Parenthood: Season 2, Episode 5 “The Booth Job” (B+)
I was very worried when I saw Gordon in the “previously on” segment before the show since I was much happier having Mike take his place. Fortunately, his appearance went over infinitely better than the last few times he was on the show, though I would caution Sarah about making out with multiple people in public, especially when they both work at the same office and one of them is the boss. It’s good to see Sarah shine since she really needs that, and hopefully this successful adventure can lead to further positive occurrences for her. I loved watching her and Amber, who with their glasses looked strikingly alike, and I’m so glad that Amber has come back in the spotlight. This show seems to following a rotating policy, where one Braverman child gets the big showcase while another two or three have small parts, and the rest don’t even appear at all (hello, Jabar!). I very much enjoyed the way Julia and Joel sorted out their problems, and the same is true of the resolution of Adam’s feelings about group help. Zeek’s dancing obliviousness was incredibly painful to watch, and fortunately it didn’t dominate the episode. It’s wonderful that Jasmine is starting to realize just how great Crosby is, and he really did do a terrific job nailing that interview by offering up his enthusiastic help with their musical production. I’d have to imagine, however, that their little fib about their marriage may come back to haunt them later on, but for now they should remain happy.
Sunday, October 17, 2010
What I’m Watching: The Good Wife
The Good Wife: Season 2, Episode 3 “Breaking Fast” (B+)
Is there anyone as entertaining as Alan Cumming? His choking episode when he was watching the YouTube clip and fluster-prone nature whenever someone laughed it off is absolutely hilarious, and I’m so glad that his presence works perfectly with the semi-serious tone of this show. I was also very pleased to see Dallas Roberts, currently starring on AMC’s “Rubicon,” as Alicia’s brother Owen. After playing the only straight person in the middle seasons of “The L Word,” Roberts is back to playing a gay man, which he did marvelously (though very differently) in a little-seen earlier work of his, “A Home at the End of the World,” opposite Colin Farrell. Roberts’ flamboyant presence is great fuel for other events to transpire, most notably the break-fast organized by Eli to smooth things over with both the gay and Jewish communities. It was interesting to hear Grace’s take on the Israeli-Palestinian conflict and to hear response from other people at the table, and of course Jackie’s attempts at understanding keeping kosher were humorous. Childs questioning Alicia’s immersion in the case was interesting, and I liked how she was kept on in a minimal capacity. It’s also good that Bond isn’t opposed to keeping her involved since you’d think he might be. Kalinda did a spectacular job as always, and I’m loving the feud between her and Blake (who insists on calling her Lila every time he sees her!). I found Alicia’s comment to Blake not to get her involved very, very amusing, and I’m so glad that we, the audience, are so involved.
Is there anyone as entertaining as Alan Cumming? His choking episode when he was watching the YouTube clip and fluster-prone nature whenever someone laughed it off is absolutely hilarious, and I’m so glad that his presence works perfectly with the semi-serious tone of this show. I was also very pleased to see Dallas Roberts, currently starring on AMC’s “Rubicon,” as Alicia’s brother Owen. After playing the only straight person in the middle seasons of “The L Word,” Roberts is back to playing a gay man, which he did marvelously (though very differently) in a little-seen earlier work of his, “A Home at the End of the World,” opposite Colin Farrell. Roberts’ flamboyant presence is great fuel for other events to transpire, most notably the break-fast organized by Eli to smooth things over with both the gay and Jewish communities. It was interesting to hear Grace’s take on the Israeli-Palestinian conflict and to hear response from other people at the table, and of course Jackie’s attempts at understanding keeping kosher were humorous. Childs questioning Alicia’s immersion in the case was interesting, and I liked how she was kept on in a minimal capacity. It’s also good that Bond isn’t opposed to keeping her involved since you’d think he might be. Kalinda did a spectacular job as always, and I’m loving the feud between her and Blake (who insists on calling her Lila every time he sees her!). I found Alicia’s comment to Blake not to get her involved very, very amusing, and I’m so glad that we, the audience, are so involved.
What I’m Watching: Sons of Anarchy
Sons of Anarchy: Season 3, Episode 6 “The Push” (B+)
The characters on this show are beginning to tread on very dangerous territory, as Agent Stahl not only gets SAMCRO’s bail hearing postponed but also feeds lines to Gemma in order to get her charges dropped. Pointing to her partner as the guilty party is a strategy presumably designed to nullify her deal and ultimately exonerate completely her due to lack of evidence, but it’s definitely a risky gamble. Gemma as a dangerous force should also not be underestimated. Jax’s stern conversation with Gemma where he said that she’s not his mother, just a member’s old lady, is the first step in disconnecting them, where Gemma might (though probably won’t) choose to punish Jax for turning informant, even though it gets her out of jail. We’ll have to see where that goes, but we are on fantastic, frightening ground right now. It’s good that Clay has handled the feud with the Mayans, though offing the rat could have gone a whole lot smoother. Watching Tig and Kozik pummel each other in front of all the prospects was a light moment, but their feud will likely have further negative repercussions for the club in the future. The return of the seedy Darby is just bad timing, and hopefully the club can point the finger at him before Tara and Jax’s relationship is ruined forever (that last scene won’t help, of course). Unser’s affiliation with the club is truly taxing and likely to explode soon, and watching Elliott reluctantly agree to help the club out is a perfect representation of what it’s like for a man to have lost his life to the mob, unable to get out, no matter how hard he’s tried or how much he’s given.
The characters on this show are beginning to tread on very dangerous territory, as Agent Stahl not only gets SAMCRO’s bail hearing postponed but also feeds lines to Gemma in order to get her charges dropped. Pointing to her partner as the guilty party is a strategy presumably designed to nullify her deal and ultimately exonerate completely her due to lack of evidence, but it’s definitely a risky gamble. Gemma as a dangerous force should also not be underestimated. Jax’s stern conversation with Gemma where he said that she’s not his mother, just a member’s old lady, is the first step in disconnecting them, where Gemma might (though probably won’t) choose to punish Jax for turning informant, even though it gets her out of jail. We’ll have to see where that goes, but we are on fantastic, frightening ground right now. It’s good that Clay has handled the feud with the Mayans, though offing the rat could have gone a whole lot smoother. Watching Tig and Kozik pummel each other in front of all the prospects was a light moment, but their feud will likely have further negative repercussions for the club in the future. The return of the seedy Darby is just bad timing, and hopefully the club can point the finger at him before Tara and Jax’s relationship is ruined forever (that last scene won’t help, of course). Unser’s affiliation with the club is truly taxing and likely to explode soon, and watching Elliott reluctantly agree to help the club out is a perfect representation of what it’s like for a man to have lost his life to the mob, unable to get out, no matter how hard he’s tried or how much he’s given.
Saturday, October 16, 2010
Take Three: No Ordinary Family
No Ordinary Family: Season 1, Episode 3 “No Ordinary Ring” (B)
At this point, I’m really not sure this can ever become a great show. It seems a bit too grounded in the simplistic sensibilities I made excuses for last week, and while it’s entertaining enough, I feel that it could be capable of much more. Part of the problem is the consistently sluggish attitude that Jim has because his plans don’t seem to work. Stephanie executed a terrific operation with Katie’s help (though it appears Dr. King is on to them), so why do all of Jim’s attempts at heroism need to end in failure? Even his successes don’t pan out perfectly, and it would be nice to see him win one for a change. I do love the use of both Romany Malco and Autumn Reeser as the confidantes for the parents and, in this episode, their kids. I enjoyed having Daphne try to read Katie’s mind and discover that she is thinking about food, while George is scrambling to try and hide his thoughts from the mind reader. What absolutely did not work in this episode was the J.J.-crush plotline. Daphne telling him that she only dates Jewish girls and then having him research Judaism and wear a giant Star of David around his neck was almost unbearable to watch. It started out okay – J.J. looking at and absorbing the Hebrew alphabet – but it was taken way too far. This show needs to grow up a little and try to cater to the whole family; not just the kids watching.
At this point, I’m really not sure this can ever become a great show. It seems a bit too grounded in the simplistic sensibilities I made excuses for last week, and while it’s entertaining enough, I feel that it could be capable of much more. Part of the problem is the consistently sluggish attitude that Jim has because his plans don’t seem to work. Stephanie executed a terrific operation with Katie’s help (though it appears Dr. King is on to them), so why do all of Jim’s attempts at heroism need to end in failure? Even his successes don’t pan out perfectly, and it would be nice to see him win one for a change. I do love the use of both Romany Malco and Autumn Reeser as the confidantes for the parents and, in this episode, their kids. I enjoyed having Daphne try to read Katie’s mind and discover that she is thinking about food, while George is scrambling to try and hide his thoughts from the mind reader. What absolutely did not work in this episode was the J.J.-crush plotline. Daphne telling him that she only dates Jewish girls and then having him research Judaism and wear a giant Star of David around his neck was almost unbearable to watch. It started out okay – J.J. looking at and absorbing the Hebrew alphabet – but it was taken way too far. This show needs to grow up a little and try to cater to the whole family; not just the kids watching.
Friday, October 15, 2010
What I’m Watching: Glee
Glee: Season 2, Episode 4 “Duets” (B+)
Something that I’m all for, both in principle and in practice, is pairing characters up with unexpected partners and watching how that plays out (see this week’s “Modern Family” for a similar, less musical situation). The introduction of Chord Overstreet as Sam was smooth, and he should be a useful character to create plenty of drama involving Kurt, Quinn, Finn, and the whole glee club. Finn was actually good for something intelligent in this episode, trying to explain to Kurt that he has no problem with him being gay but rather with the fact that he can’t take no for an answer. Kurt and Burt also had a meaningful conversation that helps in the long run to define Kurt as a character. Kurt’s “Victor/Victoria” number was clever, but what really moved me was his final duet with the similarly selfish and equally talented Rachel. That’s one pairing I definitely wouldn’t have expected, so kudos to this show for surprising me. In terms of wonderful surprises, my favorite song and dance number (because both aspects were equally important) in this episode was the duet performed by Tina and Mike, where the latter got to show off his abilities and even got the chance to say a few lines for one of the first times ever. It’s a pity we didn’t get to see Artie and Brittany before something, because Santana and Mercedes did a great job. Overall, this episode was extremely entertaining, and I like the idea of something like this far more than I’ve enjoyed some of the show’s previous gimmicks. Also, a piece of random trivia: this episode was directed by Eric Stoltz, currently the star and also director of last’s week episode of “Caprica.”
Something that I’m all for, both in principle and in practice, is pairing characters up with unexpected partners and watching how that plays out (see this week’s “Modern Family” for a similar, less musical situation). The introduction of Chord Overstreet as Sam was smooth, and he should be a useful character to create plenty of drama involving Kurt, Quinn, Finn, and the whole glee club. Finn was actually good for something intelligent in this episode, trying to explain to Kurt that he has no problem with him being gay but rather with the fact that he can’t take no for an answer. Kurt and Burt also had a meaningful conversation that helps in the long run to define Kurt as a character. Kurt’s “Victor/Victoria” number was clever, but what really moved me was his final duet with the similarly selfish and equally talented Rachel. That’s one pairing I definitely wouldn’t have expected, so kudos to this show for surprising me. In terms of wonderful surprises, my favorite song and dance number (because both aspects were equally important) in this episode was the duet performed by Tina and Mike, where the latter got to show off his abilities and even got the chance to say a few lines for one of the first times ever. It’s a pity we didn’t get to see Artie and Brittany before something, because Santana and Mercedes did a great job. Overall, this episode was extremely entertaining, and I like the idea of something like this far more than I’ve enjoyed some of the show’s previous gimmicks. Also, a piece of random trivia: this episode was directed by Eric Stoltz, currently the star and also director of last’s week episode of “Caprica.”
What I’m Watching: The Big C
The Big C: Season 1, Episode 8 “Happy Birthday, Cancer” (A-)
We now officially have the best episode yet of this show, where Cathy is surprised by a whole legion of friends and actually manages to have a good time with some people she used to know. It’s always struck me as a bit strange that in order to truly surprise someone for their birthday, it’s necessary to make it seem as if everyone’s forgotten and no one cares. That sort of sums up the way Cathy was likely feeling, when only Lenny remembered and Marlene was the only one with whom she could enjoy some wedding cake. Yet the surprise party planned by the well-meaning Paul caught Cathy, and me as a viewer, well, by surprise. Cathy has isolated herself from the normalcy of her own life that it’s felt as if she doesn’t have any friends, and Marlene and Lenny are her only real outlets. Having them at the party, each knowing something no one else does, was especially interesting. Cynthia Nixon’s guest appearance as Rebecca was fun, and she was the one who really helped shake Cathy loose. I enjoyed the fact that her banter with Sean led to them sharing a rather intimate moment that prevented Cathy from doing laundry. Of course, the most intriguing part of the episode was having Lenny finally meet Paul and then decide that it wasn’t right for Cathy to come away with him. Then again, Cathy’s proclamation that she hasn’t been happy in years just pushed Paul away once more, so Cathy’s episode-ending phone call should hopefully result in a much-needed, relaxing getaway with less devastating implications than Michael Scott’s trip to Jamaica.
We now officially have the best episode yet of this show, where Cathy is surprised by a whole legion of friends and actually manages to have a good time with some people she used to know. It’s always struck me as a bit strange that in order to truly surprise someone for their birthday, it’s necessary to make it seem as if everyone’s forgotten and no one cares. That sort of sums up the way Cathy was likely feeling, when only Lenny remembered and Marlene was the only one with whom she could enjoy some wedding cake. Yet the surprise party planned by the well-meaning Paul caught Cathy, and me as a viewer, well, by surprise. Cathy has isolated herself from the normalcy of her own life that it’s felt as if she doesn’t have any friends, and Marlene and Lenny are her only real outlets. Having them at the party, each knowing something no one else does, was especially interesting. Cynthia Nixon’s guest appearance as Rebecca was fun, and she was the one who really helped shake Cathy loose. I enjoyed the fact that her banter with Sean led to them sharing a rather intimate moment that prevented Cathy from doing laundry. Of course, the most intriguing part of the episode was having Lenny finally meet Paul and then decide that it wasn’t right for Cathy to come away with him. Then again, Cathy’s proclamation that she hasn’t been happy in years just pushed Paul away once more, so Cathy’s episode-ending phone call should hopefully result in a much-needed, relaxing getaway with less devastating implications than Michael Scott’s trip to Jamaica.
What I’m Watching: Weeds
Weeds: Season 6, Episode 8 “Gentle Puppies” (B+)
Is there anyone worthy of as much commendation as Justin Kirk? Possibly, yes, but not for the purposes of this review. He showed up halfway through this show’s first season with his “Chris died for your sins” shirts and has invigorated the show ever since with his sarcastic outlook on life, and now he’s the one holding the family together. His impressive transformation into an outlandish preacher was quite fascinating, and having Shane as his bookie didn’t hurt. But it’s Kirk’s willingness, usually matching the dedication contributed by Mary-Louise Parker, to go all out and do anything demanded of his character (think back to his days in rabbinical school, for instance) that makes this show such a blast. It doesn’t necessarily keep it grounded, however, though that’s not the case in this episode. The Newmans would be better served to cast off their uncle Ted for fear of the stupidity-prone Doug messing up their chances at each new locale they visit. I suppose that this show does want to maintain some sort of non-familial tie to its origins since so many characters – Heylia, Conrad, Celia, and others – have been left behind after Nancy and her family have fled to another state. This season has already been quite hectic, and there are no signs that it will be letting up anytime soon, considering the fact that both Esteban and the authorities are presumably still on their trail. Andy’s brief leadership of his flock did prove very amusing, and I hope to see his next wild idea in action.
Is there anyone worthy of as much commendation as Justin Kirk? Possibly, yes, but not for the purposes of this review. He showed up halfway through this show’s first season with his “Chris died for your sins” shirts and has invigorated the show ever since with his sarcastic outlook on life, and now he’s the one holding the family together. His impressive transformation into an outlandish preacher was quite fascinating, and having Shane as his bookie didn’t hurt. But it’s Kirk’s willingness, usually matching the dedication contributed by Mary-Louise Parker, to go all out and do anything demanded of his character (think back to his days in rabbinical school, for instance) that makes this show such a blast. It doesn’t necessarily keep it grounded, however, though that’s not the case in this episode. The Newmans would be better served to cast off their uncle Ted for fear of the stupidity-prone Doug messing up their chances at each new locale they visit. I suppose that this show does want to maintain some sort of non-familial tie to its origins since so many characters – Heylia, Conrad, Celia, and others – have been left behind after Nancy and her family have fled to another state. This season has already been quite hectic, and there are no signs that it will be letting up anytime soon, considering the fact that both Esteban and the authorities are presumably still on their trail. Andy’s brief leadership of his flock did prove very amusing, and I hope to see his next wild idea in action.
Thursday, October 14, 2010
What I’m Watching: The Event
The Event: Season 1, Episode 4 “A Matter of Life and Death” (D+)
I won’t waste much time decrying the fact that, once again, Sean and Leila are the focal points of the episode when it’s the visitors up north who really should be. Agent Collier officially ranks as my most hated character of the TV season so far (I might have to reevaluate that), but her sheer stupidity and inability to be the least bit helpful is pissing me off. Sean would be better off without his FBI escort dragging him down. The lengths to which this show is going to demonstrate just how manipulative, far-reaching, and corrupt everyone is are becoming repetitive. Leila didn’t need to spend an entire episode tugging at the ropes around her hands to break free and help set Vicky’s latest plan in motion. The use of unnecessary flashbacks irked me as always, and the show seems to be pandering to a much dumber crowd that I imagine is watching it. Once I saw the police officer talking to Carter, I understood exactly what was going on and didn’t need to waste another few minutes having it all spelled out for me. I would have preferred much more time spent on the interrogation clips which showed us the reactions of a few of the passengers from the plane. This would be a far more compelling show if the focus was on what was actually interesting. I don’t care how someone slipped a phone into the president’s son’s backpack. Let’s get a trace on that phone call and finally find out exactly what’s going on!
I won’t waste much time decrying the fact that, once again, Sean and Leila are the focal points of the episode when it’s the visitors up north who really should be. Agent Collier officially ranks as my most hated character of the TV season so far (I might have to reevaluate that), but her sheer stupidity and inability to be the least bit helpful is pissing me off. Sean would be better off without his FBI escort dragging him down. The lengths to which this show is going to demonstrate just how manipulative, far-reaching, and corrupt everyone is are becoming repetitive. Leila didn’t need to spend an entire episode tugging at the ropes around her hands to break free and help set Vicky’s latest plan in motion. The use of unnecessary flashbacks irked me as always, and the show seems to be pandering to a much dumber crowd that I imagine is watching it. Once I saw the police officer talking to Carter, I understood exactly what was going on and didn’t need to waste another few minutes having it all spelled out for me. I would have preferred much more time spent on the interrogation clips which showed us the reactions of a few of the passengers from the plane. This would be a far more compelling show if the focus was on what was actually interesting. I don’t care how someone slipped a phone into the president’s son’s backpack. Let’s get a trace on that phone call and finally find out exactly what’s going on!
What I’m Watching: Chuck
Chuck: Season 4, Episode 4 “Chuck Versus the Coup D’Etat” (B+)
Though it often takes me a moment to recall just exactly which character is which, it’s always nice to have a recurring villain brought back for a second or third appearance. In this case, having Armand Assante’s Generalissimo return also means that we get to see Casey reliving his Angel de la Muerte days, talking about how he lived in the walls of his home base for months. Casey not out in the field might have at first seemed dull, but that doesn’t mean he’s lost his dry commentary. It’s also great to see the Generalissimo turn to Casey as the one man he trusts because he realizes just how much he hates him. On the subject of Casey, or at least his offspring, it’s a lot of fun to see Morgan squirm around as he’s debating whether or not to make a move on Alex for fear of being murdered by her father. Having Big Mike help him in his quest is also delightful, and I’m hopeful that this relationship can create much entertainment in the near future. Another relationship is functioning much better than expected, and that’s the union between Chuck and Sarah, who use their own issues to help resolve a potential international crisis. How touching, and quite inventive for the show itself! I would have thought that I would dread these relationship conversations Chuck tries to have with Sarah, but that final shot of Sarah talking to a sleeping Chuck was just wonderful, and I’m all for them as a couple more than ever.
Though it often takes me a moment to recall just exactly which character is which, it’s always nice to have a recurring villain brought back for a second or third appearance. In this case, having Armand Assante’s Generalissimo return also means that we get to see Casey reliving his Angel de la Muerte days, talking about how he lived in the walls of his home base for months. Casey not out in the field might have at first seemed dull, but that doesn’t mean he’s lost his dry commentary. It’s also great to see the Generalissimo turn to Casey as the one man he trusts because he realizes just how much he hates him. On the subject of Casey, or at least his offspring, it’s a lot of fun to see Morgan squirm around as he’s debating whether or not to make a move on Alex for fear of being murdered by her father. Having Big Mike help him in his quest is also delightful, and I’m hopeful that this relationship can create much entertainment in the near future. Another relationship is functioning much better than expected, and that’s the union between Chuck and Sarah, who use their own issues to help resolve a potential international crisis. How touching, and quite inventive for the show itself! I would have thought that I would dread these relationship conversations Chuck tries to have with Sarah, but that final shot of Sarah talking to a sleeping Chuck was just wonderful, and I’m all for them as a couple more than ever.
What I’m Watching: Eastbound and Down
Eastbound and Down: Season 2, Episode 3 “Chapter 9” (B+)
What a strange show this is. If I thought it was the type of series that had some ultimate achievement as its goal, I might suggest that it had lost sight of it, but I think Kenny Powers is just doing what he’s doing because he doesn’t know what else to do. His former henchmen’s search has proved fruitful, so now Kenny can try to get his life back together, since signing autographs while dressed ridiculously and seated next to far more famous soccer players just isn’t cutting it. I enjoyed the confusion that arose an all ends from Kenny’s former henchmen looking for Steve since Kenny had given them that name, and I think universal confusion is one of the things this show does best. It also does a spectacular job of giving the most despicable things to say, and his allusion to the conflict between the Jews and the Muslims was particularly hilarious. His relationship with Vida is quite interesting, and I doubt Michael Pena’s Mr. Cisneros is the only one surprised by Kenny’s good fortune, especially considering the way he treats her. This show is managing to round out its cast for the second season at this point, which is a good thing, led by Pena and Ana de la Reguera. I’m still hoping that we’ll see some familiar faces from back home, like April, but I’m not holding my breath, since Kenny’s search for himself will likely take him deeper into Mexico rather than away from it.
What a strange show this is. If I thought it was the type of series that had some ultimate achievement as its goal, I might suggest that it had lost sight of it, but I think Kenny Powers is just doing what he’s doing because he doesn’t know what else to do. His former henchmen’s search has proved fruitful, so now Kenny can try to get his life back together, since signing autographs while dressed ridiculously and seated next to far more famous soccer players just isn’t cutting it. I enjoyed the confusion that arose an all ends from Kenny’s former henchmen looking for Steve since Kenny had given them that name, and I think universal confusion is one of the things this show does best. It also does a spectacular job of giving the most despicable things to say, and his allusion to the conflict between the Jews and the Muslims was particularly hilarious. His relationship with Vida is quite interesting, and I doubt Michael Pena’s Mr. Cisneros is the only one surprised by Kenny’s good fortune, especially considering the way he treats her. This show is managing to round out its cast for the second season at this point, which is a good thing, led by Pena and Ana de la Reguera. I’m still hoping that we’ll see some familiar faces from back home, like April, but I’m not holding my breath, since Kenny’s search for himself will likely take him deeper into Mexico rather than away from it.
What I’m Watching: Bored to Death
Bored to Death: Season 2, Episode 3 “The Gowanas Canal Has Gonorrhea!” (B+)
Jonathan always does get himself in sticky situations. This week’s mess, of course, is a leftover problem from two week’s ago when Jonathan escaped from the dungeon. This show has a marvelous sardonic tone that really works well, and all of its characters, especially the guest ones in this episode, conform to it excellently. It’s no surprise that Jonathan’s kidnappers don’t have their business together, and that Jonathan doesn’t exactly take them seriously, evidenced by how he responds to all of their questions and demands. I like the fact that George and Ray come to his rescue, and that George was so stoned that he didn’t realize that his surprise assault should take place at a time the kidnappers didn’t expect. His notes taken in the air were also quite impressive, and I like that he’s bonding with Ray, even if the bearded guy isn’t terribly receptive to his friendship. George shooting Ray in the head probably won’t help them, but I do love that it didn’t even really faze Ray, at least physically. George’s discovery of his cancer is a sad turn of events, though I’m sure this show will manage to turn in into a wacky emotional journey even more peculiar than that of Cathy on “The Big C.” Jonathan now once again finds himself single, and his breakup wasn’t all that pleasant this time around either. It might be some comfort to him, however, that in this case, it really wasn’t him or his love for wine - it was someone else.
Jonathan always does get himself in sticky situations. This week’s mess, of course, is a leftover problem from two week’s ago when Jonathan escaped from the dungeon. This show has a marvelous sardonic tone that really works well, and all of its characters, especially the guest ones in this episode, conform to it excellently. It’s no surprise that Jonathan’s kidnappers don’t have their business together, and that Jonathan doesn’t exactly take them seriously, evidenced by how he responds to all of their questions and demands. I like the fact that George and Ray come to his rescue, and that George was so stoned that he didn’t realize that his surprise assault should take place at a time the kidnappers didn’t expect. His notes taken in the air were also quite impressive, and I like that he’s bonding with Ray, even if the bearded guy isn’t terribly receptive to his friendship. George shooting Ray in the head probably won’t help them, but I do love that it didn’t even really faze Ray, at least physically. George’s discovery of his cancer is a sad turn of events, though I’m sure this show will manage to turn in into a wacky emotional journey even more peculiar than that of Cathy on “The Big C.” Jonathan now once again finds himself single, and his breakup wasn’t all that pleasant this time around either. It might be some comfort to him, however, that in this case, it really wasn’t him or his love for wine - it was someone else.
Wednesday, October 13, 2010
What I’m Watching: Mad Men
Mad Men: Season 4, Episode 12 “Blowing Smoke” (A-)
Wow. It hasn’t been long since the fantastic formation of Sterling Cooper Draper Pryce, and now they have to conduct cost-cutting measures so severe that it takes all of the fun out of their mutiny at the end of last season. The departure of Cooper, someone who has always been on the sidelines as compared with the other partners, is quite a surprise, and it’s likely that they’ll suffer in his absence because of his many years in the business and considerably influence as a figure in the industry. As is stressed in this episode, Don is really the reason that people know the firm, and his unapproved public diatribe against smoking comes as a real shock. It’s a brilliant move, and credit is actually due, as is not uncommon, to Peggy for providing him with the proper provocation. For a show with so much smoking, thinking about the agency as anti-smoking is unbelievable. The call that was supposedly from Bobby Kennedy was an additional blow that Don didn't need. The sheer amount of people fired is striking, and seeing the head honchos at the firm line up to depart for yet another meeting that doesn’t end up happening is heartbreaking. Don paying for Pete’s share of the personal contribution to keeping the firm afloat was incredibly interesting, and it’s fascinating to see how their relationship is developing, summed up perfectly in their final silent salute to each other. Betty deciding to move seems like an especially harsh punishment for Sally, which is surely going to drive even more of a wedge between them. It’s hard to tell how things are going to end up for all of the characters on this show, and I’m sure next week’s finale will provide some compelling answers.
Wow. It hasn’t been long since the fantastic formation of Sterling Cooper Draper Pryce, and now they have to conduct cost-cutting measures so severe that it takes all of the fun out of their mutiny at the end of last season. The departure of Cooper, someone who has always been on the sidelines as compared with the other partners, is quite a surprise, and it’s likely that they’ll suffer in his absence because of his many years in the business and considerably influence as a figure in the industry. As is stressed in this episode, Don is really the reason that people know the firm, and his unapproved public diatribe against smoking comes as a real shock. It’s a brilliant move, and credit is actually due, as is not uncommon, to Peggy for providing him with the proper provocation. For a show with so much smoking, thinking about the agency as anti-smoking is unbelievable. The call that was supposedly from Bobby Kennedy was an additional blow that Don didn't need. The sheer amount of people fired is striking, and seeing the head honchos at the firm line up to depart for yet another meeting that doesn’t end up happening is heartbreaking. Don paying for Pete’s share of the personal contribution to keeping the firm afloat was incredibly interesting, and it’s fascinating to see how their relationship is developing, summed up perfectly in their final silent salute to each other. Betty deciding to move seems like an especially harsh punishment for Sally, which is surely going to drive even more of a wedge between them. It’s hard to tell how things are going to end up for all of the characters on this show, and I’m sure next week’s finale will provide some compelling answers.
What I’m Watching: Desperate Housewives
Desperate Housewives: Season 7, Episode 3 “Truly Content” (B+)
Though I’m inclined to say that I don’t approve of some of the arcs in this episode, the show did manage to surprise and ultimately entertain me. Lynette manipulating Tom into thinking he was smoking pot when he was really just getting high on oregano seemed like a poor idea, but it seems to have found him happiness in the end, and avoiding too much time spent on silly shots of him acting stoned earns points with me. Susan’s seductive cleaning could also have gone down the drain as a storyline but for the introduction of Rebecca Creskoff’s Stacy Strauss. I love the “Hung” actress, even though her accent here was less than consistent. Susan actually is one of the fiercest housewives, whose clumsiness is her fiercest weapon (see: Edie’s burnt down house). Speaking of fierce women and feuds, pitting Bree and Renee against each other is a marvelous idea, and planting the newly single Keith smack in the middle of their tug-of-war is great. Bree has been saddled with unhappiness and Orson for a while, so it’s good to see her try to reclaim some of the fun in her life. The dramatic acting from Eva Longoria in the mediation scene didn’t impress me as much as it has in the past, but the follow-up with her clandestine meeting with Bob and Carlos’ furious response to her betrayal was better. I’m intrigued, as always, by Paul’s evil plotting, and it’s interesting to see that subtly proceed forward while the housewives go about their own lives.
Though I’m inclined to say that I don’t approve of some of the arcs in this episode, the show did manage to surprise and ultimately entertain me. Lynette manipulating Tom into thinking he was smoking pot when he was really just getting high on oregano seemed like a poor idea, but it seems to have found him happiness in the end, and avoiding too much time spent on silly shots of him acting stoned earns points with me. Susan’s seductive cleaning could also have gone down the drain as a storyline but for the introduction of Rebecca Creskoff’s Stacy Strauss. I love the “Hung” actress, even though her accent here was less than consistent. Susan actually is one of the fiercest housewives, whose clumsiness is her fiercest weapon (see: Edie’s burnt down house). Speaking of fierce women and feuds, pitting Bree and Renee against each other is a marvelous idea, and planting the newly single Keith smack in the middle of their tug-of-war is great. Bree has been saddled with unhappiness and Orson for a while, so it’s good to see her try to reclaim some of the fun in her life. The dramatic acting from Eva Longoria in the mediation scene didn’t impress me as much as it has in the past, but the follow-up with her clandestine meeting with Bob and Carlos’ furious response to her betrayal was better. I’m intrigued, as always, by Paul’s evil plotting, and it’s interesting to see that subtly proceed forward while the housewives go about their own lives.
What I’m Watching: Boardwalk Empire
Boardwalk Empire: Season 1, Episode 4 “Anastasia” (A-)
I’m glad I stuck around. My patience was wearing thin considering the plodding pace of the first three installments of this show, but like most of HBO’s recent fare, it just took a little time to break in this new series. Thanks to Jack Moore of Ology for giving me encouragement – you were right (check out his list of ten awesome things about this episode). There are many things that I really liked about this episode, and I’m even approaching more clarity about who all of the supporting characters are and how they’re connected (I don’t think I’ve been paying close enough attention). Firstly, I love the episode’s title and how it serves as a subtle undercurrent of the episode’s events, starting out as a story on the radio and ending up as a disappointing headline on the newsstands. The influx of newly featured characters in this episode is spectacular, and I’m pleased with everyone. Starting out with the seedy, we have Geoff Pierson, a former President from “24,” and Chris Mulkey, of “Sleeper Cell,” “Twin Peaks,” and much more, as the two politicians with whom Nucky cavorts. Emily Meade and Gretchen Mol gave spectacular performances as Pearl and Gillian, respectively, making the women on this show even more memorable than the men. And that’s not even mentioning Kelly Macdonald, whose Margaret Schroeder manages to knock Senator Edge down a peg and capture Nucky’s glance as his less intelligent girlfriend bursts out of the cake. Also of note is the fantastic Michael Kenneth Williams as Chalky, whose storytelling skills are almost as impressive as his amputation abilities. I’m very excited that this show is picking up and getting really, really good.
I’m glad I stuck around. My patience was wearing thin considering the plodding pace of the first three installments of this show, but like most of HBO’s recent fare, it just took a little time to break in this new series. Thanks to Jack Moore of Ology for giving me encouragement – you were right (check out his list of ten awesome things about this episode). There are many things that I really liked about this episode, and I’m even approaching more clarity about who all of the supporting characters are and how they’re connected (I don’t think I’ve been paying close enough attention). Firstly, I love the episode’s title and how it serves as a subtle undercurrent of the episode’s events, starting out as a story on the radio and ending up as a disappointing headline on the newsstands. The influx of newly featured characters in this episode is spectacular, and I’m pleased with everyone. Starting out with the seedy, we have Geoff Pierson, a former President from “24,” and Chris Mulkey, of “Sleeper Cell,” “Twin Peaks,” and much more, as the two politicians with whom Nucky cavorts. Emily Meade and Gretchen Mol gave spectacular performances as Pearl and Gillian, respectively, making the women on this show even more memorable than the men. And that’s not even mentioning Kelly Macdonald, whose Margaret Schroeder manages to knock Senator Edge down a peg and capture Nucky’s glance as his less intelligent girlfriend bursts out of the cake. Also of note is the fantastic Michael Kenneth Williams as Chalky, whose storytelling skills are almost as impressive as his amputation abilities. I’m very excited that this show is picking up and getting really, really good.
What I’m Watching: Dexter
Dexter: Season 5, Episode 3 “Practically Perfect” (B+)
There’s little I can think of that’s more alarming than the sight of Dexter being the one waking up in a groggy state, unaware and not in control of the situation around him. Dexter has had trouble wrangling his prey before (remember the giant guy?), but Boyd shooting him with a tranquilizer dart as he stuck a needle in his neck was one of the most dangerous and threatening mishaps that has occurred to Dexter yet. Fortunately, the hospital was a bad place for both men, and Dexter is a much more emotionally strong person, despite his own problems at home. His method of luring Boyd into his trap was, as always, fantastic and creepy. It’s incredible to see Dexter actually becoming a family man after all of his arguments to the contrary, starting to freak out after he couldn’t find his nanny and his son. Of course, he didn’t even think to check the fridge, so he still has considerable work to do. I’m not sure how much I love the focus on the cops since Laguerta has never been a particularly strong character (I liked her better when she used to hit on Dexter and be cruel to Deb). An internal affairs investigation into Batista will only serve as a distraction to the more interesting cases, and will only give Quinn more time to go solo in his dogged pursuit of Kyle Butler. The end of the episode finally introduces one of the advertised guest stars of this season, Julia Stiles, as a woman who Dexter will now have to keep hidden away until he figures out just what to do with her. I’m intrigued.
There’s little I can think of that’s more alarming than the sight of Dexter being the one waking up in a groggy state, unaware and not in control of the situation around him. Dexter has had trouble wrangling his prey before (remember the giant guy?), but Boyd shooting him with a tranquilizer dart as he stuck a needle in his neck was one of the most dangerous and threatening mishaps that has occurred to Dexter yet. Fortunately, the hospital was a bad place for both men, and Dexter is a much more emotionally strong person, despite his own problems at home. His method of luring Boyd into his trap was, as always, fantastic and creepy. It’s incredible to see Dexter actually becoming a family man after all of his arguments to the contrary, starting to freak out after he couldn’t find his nanny and his son. Of course, he didn’t even think to check the fridge, so he still has considerable work to do. I’m not sure how much I love the focus on the cops since Laguerta has never been a particularly strong character (I liked her better when she used to hit on Dexter and be cruel to Deb). An internal affairs investigation into Batista will only serve as a distraction to the more interesting cases, and will only give Quinn more time to go solo in his dogged pursuit of Kyle Butler. The end of the episode finally introduces one of the advertised guest stars of this season, Julia Stiles, as a woman who Dexter will now have to keep hidden away until he figures out just what to do with her. I’m intrigued.
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