he’s seen happen by doing things that contradict what he saw, like proposing to Iris so that they’ll be happily engaged and she’ll be wearing a wedding ring, despite Savitar’s unending desire to take her from him. Appearing to Wally and then posing as his mother were great ways to mess with his head, and then tricking him into throwing the last remaining thing keeping him from escaping to freedom into the speedforce worked perfectly. Barry just stood there helplessly as Savitar crawled out of the speedforce following Wally being brutally sucked in, and now he’s on the loose and coming for Barry and everything good, determined to spin him as the bad guy in his own evil narrative. Julian’s return was well-timed so that he could channel Savitar, and I like that he managed to score a sweet, almost platonic kiss with Caitlin that she didn’t mind as they continue to get closer and be on the sidelines of danger, doomed to succumb to the inner darkness within them but determined to stay together and avoid that fate.

What I’m Watching: Humans

Humans: Season 2, Episode 4 (B+)

Thus far, this season has been one of exploration for all of our characters, and now there are things happening that threaten all their livelihoods. Laura bringing in Astrid to show Niska’s humanity was a brilliant move, and it was interesting to see just how committed Astrid was to the idea of Niska being human, even if she didn’t respond in terribly warm terms. The summary from Patel that it doesn’t really matter whether she has feelings or emotions was an unfortunate reflection of what’s likely to transpire, suggesting that a jailbreak by Laura is probably necessary. There were three synths in the Hawkins home by the end of the episode, which was quite the turn of events, and I like that Odi sprang into action to defend Mattie’s family when the synth was busy threatening Laura and demanding verbal confirmation that she was going to drop the case. I’m not sure what comes next, but things are definitely heating up. It’s no surprise that Pete and Karen are getting themselves into trouble, and hopefully they’ll soon find allies with similar interests to help protect the newly-awakened synths. Things seemed to be going so well between Ed and Anita, and then he shut her off at the end of the episode with his friend watching, which suggests nefarious intentions. Milo is onto Dr. Morrow, but I think he’s most interested in remaining at the forefront of technology and using her to advance his research, regardless of why it is that’s she really trying to do the work.

What I’m Watching: Supergirl

Supergirl: Season 2, Episode 15 “Exodus” (B)

I’m still not too into this whole Jeremiah plotline, but there’s no denying that this was an involving, intense hour that got pretty exciting fast and didn’t let up until its very end. I have to admire Lillian Luthor for being a great supervillain if only for her very sensible decision not to build a kill switch into her destructive plan, since it seems like such an easy way out that gets used in so many situations. Lyra getting taken along with the others listed in the alien registry helped to humanize (a purposeful word choice here) the effort to save them, and having Alex stare right at Kara as she was trying her hardest to use her strength to prevent total chaos added plenty of drama. Alien entities aside, this episode was heavy on the human relationships, with Maggie sticking by Alex when she got herself into trouble with Hank for failing his clever test of loyalty. I don’t see a future in which the full Danvers family has another dinner party all together, but as long as both sisters are getting along and doing well in their relationships, that’s the best that they can hope for at the moment. Kara having Snapper interview Supergirl to get the story out was a smart idea, and publishing on her own when he refused to run it was the only way to spread the word. Getting fired from her job is a blow, and it’s going to take Kara some effort to find some new cover to give her extra purpose.

Monday, March 13, 2017

What I’m Watching: Girls

Girls: Season 6, Episode 4 “Painful Evacuation” (B)

I was feeling very good about the start of this season, and then when this episode opened, it seemed like it was all going to be about Hannah interviewing a different person every week about their perspectives on life. Fortunately, that was just the introduction and not the meat of this episode, and instead we got back to simpler things like Hannah having a UTI. Of course, that’s not all she has, and her surprise encounter with Patrick Wilson’s doctor, who I can admit that I didn’t remember at all from his season two guest spot, but flashes of it are coming back now, gave her some very unexpected news which throws her entire future into question. I really don’t see Hannah as a mother, but I think that something about her encounter with Paul-Louis and the fact that it technically constituted her healthiest relationship, may inspire her to keep the baby. She’s certainly trying to decide what she wants more than Marnie, who spewed poetry in the middle of very unpassionate sex with Ray and then got blamed by a spiraling Desi for his entire addiction, and Jessa, who thinks it’s a good idea to encourage Adam to make his own movie after he quit what looked like a truly awful role. Ray’s having a rough time of it, realizing that his relationship with Marnie is completely vain and dominated by conversations about whether or not to take an Uber, while the things that really matter, like his friend Hermie’s death, come at him from out of nowhere to deal a crippling blow and reality check.

Pilot Review: Feud

Feud: Bette and Joan (FX)
Premiered March 5 at 10pm

What won’t FX let Ryan Murphy do? This is now the third time the network has granted him the opportunity to create an anthology series intent on tackling different subjects and characters each season, and he shows no signs of letting up. His first, “American Horror Story,” has already been commissioned for an eighth and ninth season, and “American Crime Story” won so many awards for its first focus, “The People vs. OJ Simpson.” Now, he’s stepping away from an American title and simply centered on two people who really hated each other. This show strays from fictional products of nightmares and real-life lawyers to zoom in on 1960s Hollywood, in which two famous stars no longer receiving top billing in films of their choice come together to star in an epic horror film despite sharing a vile dislike of the other. What’s cool about this show is that it takes two Oscar-winning actresses, both close to seventy years old, and puts them in the classic parts of Joan Crawford and Bette Davis. There are a few who would debate the talents of Jessica Lange and Susan Sarandon, and they’re all but guaranteed to compete for awards for these performances. Alfred Molina, Stanley Tucci, and Judy Davis also contribute plenty to the cast, and Kathy Bates and Catherine Zeta-Jones are present in special roles as well. Though I know this is sure to be one of the most talked-about series of the year, I’m not sure it’s one I want to commit to just yet, relatively moody and a bit dense for my tastes, but I know it will be regarded very highly since it is quite a work of art.

How will it work as a series? It’s been just one hour and production has already started on this film within a film, so more antics are sure to play themselves out as the drama gets even more intense, both on screen and between these two as they try to compete. It should be more than ample substance for soap, and I think that this series should do a great job portraying it.
How long will it last? This show was already renewed for a second season, set to focus on Prince Charles and Princess Diana, before it premiered, and a long future is all but assured. The ratings for the first episode were pretty good and the reviews have been excellent, and I have little doubt that most, me excepted, will stick with this show after tuning it for its debut installment.

Pilot grade: B

Pilot Review: The Arrangement

The Arrangement (E!)
Premiered March at 10pm

I was confused by this show’s title for a majority of this episode since it seemed to me like it was just one up-and-coming actress getting catapulted to stardom thanks to a strong audition with a megastar. There were a number of things that already seemed over-the-top and unbelievable, like everyone being completely wowed with this unknown actress’ reading and then her being whisked away by a new suitor with all the time in the world free despite earlier having to rush not to be too late to her audition after staying too long at her day job. But then this show lived up to the network that airs it by throwing in a twist in the last act of this pilot, something that was probably obvious and included in any descriptions of the show that those who knew what they were watching had read, that, even though they were genuinely falling for each other, it had to be something far more contractual with a whole game plan of their relationship trajectory for the cameras and the newspapers. I’ve never seen “The Royals,” the other scripted series that currently airs on this network, but I find this show to be extremely similar to Lifetime’s “UnREAL” in the way that it mimics its portrayed genre in its style, playing out like something from the tabloids rather than just a romantic television drama. I recognized Josh Henderson from his past work on the likes of “Desperate Housewives” and “Dallas,” and of course I know Michael Vartan from his memorable role on “Alias” over a decade ago. I think Christine Evangelista has potential as the series’ star, and I’m more excited about seeing Autumn Reeser, originally of “The O.C.” in a role that seems perfect for her. I don’t, however, plan on watching this show going forward – I don’t think I’m at all part of its intended audience.

How will it work as a series? It didn’t take much for Megan to go from thinking that this was a total joke on Kyle’s part to agreeing to sign the contract, and even that was a quick leap from her meeting him for the first time. With such tremendous jumps in trust and closeness, I can only imagine how far this show will go in a short time, and I think it’s going to be very hard for it to be tethered to any sense of realism or stability.
How long will it last? It looks like both the reviews and the ratings are both decent, not necessarily promising but not too bad either. I think that E! is still exploring its relationship with scripted series, and as a result I think this should play nicely to its established viewer base and likely garner enough attention to merit a renewal.

Pilot grade: C

Sunday, March 12, 2017

Pilot Review: Time After Time

Time After Time (ABC)
Premiered March 5 at 9pm

I’m a big fan of time travel – anyone who reads this blog on a regular basis knows that. I got through all of “Timeless,” am still sticking with “Legends of Tomorrow” and “The Flash,” and I tried to like “Frequency,” which sort of counts but has already been cancelled anyway. All of this dates back to H.G. Wells and his popular book, and therefore it seems fitting that he would be the focus of his own fictional series based on both a book and its film adaptation from 1979. What this show absolutely gets right and does in a superb way, evoking “Kate and Leopold,” is the fascination that its characters from the past find upon encountering the future. While John, better known as Jack the Ripper, adjusted very well to modernity and its acceptance of violence, H.G. is still flummoxed by all the things the present has to offer. His commitment to formality and politeness is pretty great, and it’s no surprise that those who don’t know who really is, like Vanessa’s husband, are immediately suspicious of his presence since he truly doesn’t fit in. There are certain pieces, like how he will later go back in time to affect events or that bringing Jane with him to stop John’s second murder is precisely what made her a target, that he doesn’t seem to get which are somewhat obvious, but I suppose this show can be forgiven. Both Freddie Stroma, as H.G., and Josh Bowman, as John, are well-cast, and they can probably do a pretty good job of carrying the show. This was better than I thought but still didn’t command my attention or intrigue me enough to demand another watching.

How will it work as a series? While this could be a fun adventure series that really understands the appreciation for traveling through time, my concern is that it comes from Kevin Williamson, whose last two series, “The Following” and “Stalker,” have tended more towards a murderous, disturbing nature, and less towards a more hopeful and exciting spirit. Maybe it will be more like his much more popular crowd-pleasing first series, “Dawson’s Creek.”
How long will it last? The reviews have been generally positive if not entirely enthusiastic, and the premiere numbers for this two-hour debut weren’t too great. As a result, I wouldn’t expect that this show will be immediately renewed, especially if ABC has other series that fare better with the ratings. I think this show could be a success, but it’s going to need to perform better.

Pilot grade: B

Round Two and Take Three: The Good Fight

The Good Fight: Season 1, Episodes 3 and 4 “The Schtup List” and “Henceforth Known as Property” (B-)

It’s hard when I’m just about a week behind on TV and there are new series left and right not to miss something, and I’ll admit that I forgot about this show’s third episode, which actually premiered two full weeks ago now, on February 26th, until I realized that I needed to watch the fourth installment while wading through all the new Sunday shows that started on March 5th. Watching two episodes of this show back-to-back for the second time makes me think that I really don’t need to be keeping up on it, and that, much as I’d love to keep up on the Chicago law mythology, I think I’m not going to be able to. There are a number of elements and themes from the show that spun this one off that are still found here, like the fast-paced banter between characters, technology with a mind of its own, and the ridiculous judges who do things like walk into the gallery to collect beeping watches. There are even characters who come back, like the exaggerated lying politician Mike Kresteva, played by a not-so-great Matthew Perry, whose plotline never went very far on the original series and now is getting a second shot to be relevant here. But what’s different is that the characters aren’t great, this whole Rindell scandal is weighing things down, and there’s a connection to reality, namely to Donald Trump, that feels out of place and also not nearly as interesting as it could be. If Trump is really president in this show’s universe, which we did see in the opening scene of the pilot, a whole lot would be more important than just finding one person who voted for him at a huge law firm. I’m also not taken with Justin Bartha’s burger-sharing AUSA and Lucca’s newfound relationship with him, and I find Marissa Gold to be much less enticing here. The investigator doesn’t hold a candle to Kalinda, Robin, or Jason, and while I’m not meaning to compare endlessly, this show doesn’t have the same hook or appeal. I found the bot plotline to be frustrating but mildly amusing when Maia got to take her revenge, but that’s not enough to save this show. Unless I catch up quickly, I don’t think I’ll be tuning in for episode five.