The Closer: Season 5, Episode 13 “The Life” (B+)
This summer cop show is back for a three-week holiday run, and the timing couldn’t be better. As other shows go off the air for their winter hiatuses, this always-solid series is a welcome breath of reliable fresh air. The storyline in this episode, while severely serious and rather depressing, isn’t the best part, but that’s usually the case. Not all of the cast members are highlighted, and with the absence of Detective Daniels, it continues to be rather male-driven, but there are just enough choice interactions that make it well worth it and make me pumped for the next two installments that will likely be among the only television I’ll be watching in the coming weeks. Fritz is easily the most endearing part of this whole show, working extremely hard to please the eternally distracted Brenda with another cat whose gender she can’t possibly ever hope to guess, no matter how many times he tells her. Guest star Josh Cooke seemed out of place to me when he first popped up as a cop in charge of another crime scene initially unwilling to surrender it to Brenda and crew. As the star of three recent failed sitcoms, “Big Day,” “Four Kings,” and “Committed,” in addition to having a small part in “I Love You, Man,” he strikes me as a less-than-serious presence, and I wasn’t surprised that he gave up his case so easily. His spot ultimately proved quite funny, as he was audacious enough to ask Brenda out on a date knowing that he was married. It’s sad to see an unkempt and unshaven Provenza down in the dumps, but fortunately the rest of the team should be able to help him get his spirits up in the coming weeks.
Thursday, December 10, 2009
Wednesday, December 9, 2009
What I’m Watching: Californication
Californication: Season 3, Episode 11 “Comings & Goings” (B+)
I’m really glad that this reunion occurred since I couldn’t bear the thought of not seeing all of Hank’s lovely ladies from this season again without a proper farewell. While Jill and Jackie only get to make a few colorful quips, it’s nice to see them one more time before Hank’s teaching days are truly behind him. The two male guests of honor were both extremely entertaining as well. While Hank is great and very loveable, it’s still fun to see the tables turned on him and have him do nothing but squirm and try to bring the attention back to him when someone else is threatening to steal one of his women, especially the love of his life. Karen knows just how much Hank can’t stand it, and this was a particularly wonderful episode for the delightful Natasha McElhone, who had several great scenes, the best of which came at the end of the episode when she was alone with Hank and ready to do what he had been so ready to do earlier that morning. Stacey in soldier uniform was hilarious, and his ability to stay in character was quite impressive. Their duel reminded me a bit of a similar standoff from “Firefly,” but this was just as entertaining. Marcy and Charlie really are the most depraved couple on the face of the earth, and it’s nice to see them bond even if their divorce papers have arrived and this is the end for them.
I’m really glad that this reunion occurred since I couldn’t bear the thought of not seeing all of Hank’s lovely ladies from this season again without a proper farewell. While Jill and Jackie only get to make a few colorful quips, it’s nice to see them one more time before Hank’s teaching days are truly behind him. The two male guests of honor were both extremely entertaining as well. While Hank is great and very loveable, it’s still fun to see the tables turned on him and have him do nothing but squirm and try to bring the attention back to him when someone else is threatening to steal one of his women, especially the love of his life. Karen knows just how much Hank can’t stand it, and this was a particularly wonderful episode for the delightful Natasha McElhone, who had several great scenes, the best of which came at the end of the episode when she was alone with Hank and ready to do what he had been so ready to do earlier that morning. Stacey in soldier uniform was hilarious, and his ability to stay in character was quite impressive. Their duel reminded me a bit of a similar standoff from “Firefly,” but this was just as entertaining. Marcy and Charlie really are the most depraved couple on the face of the earth, and it’s nice to see them bond even if their divorce papers have arrived and this is the end for them.
What I’m Watching: Dexter
Dexter: Season 4, Episode 11 “Hello, Dexter Morgan” (B+)
The title is sort of a dead giveaway for the final line of the episode, but it’s still a heart-pounding, suspenseful hour. I’m glad that Batista and LaGuerta’s relationship can be laid to rest as a plotline now that it’s been officially consummated as a marriage, and I’ll admit that their plan was smart. That was really just a distraction from everything else on the show, and, as both Dexter as his father would point out, that’s one less person Dexter has to worry about being there for in his life. Dexter looking at the multiple versions of himself in the mirror was an inspired and completely fantastic shot, and it’s really quite true. It’s a relief that Dexter punched his neighbor because Rita might otherwise have become suspicious when he doesn’t seem to care that she had almost strayed from their marriage. At least the emotionless killer is learning. Christine did an incredible job of keeping herself together in jail in front of Batista and Deb, and that made her breakdown at her apartment in front of Deb all the more shocking. I honestly didn’t expect her to kill herself, and that moment caught me by surprise and stuck with me. Courtney Ford deserves commendation for a guest-starring arc that at first seemed obnoxious but ultimately proved all too relevant. The final scene with Dexter walking up to Arthur in his office was startling and intense, and that last moment where Arthur seems larger than life is perfectly representative of how Dexter must be filling. Arthur is in a position to really hurt Dexter by threatening his family or exposing his extracurricular activities, while Dexter would have a much harder time proving that Arthur is the Trinity Killer without implicating himself in the mischief as well. Dexter should just have let Arthur jump off the building, but now it’s too late and Dexter has to find a way out of this mess. Never before has he been in such imminent danger with someone who knows all too much about him on the loose. At least his brother had a plan to bond with him rather than out him, but Arthur is an infinitely more dangerous foe.
The title is sort of a dead giveaway for the final line of the episode, but it’s still a heart-pounding, suspenseful hour. I’m glad that Batista and LaGuerta’s relationship can be laid to rest as a plotline now that it’s been officially consummated as a marriage, and I’ll admit that their plan was smart. That was really just a distraction from everything else on the show, and, as both Dexter as his father would point out, that’s one less person Dexter has to worry about being there for in his life. Dexter looking at the multiple versions of himself in the mirror was an inspired and completely fantastic shot, and it’s really quite true. It’s a relief that Dexter punched his neighbor because Rita might otherwise have become suspicious when he doesn’t seem to care that she had almost strayed from their marriage. At least the emotionless killer is learning. Christine did an incredible job of keeping herself together in jail in front of Batista and Deb, and that made her breakdown at her apartment in front of Deb all the more shocking. I honestly didn’t expect her to kill herself, and that moment caught me by surprise and stuck with me. Courtney Ford deserves commendation for a guest-starring arc that at first seemed obnoxious but ultimately proved all too relevant. The final scene with Dexter walking up to Arthur in his office was startling and intense, and that last moment where Arthur seems larger than life is perfectly representative of how Dexter must be filling. Arthur is in a position to really hurt Dexter by threatening his family or exposing his extracurricular activities, while Dexter would have a much harder time proving that Arthur is the Trinity Killer without implicating himself in the mischief as well. Dexter should just have let Arthur jump off the building, but now it’s too late and Dexter has to find a way out of this mess. Never before has he been in such imminent danger with someone who knows all too much about him on the loose. At least his brother had a plan to bond with him rather than out him, but Arthur is an infinitely more dangerous foe.
What I’m Watching: Desperate Housewives
Desperate Housewives: Season 1, Episode 10 “Boom Crunch” (C+)
An extra-special plane crash episode is not what this show needs right now. Most of the storylines were going pretty well, and instead of giving them a chance to play out properly, they’re all rushed with silly fights at a party and then dismayed by the big crash. No one gets a chance to find out that Karl is proposing to Bree, and presumably either Orson or Karl will be felled by the incident, in the same manner that Victor was disposed of when he was tusslPost Optionsing with Carlos during the tornado a few years ago. Lynette and Gabby’s disagreement, on the other hand, might be better off swept away with the dust. I’ll admit that the way the seemingly unconnected opening scene was revealed to have taken place, with Karl requesting the flyover and giving the man his business card, was clever and a nice way to make it seem at least somewhat relevant. The amount of craziness in Katherine is much more than I think anyone thought, and it’s actually rather disturbing to see it, which makes it lose any of its entertainment value. As I’ve said before, this show has never needed completely crazy characters, especially when it has ones with interesting stories and a great deal of shadiness behind them. It appears that the Bolen family’s problems are gone with this plane crash, but there’s still much more to be discovered as everyone keeps explaining their big, terrorism-related secret off camera. This show should be back in January; the aftermath comes then.
An extra-special plane crash episode is not what this show needs right now. Most of the storylines were going pretty well, and instead of giving them a chance to play out properly, they’re all rushed with silly fights at a party and then dismayed by the big crash. No one gets a chance to find out that Karl is proposing to Bree, and presumably either Orson or Karl will be felled by the incident, in the same manner that Victor was disposed of when he was tusslPost Optionsing with Carlos during the tornado a few years ago. Lynette and Gabby’s disagreement, on the other hand, might be better off swept away with the dust. I’ll admit that the way the seemingly unconnected opening scene was revealed to have taken place, with Karl requesting the flyover and giving the man his business card, was clever and a nice way to make it seem at least somewhat relevant. The amount of craziness in Katherine is much more than I think anyone thought, and it’s actually rather disturbing to see it, which makes it lose any of its entertainment value. As I’ve said before, this show has never needed completely crazy characters, especially when it has ones with interesting stories and a great deal of shadiness behind them. It appears that the Bolen family’s problems are gone with this plane crash, but there’s still much more to be discovered as everyone keeps explaining their big, terrorism-related secret off camera. This show should be back in January; the aftermath comes then.
Tuesday, December 8, 2009
What I’m Watching: White Collar (Winter Finale)
White Collar: Season 1, Episode 7 “Free Fall” (B+)
This is a strong finish for this show, and a great note for it to go out on until it returns in January. There have been a number of shows recently that have aired only a handful of episodes in their initial runs, like “Breaking Bad” and “Parks and Recreation,” and it’s hard to go out on a high, and more often than not, the shows receive mixed reviews and owhnly achieve positive critical acclaim once they start up their second runs. I’d give this one a hearty thumbs-up, and I think it’s the kind of show that go on for a long time based purely on its procedural nature, though it’s made considerably better by its stellar characters. This kind of episode, of course, isn’t the kind of thing that will keep it running since the successful dynamic is based partially on trust between Peter and Neal. Doubting Neal’s innocence and suggesting that Peter has more malicious aims, while both intriguing and entertaining, doesn’t do much to help solidify their partnership. It’s hard to believe that Peter is actively trying to deceive Neal, and it’s also a bit of a disappointment because he and Neal seemed like they were becoming so close. I still love the fact that Neal has such a deep bond with Peter’s wife, and I’m hopeful that she’s not in on it too. This arc can’t last for long, and ideally everyone will come out of it with a stronger sense of purpose and desire to work together. I don’t think having Kate join the cast would be beneficial for the show, and it would be better for Neal to move on and continue seducing every woman he meets. We’ll have to wait to find out. The show returns in its new timeslot on Tuesday, January 19th at 10pm.
This is a strong finish for this show, and a great note for it to go out on until it returns in January. There have been a number of shows recently that have aired only a handful of episodes in their initial runs, like “Breaking Bad” and “Parks and Recreation,” and it’s hard to go out on a high, and more often than not, the shows receive mixed reviews and owhnly achieve positive critical acclaim once they start up their second runs. I’d give this one a hearty thumbs-up, and I think it’s the kind of show that go on for a long time based purely on its procedural nature, though it’s made considerably better by its stellar characters. This kind of episode, of course, isn’t the kind of thing that will keep it running since the successful dynamic is based partially on trust between Peter and Neal. Doubting Neal’s innocence and suggesting that Peter has more malicious aims, while both intriguing and entertaining, doesn’t do much to help solidify their partnership. It’s hard to believe that Peter is actively trying to deceive Neal, and it’s also a bit of a disappointment because he and Neal seemed like they were becoming so close. I still love the fact that Neal has such a deep bond with Peter’s wife, and I’m hopeful that she’s not in on it too. This arc can’t last for long, and ideally everyone will come out of it with a stronger sense of purpose and desire to work together. I don’t think having Kate join the cast would be beneficial for the show, and it would be better for Neal to move on and continue seducing every woman he meets. We’ll have to wait to find out. The show returns in its new timeslot on Tuesday, January 19th at 10pm.
What I’m Watching: Monk (Series Finale)
Monk: Season 8, Episode 16 “Mr. Monk and the End – Part II” (B+)
While this episode isn’t quite as thrilling or exciting as last week’s first part, it’s a more than fitting finale for one of USA’s best shows. A sickly Monk only hours away from his deathbed is still a sharper and more skilled detective than most other cops, and his ability to piece together the clues from his last case is quite impressive. His difficulty watching the tape of Trudy prolonged the revelation of just what happened that led to her death, and it’s somewhat unfortunate that it was so inconsequential in the grand scheme of things. The judge didn’t need to actually off those who knew his darkest secrets, and the choice to take such violent, fatal action seems over the line. Of course, without Trudy’s death, the Monk we’ve come to know and love would never have been created, and he wouldn’t have been able to close his one hundred plus cases and help so many others find the closure he desperately sought for years. Seeing Monk waveringly point a gun at someone is jarring, and though it was fairly obvious that Monk had a plan all along to reveal the judge’s crime, I was worried that he might let his jealousy overcome him and that he would actually kill the judge. Fortunately, Monk controlled himself and they were able to put things right and solve Monk’s most important case. Monk’s therapy session with Dr. Bell was particularly nice in the way it wrapped up the series. The discovery of Trudy’s daughter was a wonderful present for Monk, and just what he needed to cope with having lost her. Seeing him with his collar unbuttoned was a great way to indicate that he has loosened up a bit. It’s great that all three of the other main characters ended up happy too. Monk dying of poison would have been tragic, and it’s so much nicer that things worked out well for everyone. It’s been a great ride, and I’m glad that I only started watching “Monk” in its fifth season, so someday soon when I start getting nostalgic, I can go back and relive the first half of this spectacular show.
Season grade: A-
Series grade: A-
Season MVP: Tony Shalhoub
Series MVP: Tony Shalhoub
While this episode isn’t quite as thrilling or exciting as last week’s first part, it’s a more than fitting finale for one of USA’s best shows. A sickly Monk only hours away from his deathbed is still a sharper and more skilled detective than most other cops, and his ability to piece together the clues from his last case is quite impressive. His difficulty watching the tape of Trudy prolonged the revelation of just what happened that led to her death, and it’s somewhat unfortunate that it was so inconsequential in the grand scheme of things. The judge didn’t need to actually off those who knew his darkest secrets, and the choice to take such violent, fatal action seems over the line. Of course, without Trudy’s death, the Monk we’ve come to know and love would never have been created, and he wouldn’t have been able to close his one hundred plus cases and help so many others find the closure he desperately sought for years. Seeing Monk waveringly point a gun at someone is jarring, and though it was fairly obvious that Monk had a plan all along to reveal the judge’s crime, I was worried that he might let his jealousy overcome him and that he would actually kill the judge. Fortunately, Monk controlled himself and they were able to put things right and solve Monk’s most important case. Monk’s therapy session with Dr. Bell was particularly nice in the way it wrapped up the series. The discovery of Trudy’s daughter was a wonderful present for Monk, and just what he needed to cope with having lost her. Seeing him with his collar unbuttoned was a great way to indicate that he has loosened up a bit. It’s great that all three of the other main characters ended up happy too. Monk dying of poison would have been tragic, and it’s so much nicer that things worked out well for everyone. It’s been a great ride, and I’m glad that I only started watching “Monk” in its fifth season, so someday soon when I start getting nostalgic, I can go back and relive the first half of this spectacular show.
Season grade: A-
Series grade: A-
Season MVP: Tony Shalhoub
Series MVP: Tony Shalhoub
Monday, December 7, 2009
What I’m Watching: Ugly Betty
Ugly Betty: Season 4, Episode 8 “The Bahamas Triangle” (B+)
A trip to the Bahamas, however odd it may seem with snow falling outside during this time of year, is a nice vacation for the employees of Mode that provides a great deal of insight into all of the characters. It’s very fun to see all of the roles reversed, with Betty acting as Wilhelmina’s assistant and Marc as Daniel’s matchmaker. Amanda continues to be a delight, with the donning of her office-inappropriate bathing wear in front of Matt, racing Betty down the water slide, and telling Matt that she wants to rip her own clothes off. It’s too bad that she and Matt didn’t work out, but at least she’s able to show some maturity to allow Matt to be happy. Betty’s idea at the start of the episode was very entertaining, with the black-and-white footage of Betty in the role of the woman who dared to wear her bathing suit. Matt’s proclamation of his renewed feelings for Betty was great, and it’s so nice to see them happy again. When I first saw Connor emerge like Daniel Craig from the water, I was positive he was a hallucination just like Santos in the second season premiere. Seeing the more sentimental side of Wilhelmina sacrificed for the sake of her career is truly compelling, and hopefully she can now spend more of her time working at Mode rather than being distracted by boyfriends and children, but without her trusted assistant. Marc working for Daniel would be terrific because he would likely be eternally sarcastic but still effective. Seeing all of the couples waking up in bed together at the end of the episode was really great, and it’s especially lovely to have Daniel and Amanda back together and have them agree that they did it right this time, because they really did, and it was superbly fun.
A trip to the Bahamas, however odd it may seem with snow falling outside during this time of year, is a nice vacation for the employees of Mode that provides a great deal of insight into all of the characters. It’s very fun to see all of the roles reversed, with Betty acting as Wilhelmina’s assistant and Marc as Daniel’s matchmaker. Amanda continues to be a delight, with the donning of her office-inappropriate bathing wear in front of Matt, racing Betty down the water slide, and telling Matt that she wants to rip her own clothes off. It’s too bad that she and Matt didn’t work out, but at least she’s able to show some maturity to allow Matt to be happy. Betty’s idea at the start of the episode was very entertaining, with the black-and-white footage of Betty in the role of the woman who dared to wear her bathing suit. Matt’s proclamation of his renewed feelings for Betty was great, and it’s so nice to see them happy again. When I first saw Connor emerge like Daniel Craig from the water, I was positive he was a hallucination just like Santos in the second season premiere. Seeing the more sentimental side of Wilhelmina sacrificed for the sake of her career is truly compelling, and hopefully she can now spend more of her time working at Mode rather than being distracted by boyfriends and children, but without her trusted assistant. Marc working for Daniel would be terrific because he would likely be eternally sarcastic but still effective. Seeing all of the couples waking up in bed together at the end of the episode was really great, and it’s especially lovely to have Daniel and Amanda back together and have them agree that they did it right this time, because they really did, and it was superbly fun.
What I’m Watching: Dollhouse
Dollhouse: Season 2, Episodes 5 & 6 “The Public Eye” & “The Left Hand” (B+)
Another one of Joss Whedon’s beloved cult series has been cancelled, and of course this is when it really starts to get interesting. These two episodes are particularly well-paired together because they really kick off and also close off the Senator Perrin arc as well as to introduce the incredibly intriguing character of Bennett Halverson. Up until now, Perrin’s investigation into the Dollhouse and attempts to expose it has been sidelined in favor of the temperamental Echo malfunctioning and trying to go against her programming, and all of a sudden it’s front and center. November testifying seems a bit naïve since she’s aware of the broad scope and influence of the Dollhouse and that her plan would never quite work. Ballard’s speedy conclusion that Perrin’s wife was a doll was very intriguing, and the surprise reveal that it was Perrin rather than his wife who was a doll was absolutely fantastic. The fact that Perrin was a doll version of himself was even more interesting, and his contemplation of his life and his identity with Echo was great. His shouting of “I know who I am” is a particularly spectacular tagline for this now defunct show. It was good to get to know Perrin, but disappointing to see that he was so quickly brainwashed by the Dollhouse and forced to discredit November and make her out to be a crazy person. It’s all because of the influence of Bennett, one of the best characters this show has ever seen. Summer Glau is a stellar actress who first made her mark as the incomparably unique River Tam on Whedon’s “Firefly” and then starred on the recently-axed “Terminator: The Sarah Connor Chronicles.” This is a perfect role for her, and she plays it incredibly well. Her plan for personal revenge on Echo/Caroline really seemed to mess things up, but she’s utterly fascinating in every moment. Seeing her interact with Topher was fun, and this is the first time besides “Epitaph One” that I’ve truly enjoyed Topher. This was also the best impression for Victor, whose impression of Topher was brilliant, as well as his conversations with himself. I’m confused about why Echo disappeared and went on the run, and I’d rather she would have taken Perrin with her. Now the show isn’t about the grander scheme of things but only about Echo, and I think it would be far better if it took a more big-picture look at the Dollhouse. I also hope this isn’t the last we’ve seen of Senator Perrin, since Alexis Denisof did an extremely impressive job of playing him. Let’s hope for more Glau as well. Two episodes of this show air each Friday for the next two weeks, and the final three spool out in January. Stay tuned – this is going to be a thrilling ride.
Another one of Joss Whedon’s beloved cult series has been cancelled, and of course this is when it really starts to get interesting. These two episodes are particularly well-paired together because they really kick off and also close off the Senator Perrin arc as well as to introduce the incredibly intriguing character of Bennett Halverson. Up until now, Perrin’s investigation into the Dollhouse and attempts to expose it has been sidelined in favor of the temperamental Echo malfunctioning and trying to go against her programming, and all of a sudden it’s front and center. November testifying seems a bit naïve since she’s aware of the broad scope and influence of the Dollhouse and that her plan would never quite work. Ballard’s speedy conclusion that Perrin’s wife was a doll was very intriguing, and the surprise reveal that it was Perrin rather than his wife who was a doll was absolutely fantastic. The fact that Perrin was a doll version of himself was even more interesting, and his contemplation of his life and his identity with Echo was great. His shouting of “I know who I am” is a particularly spectacular tagline for this now defunct show. It was good to get to know Perrin, but disappointing to see that he was so quickly brainwashed by the Dollhouse and forced to discredit November and make her out to be a crazy person. It’s all because of the influence of Bennett, one of the best characters this show has ever seen. Summer Glau is a stellar actress who first made her mark as the incomparably unique River Tam on Whedon’s “Firefly” and then starred on the recently-axed “Terminator: The Sarah Connor Chronicles.” This is a perfect role for her, and she plays it incredibly well. Her plan for personal revenge on Echo/Caroline really seemed to mess things up, but she’s utterly fascinating in every moment. Seeing her interact with Topher was fun, and this is the first time besides “Epitaph One” that I’ve truly enjoyed Topher. This was also the best impression for Victor, whose impression of Topher was brilliant, as well as his conversations with himself. I’m confused about why Echo disappeared and went on the run, and I’d rather she would have taken Perrin with her. Now the show isn’t about the grander scheme of things but only about Echo, and I think it would be far better if it took a more big-picture look at the Dollhouse. I also hope this isn’t the last we’ve seen of Senator Perrin, since Alexis Denisof did an extremely impressive job of playing him. Let’s hope for more Glau as well. Two episodes of this show air each Friday for the next two weeks, and the final three spool out in January. Stay tuned – this is going to be a thrilling ride.
Sunday, December 6, 2009
What I’m Watching: 30 Rock
30 Rock: Season 4, Episode 7 “Dealbreakers Talk Show No. 0001” (B-)
Liz’s shot at stardom isn’t all that entertaining, and the attempts to make her appear uglier aren’t great, especially because she’s really not all that unattractive to begin with, and the show trying to force that down its viewers’ throats is obnoxious. That tricky camera which added years to Liz and took away years from Jack was amusing, but that was pretty much the only positive aspect of the entire Dealbreakers thread in this episode. The need to over-emphasize Tracy’s stupidity through blatant repetition is something I can’t really stand about this show, and this episode did that for a whole scene for no reason. The explanation, simplification and analysis of the exact same information by Tracy’s minions didn’t accomplish much, and Tracy’s random pursuit of accomplishing the EGOT sweep wasn’t quite as exciting as it could have been. Bringing Whoopi in as one of the EGOT winners was fun, and maybe I just missed the promos, but her arrival was an actual surprise for me, as opposed to most of the celebrity guest stars featured on this show. The guest star who continues to be a fantastic presence on this show is Will Arnett, whose banter with Jack at the beginning of the episode was hilarious. His confused response to the “moron says what” bit and his strong desire to know what he said is still running through my head.
Liz’s shot at stardom isn’t all that entertaining, and the attempts to make her appear uglier aren’t great, especially because she’s really not all that unattractive to begin with, and the show trying to force that down its viewers’ throats is obnoxious. That tricky camera which added years to Liz and took away years from Jack was amusing, but that was pretty much the only positive aspect of the entire Dealbreakers thread in this episode. The need to over-emphasize Tracy’s stupidity through blatant repetition is something I can’t really stand about this show, and this episode did that for a whole scene for no reason. The explanation, simplification and analysis of the exact same information by Tracy’s minions didn’t accomplish much, and Tracy’s random pursuit of accomplishing the EGOT sweep wasn’t quite as exciting as it could have been. Bringing Whoopi in as one of the EGOT winners was fun, and maybe I just missed the promos, but her arrival was an actual surprise for me, as opposed to most of the celebrity guest stars featured on this show. The guest star who continues to be a fantastic presence on this show is Will Arnett, whose banter with Jack at the beginning of the episode was hilarious. His confused response to the “moron says what” bit and his strong desire to know what he said is still running through my head.
What I’m Watching: The Office
The Office: Season 2, Episode 12 “Scott’s Tots” (B)
This is one of those Michael-related storylines that’s just too uncomfortable and awkward to be truly enjoyable. Simply put, I don’t share Stanley’s laughter about the situation. When all is said and done, the fact that Michael promised a whole class full of kids that he would pay their college tuition and that he’s not going to do it is a lose-lose situation for everyone involved. Watching Michael get guilted into writing someone a check for a kid’s books is just sad and not really amusing at all. Dwight’s plot to get Jim fired seemed a bit too outrageous, but seeing him grin at the camera every time he detailed his plans was pretty funny. Dwight’s devastated discovery of David’s calm reaction to Jim giving himself the Employee of the Month award was also completely hilarious. The best part of his whole elaborate deception was his spot-on ability to mimic the voices of so many of the office employees, and I have to give Dwight also as much credit for his brilliant plan as the terrific Rainn Wilson for his performance. The plot seemed all for naught when David didn’t blame Jim for what happened, but the revelation of Dwight’s surprising ally was a nice twist. Ryan already displayed a distaste for Jim when he had Jan’s job, and now it’s clear that he still has a score to settle. It will be nice to see Ryan back in the spotlight again.
This is one of those Michael-related storylines that’s just too uncomfortable and awkward to be truly enjoyable. Simply put, I don’t share Stanley’s laughter about the situation. When all is said and done, the fact that Michael promised a whole class full of kids that he would pay their college tuition and that he’s not going to do it is a lose-lose situation for everyone involved. Watching Michael get guilted into writing someone a check for a kid’s books is just sad and not really amusing at all. Dwight’s plot to get Jim fired seemed a bit too outrageous, but seeing him grin at the camera every time he detailed his plans was pretty funny. Dwight’s devastated discovery of David’s calm reaction to Jim giving himself the Employee of the Month award was also completely hilarious. The best part of his whole elaborate deception was his spot-on ability to mimic the voices of so many of the office employees, and I have to give Dwight also as much credit for his brilliant plan as the terrific Rainn Wilson for his performance. The plot seemed all for naught when David didn’t blame Jim for what happened, but the revelation of Dwight’s surprising ally was a nice twist. Ryan already displayed a distaste for Jim when he had Jan’s job, and now it’s clear that he still has a score to settle. It will be nice to see Ryan back in the spotlight again.
What I’m Watching: Parks and Recreation
Parks and Recreation: Season 2, Episode 11 “The Fourth Floor” (B)
The premise for this episode just isn’t that strong as compared with the other installments from this season, though, to be fair, the bar has been set pretty high. The most important takeaway from the episode is that the cast is still extremely talented and the characters are still very funny, even if the storyline itself isn’t as spectacular. It’s a known thing that Leslie isn’t the brightest bulb in the box, and this isn’t one of her better misconceptions. Tom has never really had much of an inability to display emotion but has always shown an incredible ability to deceive others, especially Leslie, for his own benefit. Their night out is decently entertaining, but it’s the characters themselves rather than the scantily clad dancers and strippers who really make it all work. Ron is hilarious, and it’s funny how his taboo question to Tom made the guy squirm so much. April and Jerry were used particularly well in small moments here, and I’m thrilled that the show is giving them both something to do. Andy’s incessant attempts to win Ann back were quite funny in this episode, starting at Ann’s surprise at the fact that Andy’s taunt of “you’re a failed architect” worked to get Mark to try and defeat him. Mark and Ann’s sarcasm and dynamic is reminiscent in a way of Jim and Pam from “The Office,” but it’s still their own and that’s a terrific thing. Somehow, Andy’s continued presence hasn’t gotten old, and in this episode it was one of the sharpest and most on-target elements.
The premise for this episode just isn’t that strong as compared with the other installments from this season, though, to be fair, the bar has been set pretty high. The most important takeaway from the episode is that the cast is still extremely talented and the characters are still very funny, even if the storyline itself isn’t as spectacular. It’s a known thing that Leslie isn’t the brightest bulb in the box, and this isn’t one of her better misconceptions. Tom has never really had much of an inability to display emotion but has always shown an incredible ability to deceive others, especially Leslie, for his own benefit. Their night out is decently entertaining, but it’s the characters themselves rather than the scantily clad dancers and strippers who really make it all work. Ron is hilarious, and it’s funny how his taboo question to Tom made the guy squirm so much. April and Jerry were used particularly well in small moments here, and I’m thrilled that the show is giving them both something to do. Andy’s incessant attempts to win Ann back were quite funny in this episode, starting at Ann’s surprise at the fact that Andy’s taunt of “you’re a failed architect” worked to get Mark to try and defeat him. Mark and Ann’s sarcasm and dynamic is reminiscent in a way of Jim and Pam from “The Office,” but it’s still their own and that’s a terrific thing. Somehow, Andy’s continued presence hasn’t gotten old, and in this episode it was one of the sharpest and most on-target elements.
Saturday, December 5, 2009
What I’m Watching: Flash Forward
Flash Forward: Season 1, Episode 10 “A561984” (C)
Two major revelations in this episode, one audiences already knew but the characters on the show didn’t and the other which audiences now know but characters have no clue about, try to make this episode seem important, but neither of them really work too well in their execution. While Lloyd’s confession to having caused the blackout has a great deal of seriousness to it, it’s just not that plausible, both because Simon wouldn’t let him be the one to deliver the news if he really believed Lloyd would take full responsibility and because the whole world was watching this press conference with two minor scientists who wouldn’t necessarily have had anything interesting or worthwhile to say. The ominous medical personnel on hand to help the friendless Lloyd transport his son to better care were obviously planning something malicious, and that Olivia really is one brave doctor to put herself in harm’s way. Simon’s efforts to work with the FBI are more interesting, especially since he seemed like the clear villain a few weeks ago but now appears much more innocent after being taken down a peg by the revelation that his some one beat him to the punch with his defining invention. It’s fun to see Michael Ealy as an obnoxious kind of smooth operator rather than his do-gooder FBI agent on “Sleeper Cell,” and his interactions with Mark were probably the most intriguing of the episode. Mark’s inability to just let things happen and his need to cause trouble by pointing a gun to his suspect’s head when she very calmly and peacefully declined to answer any more questions is just annoying. Clearly he’ll be back on the case by the time the flash forwards actually took place, and this setback is temporary. The fact that Nhadra knows D. Gibbons is pretty monumental and does imply that everything really is connected. We’ll have to wait a long time to find out what’s going on, however, since “Flash Forward” won’t be back on the air until March 4th.
Two major revelations in this episode, one audiences already knew but the characters on the show didn’t and the other which audiences now know but characters have no clue about, try to make this episode seem important, but neither of them really work too well in their execution. While Lloyd’s confession to having caused the blackout has a great deal of seriousness to it, it’s just not that plausible, both because Simon wouldn’t let him be the one to deliver the news if he really believed Lloyd would take full responsibility and because the whole world was watching this press conference with two minor scientists who wouldn’t necessarily have had anything interesting or worthwhile to say. The ominous medical personnel on hand to help the friendless Lloyd transport his son to better care were obviously planning something malicious, and that Olivia really is one brave doctor to put herself in harm’s way. Simon’s efforts to work with the FBI are more interesting, especially since he seemed like the clear villain a few weeks ago but now appears much more innocent after being taken down a peg by the revelation that his some one beat him to the punch with his defining invention. It’s fun to see Michael Ealy as an obnoxious kind of smooth operator rather than his do-gooder FBI agent on “Sleeper Cell,” and his interactions with Mark were probably the most intriguing of the episode. Mark’s inability to just let things happen and his need to cause trouble by pointing a gun to his suspect’s head when she very calmly and peacefully declined to answer any more questions is just annoying. Clearly he’ll be back on the case by the time the flash forwards actually took place, and this setback is temporary. The fact that Nhadra knows D. Gibbons is pretty monumental and does imply that everything really is connected. We’ll have to wait a long time to find out what’s going on, however, since “Flash Forward” won’t be back on the air until March 4th.
What I’m Watching: Glee
Glee: Season 1, Episode 12 “Mattress” (C+)
I really can’t get behind either of the main glee club-related storylines in this episode. The high school yearbook photo arc is something that falls under the category of the glee club kids being uncool and not accepted by the rest of their classmates, and that’s not terribly interesting when they just surrender to their fate rather than try to fight back by singing their hearts out. Rachel being so into the photo was good for a laugh or two, and her less-than-subtle display of acting to impress the photographer was funny. Her getting the entire group to star in a mattress commercial was a bit over-the-top, and only really worthwhile for the ability they displayed to sell the product through their talents and collective dynamic. Sectionals are coming up really soon, and the club shouldn’t really be wasting their time doing side projects and worrying about whether their photos will end up in the yearbook or not – they should be practicing like crazy. It was nice to see Emma again, though very sad that the jealous Ken is forcing her to miss Will’s big day. Will’s reaction to his discovery (finally) that Terri isn’t actually pregnant results in him getting just a bit too angry. The good-natured character doesn’t seem capable of that kind of rage, and for him to express it so sharply just didn’t feel right. Do you agree? The last episode of “Glee” until 2010 will air next week – get ready for sectionals.
I really can’t get behind either of the main glee club-related storylines in this episode. The high school yearbook photo arc is something that falls under the category of the glee club kids being uncool and not accepted by the rest of their classmates, and that’s not terribly interesting when they just surrender to their fate rather than try to fight back by singing their hearts out. Rachel being so into the photo was good for a laugh or two, and her less-than-subtle display of acting to impress the photographer was funny. Her getting the entire group to star in a mattress commercial was a bit over-the-top, and only really worthwhile for the ability they displayed to sell the product through their talents and collective dynamic. Sectionals are coming up really soon, and the club shouldn’t really be wasting their time doing side projects and worrying about whether their photos will end up in the yearbook or not – they should be practicing like crazy. It was nice to see Emma again, though very sad that the jealous Ken is forcing her to miss Will’s big day. Will’s reaction to his discovery (finally) that Terri isn’t actually pregnant results in him getting just a bit too angry. The good-natured character doesn’t seem capable of that kind of rage, and for him to express it so sharply just didn’t feel right. Do you agree? The last episode of “Glee” until 2010 will air next week – get ready for sectionals.
What I’m Watching: Sons of Anarchy (Season Finale)
Sons of Anarchy: Season 2, Episode 13 “Na Trioblidi” (B+)
This season of intense and shocking moments come to a staggering, unexpected end with the wrapping up of many plotlines and the introduction of something for which was altogether unprepared. The sight of the Mayans and the Sons sitting across the street from each other with the police standing in the middle as a buffer was just a hint of how violent the confrontations in this episode would get. The trio of Jax, Opie, and Chibs carried out one half of their necessary executions, and the presence of Weston’s son when they all had their guns pointed at him was an acknowledgment of the turbulent state of affairs for the club and Charming. Gemma’s desire for blood and repeated reference of her divinely-chartered path seemed like it could be innocent enough, but unfortunately she stumbled into a situation caused by the most destructive federal agent to come through Charming (and that’s counting the deceased Kohn). Stahl really messed up big-time, and her inability to comprehend the devastating consequences of pinning actions on people who weren’t actually involved is endlessly frustrating, and ultimately fatal. She could easily have said that Zobelle’s daughter shot Edmond and then tried to kill her, but she realizes she’s too deep and therefore decides she has to pin it all on Gemma. Cameron’s distraught reaction was incredibly powerful, and his snap decision to go to Jax’s house and exchange one son’s life for another happened so fast. Tara’s horrified reaction was perhaps the most frightening thing about the whole situation, save for the tragic death of Half-Sack. Cameron’s breakdown with Abel in his arms was also quite devastating, and the fact that he got away on his boat with the baby is pretty insane. Even more unbelievable is that the club let Zobelle go. Their well-coordinated ambush to get his escort to back off was impressive, and the most satisfying moment of the season was Zobelle’s call to help for Hale, where the dutiful deputy expressed just how concerned he was for Zobelle’s safety and well-being. This second season has been a volatile and entirely fascinating one, and the cliffhanger ending means that it will be hard to stop thinking about for the many months until the show returns for a third season next September.
Season grade: A
Season MVPs: Katey Sagal & Maggie Siff
This season of intense and shocking moments come to a staggering, unexpected end with the wrapping up of many plotlines and the introduction of something for which was altogether unprepared. The sight of the Mayans and the Sons sitting across the street from each other with the police standing in the middle as a buffer was just a hint of how violent the confrontations in this episode would get. The trio of Jax, Opie, and Chibs carried out one half of their necessary executions, and the presence of Weston’s son when they all had their guns pointed at him was an acknowledgment of the turbulent state of affairs for the club and Charming. Gemma’s desire for blood and repeated reference of her divinely-chartered path seemed like it could be innocent enough, but unfortunately she stumbled into a situation caused by the most destructive federal agent to come through Charming (and that’s counting the deceased Kohn). Stahl really messed up big-time, and her inability to comprehend the devastating consequences of pinning actions on people who weren’t actually involved is endlessly frustrating, and ultimately fatal. She could easily have said that Zobelle’s daughter shot Edmond and then tried to kill her, but she realizes she’s too deep and therefore decides she has to pin it all on Gemma. Cameron’s distraught reaction was incredibly powerful, and his snap decision to go to Jax’s house and exchange one son’s life for another happened so fast. Tara’s horrified reaction was perhaps the most frightening thing about the whole situation, save for the tragic death of Half-Sack. Cameron’s breakdown with Abel in his arms was also quite devastating, and the fact that he got away on his boat with the baby is pretty insane. Even more unbelievable is that the club let Zobelle go. Their well-coordinated ambush to get his escort to back off was impressive, and the most satisfying moment of the season was Zobelle’s call to help for Hale, where the dutiful deputy expressed just how concerned he was for Zobelle’s safety and well-being. This second season has been a volatile and entirely fascinating one, and the cliffhanger ending means that it will be hard to stop thinking about for the many months until the show returns for a third season next September.
Season grade: A
Season MVPs: Katey Sagal & Maggie Siff
What I’m Watching: Scrubs (Season Premiere)
Scrubs: Season 9, Episodes 1 & 2 “Our First Day of School” & “Our Drunk Friend” (C+)
It’s hard to believe that this show is beginning its ninth season, especially since the show was supposed to first have ended a few years ago. The series was definitely wearing thin and in desperate need of a shot of new life. Unfortunately, what the show is now, with the title followed by a bracketed Med School, isn’t really the solution. The notion of a similar series set in medical school is fine, and even having Dr. Cox and Dr. Kelso teaching classes would work. Denise as both a resident assistant and teaching assistant isn’t terribly believable, even if she claims to be doing it for the free room and board. The real problem is the inability to give up on old characters. J.D. and Turk are way too woefully immature to be taken seriously as teachers, and putting them in that role, especially when they have the same playful dynamic they always did, undermines the effectiveness of the show. The playing of the song “Guy Love” within the first few minutes of the series is a clear sign that the show isn’t willing to give up on old jokes and won’t be able to properly move on to its new characters. Tying in familiar characters without contracts on the show will also be tough, and seeing Elliot in the first episode and then some random actress playing J.D.’s winged mother is just one easy example of why this will be an issue. Carla’s absence is particularly notable, while the Janitor’s exit makes considerably more sense (and is more important, considering he has a role on a fairly successful new ABC series, “The Middle”). The phasing out of J.D. will also be strange, I'm sure, and it's started with the pluralization of the episode titles. Moving on to the new cast, Dave Franco is a dead ringer for his brother James, and his character is a bit too reminiscent of an entitled Ed, who might have been on this show had Aziz Ansari not gotten a gig on “Parks and Recreation.” Drew is okay, and it’s good for Dr. Cox to have someone to pick on, and in a fresh way. The most wonderful addition to the show who should definitely serve as its guiding light in however many million seasons it has left is Kerry Bishé as Lucy. While it pains me to remember that she’s here because the magnificent series “Virtuality” didn’t get picked up, she’s a breath of fresh air as a less neurotic version of Elliot who doesn’t possess the same annoying traits but just as much of the do-gooder naivety. She’s a boon for this show, and hopefully she’ll remain just as strong as it goes on. The show as a whole needs a bit more time to define itself, and hopefully next week will be a better effort, coupled with the season premiere of “Better Off Ted.”
It’s hard to believe that this show is beginning its ninth season, especially since the show was supposed to first have ended a few years ago. The series was definitely wearing thin and in desperate need of a shot of new life. Unfortunately, what the show is now, with the title followed by a bracketed Med School, isn’t really the solution. The notion of a similar series set in medical school is fine, and even having Dr. Cox and Dr. Kelso teaching classes would work. Denise as both a resident assistant and teaching assistant isn’t terribly believable, even if she claims to be doing it for the free room and board. The real problem is the inability to give up on old characters. J.D. and Turk are way too woefully immature to be taken seriously as teachers, and putting them in that role, especially when they have the same playful dynamic they always did, undermines the effectiveness of the show. The playing of the song “Guy Love” within the first few minutes of the series is a clear sign that the show isn’t willing to give up on old jokes and won’t be able to properly move on to its new characters. Tying in familiar characters without contracts on the show will also be tough, and seeing Elliot in the first episode and then some random actress playing J.D.’s winged mother is just one easy example of why this will be an issue. Carla’s absence is particularly notable, while the Janitor’s exit makes considerably more sense (and is more important, considering he has a role on a fairly successful new ABC series, “The Middle”). The phasing out of J.D. will also be strange, I'm sure, and it's started with the pluralization of the episode titles. Moving on to the new cast, Dave Franco is a dead ringer for his brother James, and his character is a bit too reminiscent of an entitled Ed, who might have been on this show had Aziz Ansari not gotten a gig on “Parks and Recreation.” Drew is okay, and it’s good for Dr. Cox to have someone to pick on, and in a fresh way. The most wonderful addition to the show who should definitely serve as its guiding light in however many million seasons it has left is Kerry Bishé as Lucy. While it pains me to remember that she’s here because the magnificent series “Virtuality” didn’t get picked up, she’s a breath of fresh air as a less neurotic version of Elliot who doesn’t possess the same annoying traits but just as much of the do-gooder naivety. She’s a boon for this show, and hopefully she’ll remain just as strong as it goes on. The show as a whole needs a bit more time to define itself, and hopefully next week will be a better effort, coupled with the season premiere of “Better Off Ted.”
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