Showing posts with label Loyalty. Show all posts
Showing posts with label Loyalty. Show all posts
Sunday, July 6, 2014
What I’m Watching: Wilfred
Wilfred: Season 4, Episode 3 “Loyalty” (B+)
Every time I see the opening quote, I feel like the word that remains has been used before, but this show does a marvelous job of drawing out the themes of each episode and tying them to one particular theme without repeating anything. As usual, Wilfred’s suggestion of a certain concept proves to be entirely manipulative and not at all backed up by fact or history, as evidenced by his blatant attempts to sabotage Kristen’s custody battle so that he could have the intense snuggler all to himself. It was fun to see Nestor Carbonell’s personality-free daddy doctor again, boiling down his desire to have his child to a need for money rather than actual connection to the kid. Ryan offering up a large sum to convince him to let Kristen have full custody was the ultimate example of loyalty, and she won’t ever be able to fully appreciate the scope of what he did for her, especially considering her constant rude attitude and demeaning manner of speaking to her brother. Seeing Ryan punch Arturo in the face to make sure that the agreement would stick was particularly satisfying since Ryan so rarely gets to do exactly what he wants while achieving the desired result in the process. Kristen certainly doesn’t recommend herself terribly well as a parent, and I think that’s just as much her fault as it is Wilfred’s, who continues to be a conniving schemer seeking an opportunity to sabotage things at every turn and create his own mischievous outcomes.
Thursday, October 28, 2010
What I’m Watching: The Event
The Event: Season 1, Episode 6 “Loyalty” (C-)
When Sean was running around combing the globe for Leila, he was pretty annoying. Now that he’s found her, she’s taken up the mantle and decided to act in an extremely boneheaded manner that is sure to get her killed (though they’ll probably keep her around for a long, long time to do more stupid things). You’d think it would be one of the bad guys who would pose a threat to her, but it turns out that a crazy journalist armed with a gun may be much more dangerous. Who do you call when you need someone to play a nut job these days? The answer is Paula Malcomson, also off her rocker in her role on “Caprica.” Saying “I’m not crazy” over and over isn’t exactly convincing. On the Agent Collier end, I’m completely perplexed when it comes to Carter and his incessant demands for medical care. He is both a murderer and a hostage, and therefore he has no rights, so his arrogant whining doesn’t make much sense. On a more positive note, seeing Simon’s history back in 1944 does help to make at least one (and possibly only one) character on this show sympathetic, even if he’s not long for this world considering the devastation of his carefully-constructed cover being blown wide open by an obnoxious do-gooder. The demolition of the building at the end of the episode is a major event that should serve as a game-changer considering the horrified looks on the faces of the president and his advisors as they watched it happen, and it shows that the bad guys mean business and can make some serious stuff happen.
When Sean was running around combing the globe for Leila, he was pretty annoying. Now that he’s found her, she’s taken up the mantle and decided to act in an extremely boneheaded manner that is sure to get her killed (though they’ll probably keep her around for a long, long time to do more stupid things). You’d think it would be one of the bad guys who would pose a threat to her, but it turns out that a crazy journalist armed with a gun may be much more dangerous. Who do you call when you need someone to play a nut job these days? The answer is Paula Malcomson, also off her rocker in her role on “Caprica.” Saying “I’m not crazy” over and over isn’t exactly convincing. On the Agent Collier end, I’m completely perplexed when it comes to Carter and his incessant demands for medical care. He is both a murderer and a hostage, and therefore he has no rights, so his arrogant whining doesn’t make much sense. On a more positive note, seeing Simon’s history back in 1944 does help to make at least one (and possibly only one) character on this show sympathetic, even if he’s not long for this world considering the devastation of his carefully-constructed cover being blown wide open by an obnoxious do-gooder. The demolition of the building at the end of the episode is a major event that should serve as a game-changer considering the horrified looks on the faces of the president and his advisors as they watched it happen, and it shows that the bad guys mean business and can make some serious stuff happen.
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