Showing posts with label Unfinished Business. Show all posts
Showing posts with label Unfinished Business. Show all posts

Wednesday, December 9, 2020

What I’m Watching: Big Sky

Big Sky: Season 1, Episode 4 “Unfinished Business” (B-)

I don’t often pay attention to ratings since most of the new series that I’ve started watching in recent years air on streaming services that either don’t release or explicitly depend on them. In the case of this show, however, it’s apparently doing quite well, a convenient diversion from reality at the right moment, enough so that an additional six episodes have been ordered, meaning that there’s plenty of this show’s narrative left to cover. It’s hard to know how things are going to be stretched out given that the girls can’t possibly get sent to Canada without introducing an entirely new set of characters and making their fates not look so great. Cassie and Jenny were smart to pursue multiple leads at once, zeroing in on the wrong trucker and planting a tracker on Rick’s cruiser that took them to exactly where they needed to be. Unfortunately, the reason that the shipping container was so well-hidden became clear since the two of them could be standing right on top of where Grace, Danielle, and Jerrie were and not hear them screaming for help. I’m unsure of what Ronald’s endgame was by inviting Merilee to come dancing with him, since I can’t imagine anything good will come of Rick walking up the stairs with a hammer to interrogate his wife. Telling Rick that his mother suspected him of being involved with the disappearance of the girls wasn’t smart either, since all that means is more loose ends for the anger-prone trooper to have to clean up.

Tuesday, May 7, 2013

What I’m Watching: Vegas

Vegas: Season 1, Episode 20 “Unfinished Business” (B)

This was the best episode in a while of this show, though it wasn’t without its shortcomings. Death is awfully rare on this show, as multiple characters are sent straight towards death and come out with little more than minor injuries. Byrne is one example, and Katherine managed to survive her hell of a car crash despite things looking quite grim. On the more positive side, I like how this episode moved the story forward, putting both Vincent and Ralph on the defensive and ready to plot together for revenge. I don’t buy the fact that Ralph was suspended because a criminal made it seem as if he was cooperating with his known nemesis Vincent, and that he didn’t get a chance to defend himself. That it pushed him to seek out Vincent and forge an alliance, complete with a hefty amount of his alcohol, is considerably more exciting, and I’m eager to see what comes of this temporary partnership in what is all but guaranteed to be this show’s final hour. It didn’t take Vincent long to realize who bugged his phone, and it’s hard to imagine that Mia is going to let her romance with Jack go on any longer given their differences. Tommy kissing her is almost inconsequential because he’s not her type either, and I think she’s too attached to the idea of Jack that she won’t be able to let go so easily. On the guest star front, I was pleased to see Christopher Heyerdahl as Ralph’s brother-in-law Calvin, and I was shocked to learn after hearing him speak that he doesn’t actually have the thick accent that he has used on “Hell on Wheels” and “True Blood.” I was also amused to discover that the incapacitated Victor Ferris was none other than Larry Henkin, best remembered as Mr. Heckles from “Friends.”

Saturday, August 18, 2012

What I’m Watching: Longmire (Season Finale)

Longmire: Season 1, Episode 10 “Unfinished Business” (A-)

What a dark way to end the season. Seeing teenagers accused of rape get killed by arrows was disturbing enough, and there were a number of twists in the case that made it even more disturbing, first with the father’s confession and then with the killer’s attempted suicide. Q’orianka Kilcher, best known from her debut in “The New World” and her recent guest appearance on “The Killing,” was a good choice to play Ayasha, and it was disconcerting to see all of the Indian people swarming Walt and Vic as they came to arrest Vehoe. In the midst of the case, it was about time for Walt and Branch to finally come to blows, though I’d argue that Vic was angrier than both of them when she came to break them up and to inform them of the latest murder. Breaking up the school riot was also intense, and Vic really knows how to stop a fight. After an awkward accidental rendezvous at Walt’s home, Lizzie managed to piss Vic off in a big way, as they went back and forth about unfaithful spouses and wearing wedding rings. Cady’s reaction to the news that her mother was murdered was not good, and that’s sure to cause a rift between her and Walt for the foreseeable future. Charles S. Dutton was excellent as always as the Denver detective seeking out Walt, and I’m curious to see whether he’ll stick around to investigate the murder of Walt’s wife’s killer. That definite “no” was a fantastic way to end the season, and I can’t wait for this show’s return next year.

Season grade: B+
Season MVP: Katee Sackhoff as Vic

Sunday, August 15, 2010

What I’m Watching: White Collar

White Collar: Season 2, Episode 5 “Unfinished Business” (B+)

USA knows how to do characters. The addition of Hilarie Burton, delivering a far better performance here than she ever did on “One Tree Hill,” in what should likely be a recurring role, is a fantastic one because it gives Neal yet another person to constantly annoy and flirt with off the charts. She spouted off some great one-liners, like “Curiosity can’t kill me if I’m already dead” and “You’re a con man, you smile for a living,” making her a valuable presence only moments after she first appeared and drove away with that extremely expensive car. I really hope she sticks around for a while, and judging by the fact that she was about to get killed less than two minutes before the end of the episode, I figure she’s not going anywhere for a bit. I like the way this show handles action scenes, making them not terribly intense but still awesome. Neal’s side investigation with Mozzie regarding Kate’s death is rather entertaining and clever, and his decision to have the information mailed to Sara was extraordinarily impressive. The fact that he ultimately had to leave it behind in the service of saving Sara’s life was just as thrilling and fulfilling as the fact that he almost got away with picking it up. Neal having to pose as an assassin was an unusually violent twist on the show that still managed to work quite well with the tone of the show. Neal having a partner crime, even if it’s a woman who wants to shoot him and/or put him in jail, also helps, and the underlying plotline of the painting is pretty darn entertaining too.