This is what they brought Kara back for? For a photo shoot and to teach Clark to fly? I like the idea of incorporating Supergirl into the storyline, but knowing that she’s only sticking around for one episode really takes the fun out of it. While her presence was never fully fused into the regular rhythm of the show, Kara was a great character to have on the show, especially in the last-ever episode in which Michael Rosenbaum appeared, when she was possessed by Brainiac. Now, Laura Vandervoort is appearing regularly as an alien on a show that’s not appearing quite as regularly: ABC’s reboot of “V,” which has yet to find a time slot or premiere date for its second season. This show, and especially this season, works much better on paper as a metaphor than it does practically-speaking as the action plays out. Clark’s journey to becoming a hero is taking much too long, and you’d think that Lois’ speedy return from the desert would rush things along. But, of course, Kara has to be the one to save Lois from certain doom, not Clark. At some point Clark is going to need to make his move, because this show doesn’t have a whole lot of time left (though I am getting increasingly worried that this will mimic the situation of “7th Heaven” from a few years ago, when it was renewed a few days after airing its series finale). Also, it’s about time they brought Chloe back, because mopey Oliver just isn’t cutting it. I'm not sure what to make yet of his final confession.
Tuesday, October 12, 2010
What I’m Watching: Smallville
Smallville: Season 10, Episode 3 “Supergirl” (C)
This is what they brought Kara back for? For a photo shoot and to teach Clark to fly? I like the idea of incorporating Supergirl into the storyline, but knowing that she’s only sticking around for one episode really takes the fun out of it. While her presence was never fully fused into the regular rhythm of the show, Kara was a great character to have on the show, especially in the last-ever episode in which Michael Rosenbaum appeared, when she was possessed by Brainiac. Now, Laura Vandervoort is appearing regularly as an alien on a show that’s not appearing quite as regularly: ABC’s reboot of “V,” which has yet to find a time slot or premiere date for its second season. This show, and especially this season, works much better on paper as a metaphor than it does practically-speaking as the action plays out. Clark’s journey to becoming a hero is taking much too long, and you’d think that Lois’ speedy return from the desert would rush things along. But, of course, Kara has to be the one to save Lois from certain doom, not Clark. At some point Clark is going to need to make his move, because this show doesn’t have a whole lot of time left (though I am getting increasingly worried that this will mimic the situation of “7th Heaven” from a few years ago, when it was renewed a few days after airing its series finale). Also, it’s about time they brought Chloe back, because mopey Oliver just isn’t cutting it. I'm not sure what to make yet of his final confession.
This is what they brought Kara back for? For a photo shoot and to teach Clark to fly? I like the idea of incorporating Supergirl into the storyline, but knowing that she’s only sticking around for one episode really takes the fun out of it. While her presence was never fully fused into the regular rhythm of the show, Kara was a great character to have on the show, especially in the last-ever episode in which Michael Rosenbaum appeared, when she was possessed by Brainiac. Now, Laura Vandervoort is appearing regularly as an alien on a show that’s not appearing quite as regularly: ABC’s reboot of “V,” which has yet to find a time slot or premiere date for its second season. This show, and especially this season, works much better on paper as a metaphor than it does practically-speaking as the action plays out. Clark’s journey to becoming a hero is taking much too long, and you’d think that Lois’ speedy return from the desert would rush things along. But, of course, Kara has to be the one to save Lois from certain doom, not Clark. At some point Clark is going to need to make his move, because this show doesn’t have a whole lot of time left (though I am getting increasingly worried that this will mimic the situation of “7th Heaven” from a few years ago, when it was renewed a few days after airing its series finale). Also, it’s about time they brought Chloe back, because mopey Oliver just isn’t cutting it. I'm not sure what to make yet of his final confession.
What I’m Watching: Nikita
Nikita: Season 1, Episode 5 “The Guardian” (C)
Are we really expected to believe that Percy and Michael just run around shouting about their communication problems in front of all the unsuspecting trainees? It wouldn’t be much of a stretch to think that Nikita Syndrome would affect at least a couple of those recruits every day, as they’re privy to far too much top-secret information about their evil wheelings and dealings not to put two and two together. That is of course the trouble with this show, which, not unlike other CW and former WB shows, struggles considerably in the dialogue department, frequently eliciting laughs and groans rather than serious emotional responses. Alex popping in an earpiece and slipping a phone into Birkhoff’s pocket are moves done way too out in the open, and it didn’t take Thom long to discover that something was afoot. Starting a romantic relationship with Thom is a terrible idea for Alex since Jaden is already suspicious of her and determined to take her down. Percy did come much closer to Nikita than he has in the past, and it’s really only because Nikita got jealous that Percy came to Montreal himself rather than sending Michael in his stead. Don’t trained spies know that you’re never supposed to stand near a window? Owen’s beloved girlfriend might still be alive if Owen and Nikita had blocked their scuffle better. I think this show is desperately in need of a major event, preferably one involving either Thom or Michael making a big revelation followed by a big choice regarding their allegiance to an unforgettable woman in their lives.
Are we really expected to believe that Percy and Michael just run around shouting about their communication problems in front of all the unsuspecting trainees? It wouldn’t be much of a stretch to think that Nikita Syndrome would affect at least a couple of those recruits every day, as they’re privy to far too much top-secret information about their evil wheelings and dealings not to put two and two together. That is of course the trouble with this show, which, not unlike other CW and former WB shows, struggles considerably in the dialogue department, frequently eliciting laughs and groans rather than serious emotional responses. Alex popping in an earpiece and slipping a phone into Birkhoff’s pocket are moves done way too out in the open, and it didn’t take Thom long to discover that something was afoot. Starting a romantic relationship with Thom is a terrible idea for Alex since Jaden is already suspicious of her and determined to take her down. Percy did come much closer to Nikita than he has in the past, and it’s really only because Nikita got jealous that Percy came to Montreal himself rather than sending Michael in his stead. Don’t trained spies know that you’re never supposed to stand near a window? Owen’s beloved girlfriend might still be alive if Owen and Nikita had blocked their scuffle better. I think this show is desperately in need of a major event, preferably one involving either Thom or Michael making a big revelation followed by a big choice regarding their allegiance to an unforgettable woman in their lives.
What I’m Watching: The Office
The Office: Season 7, Episode 3 “Andy’s Play” (B)
This is quite a peculiar episode, mostly because it starts out in a way that’s completely unexpected and then takes the cast out of the office for a full-episode field trip. Usually, that wouldn’t be so advisable, and in this case, it works, for the most part. My problem with what many dub “classic Michael episodes” is that sometimes his behavior is just too uncomfortable and grating to be bearable, let alone funny. That was certainly the case in “Scott’s Tots” last year (not sure why I gave the episode such a favorable mark), and his repeated auditioning and heckling of the universally-acclaimed plumber lead star isn’t quite as bad as that, but it is squirm-inducing. Back to the titular character, however, I was absolutely delighted to see “The Ballad of Sweeney Todd” performed in the office in spectacular fashion, considering I love that number and it’s not actually featured in the film version of the play starring Johnny Depp that was released in 2007. Andy did do a great job, much to everyone’s surprise, but answering his cell phone on stage was deathly embarrassing and cringe-worthy almost on the scale of something Michael would do. Erin truly is the dumbest character on this show, bringing Jim and Pam’s baby to the play, yet her relationship with Andy, however nonexistent at the moment due to the absent Gabe, is endearing enough. Angela’s ploy to get Dwight to fall back in love with her is touching, and it’s nice to see that relationship starting back up again. Anytime Darryl appears in an episode, it enhances it, and therefore it’s a pleasure to have him here, if only to recognize the actor who plays Sweeney Todd as none other than his plumber.
This is quite a peculiar episode, mostly because it starts out in a way that’s completely unexpected and then takes the cast out of the office for a full-episode field trip. Usually, that wouldn’t be so advisable, and in this case, it works, for the most part. My problem with what many dub “classic Michael episodes” is that sometimes his behavior is just too uncomfortable and grating to be bearable, let alone funny. That was certainly the case in “Scott’s Tots” last year (not sure why I gave the episode such a favorable mark), and his repeated auditioning and heckling of the universally-acclaimed plumber lead star isn’t quite as bad as that, but it is squirm-inducing. Back to the titular character, however, I was absolutely delighted to see “The Ballad of Sweeney Todd” performed in the office in spectacular fashion, considering I love that number and it’s not actually featured in the film version of the play starring Johnny Depp that was released in 2007. Andy did do a great job, much to everyone’s surprise, but answering his cell phone on stage was deathly embarrassing and cringe-worthy almost on the scale of something Michael would do. Erin truly is the dumbest character on this show, bringing Jim and Pam’s baby to the play, yet her relationship with Andy, however nonexistent at the moment due to the absent Gabe, is endearing enough. Angela’s ploy to get Dwight to fall back in love with her is touching, and it’s nice to see that relationship starting back up again. Anytime Darryl appears in an episode, it enhances it, and therefore it’s a pleasure to have him here, if only to recognize the actor who plays Sweeney Todd as none other than his plumber.
What I’m Watching: 30 Rock
30 Rock: Season 5, Episode 3 “Let’s Stay Together” (B+)
This is one of those wildly ridiculous episodes where you can really see the writers’ wheels spinning. The amount of careful construction necessary to make it so that Queen Latifah’s Regina Bookman was touring the studio and saw Lutz and Tracy shouting derogatory names at each other and the bathrooms accidentally labeled “colored” and “white” might not seem so substantive, but it really did take some effort, and I was impressed with the ludicrous result. The somewhat strange and random guest appearance of Rob Reiner as one of the people on the committee gave way to a far more entertaining spot from Queen Latifah, whose speech-giving Bookman isn’t really all that different from Jack Donaghy, who often spews mindless garbage as if he’s reading from the Constitution. The instant promotion of Twofer came as quite a shock, mostly because he’s barely a featured character on the show. When it comes down to it, however, Liz really is the star of the show, and therefore it makes sense that she would be furious and try to steal the spotlight when Twofer was getting undue recognition for all the hard work she had been doing for years. Jack may have been speaking for audiences when he said that he really didn’t care if Kenneth found fulfillment in his page reapplication process, and perhaps it would have been best if Jack had just pulled some strings and got him his job back right away. Jenna’s mother issues are interesting to a point, but she can be better used (though she hasn’t in quite some time). It’s still hard to believe that there’s as wacky a character on television as Tracy, but he continues to entertain, mystifyingly.
This is one of those wildly ridiculous episodes where you can really see the writers’ wheels spinning. The amount of careful construction necessary to make it so that Queen Latifah’s Regina Bookman was touring the studio and saw Lutz and Tracy shouting derogatory names at each other and the bathrooms accidentally labeled “colored” and “white” might not seem so substantive, but it really did take some effort, and I was impressed with the ludicrous result. The somewhat strange and random guest appearance of Rob Reiner as one of the people on the committee gave way to a far more entertaining spot from Queen Latifah, whose speech-giving Bookman isn’t really all that different from Jack Donaghy, who often spews mindless garbage as if he’s reading from the Constitution. The instant promotion of Twofer came as quite a shock, mostly because he’s barely a featured character on the show. When it comes down to it, however, Liz really is the star of the show, and therefore it makes sense that she would be furious and try to steal the spotlight when Twofer was getting undue recognition for all the hard work she had been doing for years. Jack may have been speaking for audiences when he said that he really didn’t care if Kenneth found fulfillment in his page reapplication process, and perhaps it would have been best if Jack had just pulled some strings and got him his job back right away. Jenna’s mother issues are interesting to a point, but she can be better used (though she hasn’t in quite some time). It’s still hard to believe that there’s as wacky a character on television as Tracy, but he continues to entertain, mystifyingly.
Monday, October 11, 2010
What Drew's Watching: Bones
I’m thrilled to introduce a new guest reviewer here at TV with Abe. Drew is a skilled writer who has offered to cover “Bones,” a show which I do not detest nearly as much as he indicates below. I simply have no real interest in the show, but what I have seen of it (pretty much just the pilot) was decently entertaining. And though he takes the blame for not starting to cover the show until now, our initial conversation about him writing for the site only first occurred last week. With that, I present guest blogger Drew, who will be offering his very detailed and specifically-graded take on “Bones” each week.
If there's one thing I know about Abe, it's that he hates "Bones." So it makes sense that he'd want to outsource the hellish task of reviewing the show. Fortunately, he's got me to pick up the slack in the "shows Abe can't stand to watch himself" category. And I'm uniquely qualified in this case: my coexisting love and hatred for "Bones" cancel each other out, making me all kinds of objective. I'm also all kinds of punctuality-challenged, so here are the first three episodes of "Bones," a full three weeks behind schedule.
Bones: Season 6, Episode 1 “The Mastodon in the Room”
Long-time viewers will fast recall the show's heavy-handed sentimentality, which the producers pushed beyond even this most jaded viewer's expectations in last season's finale. That said, the separation of Booth and Bones was pretty effective, but their reunion falls flat. After all, you can't orchestrate a "we're never going to see each other again" tear-jerker and then throw us right back into the mix with a blithe "seven months later" caption. Character-wise, the usual suspects suffer from their old crutches (but after five seasons, who can be surprised?): Cam continues to have a hard time expressing any emotion, and Bones wavers dangerously between an unfeeling robot hilariously oblivious to cultural references and the emotionally aware woman Booth toiled at least three seasons to develop in her. (Her delight at Angela's pregnancy announcement, for example, is frankly jarring.) David Boreanaz seems to have a hard time getting back into his Booth character: his share of the banter lacks its usual liveliness and spontaneity, leaving him to sound scripted. Hodgins and Angela, however, have no problem falling back into character from the first time we see them: Hodgins is as cuttingly funny as ever (and reliably nauseating but endearing when he learns of his imminent fatherhood), and Angela is in top form as the only arguably normal person in a room full of weird scientists. Those who watch the show for the mystery will be disappointed: the plot is lazily constructed and bogged down by leaden moralizing. The mystery's conclusion is flat-out idiotic, with enough holes to make a square mile of Swiss cheese blush. And there's no action to speak of, unless you count Sweets and Daisy. But hey, there's got to be enough room for info-dumps and opportunities for everyone to badger Bones about Booth's new girlfriend. Indeed, “Bones” continues to trip on its inability to properly balance its plot-action half against its characters-comedy half. By trying so hard to highlight both aspects, the show sometimes winds up making neither very compelling.
Plot: 2/10
Characters: 4/10
Comedy: 4/10
Action: 0/10
Bones's Makeup (where 0 is a normal human woman and 10 means they parked a cement truck over her face prior to shooting): 8/10
Overall Grade: D+
Bones: Season 6, Episode 2 “The Couple in the Cave”
Are you still reading this after that withering review? Then you must know already how Bones operates (or you're just enamored of my writing): the series clatters and rattles along in first gear for a while, but it inevitably rewards those viewers who bite the bullet and keep watching. We're already getting hints of that: Episode 2 hits the ground running with the prologue, where a couple make for good comedy exchanging verbal blows in the woods. Booth's back in the zone this time around: he's reattained the nuance of character that's always helped to distract from Bones's eyebrow-raising inconsistency. The oh-so-sudden appearance of Hannah, Booth's new flame, is...well...predictable, but Katheryn Winnick hams up the (albeit undemanding) make-out material role admirably. (Content warning: keep the vomit bag close when these two are on screen.) On the other hand, the most disappointing performance by an auxiliary comes from Dr. Edison, whose departure from his usual stolid professionalism comes off as a contrived cut-and-paste job in the script. You can almost imagine his stage directions and lines in a different font. (Fortunately, his allergies redeem him later.) Hodgins is on fire, from his Hindenberg crack to his first look at Hannah to his first conversation with her. As for the mystery, it's an improvement from last week's but still lackluster. And action? Well, there's a guy with an axe. But "Bones" makes its improvements in one realm at a time, and character development always traditionally comes first. I have to say, though, that I would love it if the script dropped just a few of the hundred Bones/Booth "significant glances" per episode. I mean, when a bit-part witness says, "That's life, right? Things change," with Bones and Booth right there...well, come on. We get the point. Take those five seconds of significant glancing and replace them with five more seconds of Axe-Man.
Plot: 4/10
Action: 1/10
Characters: 8/10
Comedy: 7/10
Bones's Makeup: 5/10
Overall Grade: C+
Bones: Season 6, Episode 3 “The Maggots in the Meathead”
GUIDOS! I'm sorry, but this Jersey boy cannot hope for any objectivity tonight, at least not in the comedy section -- because guidos equal entertainment in every sense of the word. Even the bit parts in this one sparkle; for example, the guido victim's guido mother, who seems to have stepped out of "The Sopranos," strikes an excellent balance between eliciting sympathy and being straight-up guidolarious. (Her only misstep is when she says "down at the shore"...we in the Jerz know it's "down the shore.") The guido beach party is magnificent, the guido club party even better (because there's guido-fighting!). Surprisingly, Bones is in her element in this one; her fascination with guido culture and her ham-fisted (but drolly successful!) attempts to mingle with the boys call to mind the single-minded anthropology enthusiast we know, love, and often long for. Considering the chaff we dealt with in the last two episodes, the mystery is pretty good: it kept me interested even after I thought I had it figured out. (Full disclosure: I guessed wrong.) The team's myriad crime-solving efforts are fresh and compelling, with Hodgins's jumping maggots and Sweets's text message chart deserving special acknowledgment for coolness. And the murderer's closing line, a deft and witty cultural jab, is a real eyebrow-raiser, coming as it does from a show with a history of embarrassing itself whenever it tries to be polemical. As I wrote before, "Bones" is following its old trajectory: utter garbage for one or two episodes followed by a sudden revivification of everything that drew its fans in the first place. You could easily start your sixth season here without regretting the decision.
Plot: 8/10
Action: 5/10
Characters: 9/10
Comedy: 10/10
Bones's Makeup: 4/10
Overall Grade: A-
If there's one thing I know about Abe, it's that he hates "Bones." So it makes sense that he'd want to outsource the hellish task of reviewing the show. Fortunately, he's got me to pick up the slack in the "shows Abe can't stand to watch himself" category. And I'm uniquely qualified in this case: my coexisting love and hatred for "Bones" cancel each other out, making me all kinds of objective. I'm also all kinds of punctuality-challenged, so here are the first three episodes of "Bones," a full three weeks behind schedule.
Bones: Season 6, Episode 1 “The Mastodon in the Room”
Long-time viewers will fast recall the show's heavy-handed sentimentality, which the producers pushed beyond even this most jaded viewer's expectations in last season's finale. That said, the separation of Booth and Bones was pretty effective, but their reunion falls flat. After all, you can't orchestrate a "we're never going to see each other again" tear-jerker and then throw us right back into the mix with a blithe "seven months later" caption. Character-wise, the usual suspects suffer from their old crutches (but after five seasons, who can be surprised?): Cam continues to have a hard time expressing any emotion, and Bones wavers dangerously between an unfeeling robot hilariously oblivious to cultural references and the emotionally aware woman Booth toiled at least three seasons to develop in her. (Her delight at Angela's pregnancy announcement, for example, is frankly jarring.) David Boreanaz seems to have a hard time getting back into his Booth character: his share of the banter lacks its usual liveliness and spontaneity, leaving him to sound scripted. Hodgins and Angela, however, have no problem falling back into character from the first time we see them: Hodgins is as cuttingly funny as ever (and reliably nauseating but endearing when he learns of his imminent fatherhood), and Angela is in top form as the only arguably normal person in a room full of weird scientists. Those who watch the show for the mystery will be disappointed: the plot is lazily constructed and bogged down by leaden moralizing. The mystery's conclusion is flat-out idiotic, with enough holes to make a square mile of Swiss cheese blush. And there's no action to speak of, unless you count Sweets and Daisy. But hey, there's got to be enough room for info-dumps and opportunities for everyone to badger Bones about Booth's new girlfriend. Indeed, “Bones” continues to trip on its inability to properly balance its plot-action half against its characters-comedy half. By trying so hard to highlight both aspects, the show sometimes winds up making neither very compelling.
Plot: 2/10
Characters: 4/10
Comedy: 4/10
Action: 0/10
Bones's Makeup (where 0 is a normal human woman and 10 means they parked a cement truck over her face prior to shooting): 8/10
Overall Grade: D+
Bones: Season 6, Episode 2 “The Couple in the Cave”
Are you still reading this after that withering review? Then you must know already how Bones operates (or you're just enamored of my writing): the series clatters and rattles along in first gear for a while, but it inevitably rewards those viewers who bite the bullet and keep watching. We're already getting hints of that: Episode 2 hits the ground running with the prologue, where a couple make for good comedy exchanging verbal blows in the woods. Booth's back in the zone this time around: he's reattained the nuance of character that's always helped to distract from Bones's eyebrow-raising inconsistency. The oh-so-sudden appearance of Hannah, Booth's new flame, is...well...predictable, but Katheryn Winnick hams up the (albeit undemanding) make-out material role admirably. (Content warning: keep the vomit bag close when these two are on screen.) On the other hand, the most disappointing performance by an auxiliary comes from Dr. Edison, whose departure from his usual stolid professionalism comes off as a contrived cut-and-paste job in the script. You can almost imagine his stage directions and lines in a different font. (Fortunately, his allergies redeem him later.) Hodgins is on fire, from his Hindenberg crack to his first look at Hannah to his first conversation with her. As for the mystery, it's an improvement from last week's but still lackluster. And action? Well, there's a guy with an axe. But "Bones" makes its improvements in one realm at a time, and character development always traditionally comes first. I have to say, though, that I would love it if the script dropped just a few of the hundred Bones/Booth "significant glances" per episode. I mean, when a bit-part witness says, "That's life, right? Things change," with Bones and Booth right there...well, come on. We get the point. Take those five seconds of significant glancing and replace them with five more seconds of Axe-Man.
Plot: 4/10
Action: 1/10
Characters: 8/10
Comedy: 7/10
Bones's Makeup: 5/10
Overall Grade: C+
Bones: Season 6, Episode 3 “The Maggots in the Meathead”
GUIDOS! I'm sorry, but this Jersey boy cannot hope for any objectivity tonight, at least not in the comedy section -- because guidos equal entertainment in every sense of the word. Even the bit parts in this one sparkle; for example, the guido victim's guido mother, who seems to have stepped out of "The Sopranos," strikes an excellent balance between eliciting sympathy and being straight-up guidolarious. (Her only misstep is when she says "down at the shore"...we in the Jerz know it's "down the shore.") The guido beach party is magnificent, the guido club party even better (because there's guido-fighting!). Surprisingly, Bones is in her element in this one; her fascination with guido culture and her ham-fisted (but drolly successful!) attempts to mingle with the boys call to mind the single-minded anthropology enthusiast we know, love, and often long for. Considering the chaff we dealt with in the last two episodes, the mystery is pretty good: it kept me interested even after I thought I had it figured out. (Full disclosure: I guessed wrong.) The team's myriad crime-solving efforts are fresh and compelling, with Hodgins's jumping maggots and Sweets's text message chart deserving special acknowledgment for coolness. And the murderer's closing line, a deft and witty cultural jab, is a real eyebrow-raiser, coming as it does from a show with a history of embarrassing itself whenever it tries to be polemical. As I wrote before, "Bones" is following its old trajectory: utter garbage for one or two episodes followed by a sudden revivification of everything that drew its fans in the first place. You could easily start your sixth season here without regretting the decision.
Plot: 8/10
Action: 5/10
Characters: 9/10
Comedy: 10/10
Bones's Makeup: 4/10
Overall Grade: A-
What I’m Watching: Modern Family
Modern Family: Season 2, Episode 3 “Earthquake” (B+)
I’d like to commend this show once again on defying the odds and opting not to take advantage of “event” episodes in the way that some other shows do and instead utilizing a natural disaster (of infinitely small proportion) or a family vacation to help develop these treasured characters. As tends to be the case, the Dunphy family storyline is the most daringly clever one that feels relatable to many modern American families, as Phil hilariously takes advantage of Claire being trapped in the bathroom to fix something he had promised he would fix months earlier. The fact that both Luke (not so convincingly) and Alex spring to his defense so quickly indicates the divided loyalties that often exist in such unserious situations involving light parental disputes. Jay’s anti-church attitudes are hardly surprising, and the same can be said for Gloria’s strict observance of what she has been taught is right. As always, Manny seems to be years older than he really is, and watching him flip-flop between warring spouses was entertaining. Then there was Cameron and Mitchell, who chose to use the earthquake as an excuse to get out of their friend’s extravagant parties (“Seder-night fever” was one of the funniest ideas he had). And who better than Nathan Lane to play the over-the-top friend who insisted on coming over when he heard that Mitchell had been injured in the very minor earthquake? He’s a great actor who’s been doing a lot on the stage and hasn’t been in a really great film any time recently. He’s always welcome on this show, following the trend of strong guest actors being used appropriately and not stealing the spotlight from the stars of the show.
I’d like to commend this show once again on defying the odds and opting not to take advantage of “event” episodes in the way that some other shows do and instead utilizing a natural disaster (of infinitely small proportion) or a family vacation to help develop these treasured characters. As tends to be the case, the Dunphy family storyline is the most daringly clever one that feels relatable to many modern American families, as Phil hilariously takes advantage of Claire being trapped in the bathroom to fix something he had promised he would fix months earlier. The fact that both Luke (not so convincingly) and Alex spring to his defense so quickly indicates the divided loyalties that often exist in such unserious situations involving light parental disputes. Jay’s anti-church attitudes are hardly surprising, and the same can be said for Gloria’s strict observance of what she has been taught is right. As always, Manny seems to be years older than he really is, and watching him flip-flop between warring spouses was entertaining. Then there was Cameron and Mitchell, who chose to use the earthquake as an excuse to get out of their friend’s extravagant parties (“Seder-night fever” was one of the funniest ideas he had). And who better than Nathan Lane to play the over-the-top friend who insisted on coming over when he heard that Mitchell had been injured in the very minor earthquake? He’s a great actor who’s been doing a lot on the stage and hasn’t been in a really great film any time recently. He’s always welcome on this show, following the trend of strong guest actors being used appropriately and not stealing the spotlight from the stars of the show.
Take Three: Better With You
Better With You: Season 1, Episode 3 “Better with Ben” (B+)
I can understand why people wouldn’t like this show (and why it probably won’t last), but I’m enjoying it just fine. I’m particularly impressed with Josh Cooke, who definitely didn’t wow me in three previous shows, “Big Day,” “Four Kings,” and “Committed.” Here, he’s the only real voice of reason, since you can’t quite count matriarch Vicky, and yet he’s still prone to entertaining delusional fantasies like living in a firehouse. While the timing does seem inappropriately early, a fancy family Christmas card is a fairly universal idea, and therefore it works well now and opens up the show to do other holiday episodes when December 25th does roll around. Overly clever ideas like “One Flew Over the Christmas Nest” are enjoyable, and even if the show’s laugh track seems to find the series much funnier than it actually is, it does end up being pretty charming, and effective as a result. Ben’s frustration with not being included in the card is very understandable, but what’s much more amusing is his lack of comprehension as to what exactly a Christmas nest is. Usually such silly comments are reserved for Casey alone, but in this installment, it’s the entire family that drives him crazy with their antics. We don’t know all that much about either Ben or Casey outside of their connections to Maddie and Mia, and the little joke at the end about Ben’s family being the ones who sent the terrible card was fun. I’m not sure how quickly this show will expand into having more characters, but for now, they’re holding down the fort just fine.
I can understand why people wouldn’t like this show (and why it probably won’t last), but I’m enjoying it just fine. I’m particularly impressed with Josh Cooke, who definitely didn’t wow me in three previous shows, “Big Day,” “Four Kings,” and “Committed.” Here, he’s the only real voice of reason, since you can’t quite count matriarch Vicky, and yet he’s still prone to entertaining delusional fantasies like living in a firehouse. While the timing does seem inappropriately early, a fancy family Christmas card is a fairly universal idea, and therefore it works well now and opens up the show to do other holiday episodes when December 25th does roll around. Overly clever ideas like “One Flew Over the Christmas Nest” are enjoyable, and even if the show’s laugh track seems to find the series much funnier than it actually is, it does end up being pretty charming, and effective as a result. Ben’s frustration with not being included in the card is very understandable, but what’s much more amusing is his lack of comprehension as to what exactly a Christmas nest is. Usually such silly comments are reserved for Casey alone, but in this installment, it’s the entire family that drives him crazy with their antics. We don’t know all that much about either Ben or Casey outside of their connections to Maddie and Mia, and the little joke at the end about Ben’s family being the ones who sent the terrible card was fun. I’m not sure how quickly this show will expand into having more characters, but for now, they’re holding down the fort just fine.
Take Three: Undercovers
Undercovers: Season 1, Episode 3 “Devices” (B+)
I’ve read some unfavorable things about this show, including a Television Without Pity piece implicating Ben Hoyt as one of TV’s most obnoxious characters, and I can’t really understand why. It’s fair to argue that this show might not be as focused on depth and believable plotting as others, but that’s not the point. A friend of mine compared it to “Chuck” (in a less than positive way, of course), and I think it’s an appropriate to posit it next to since it’s just as entertaining and action-packed, making each hour feel enormously fulfilling and jammed with plenty of excitement and thrills. Boris Kodjoe and Gugu Mbatha-Raw also make a great case for the hottest couple on TV, both skilled at the comedy and the action scenes in addition to creating a decently believable husband and wife duo. It’s also not always like “Nikita,” where every episode now finds the titular heroine rescuing some poor target who desperately needs their help. In this episode, the kidnapping victim just wants to eat jelly beans, and he’s willing to do whatever codebreaking he needs to in order to get a new handful. I will concede that it took Steven and Samantha way too long to discern that the codebreaker was actually a person, and Carlton’s refusal to believe it almost puts him into the category of obnoxious TV cop bosses who can’t possibly do their job adequately. Fortunately, Carlton’s dry demeanor and ability to break into his agents’ home using nothing more than a pen (I believe that was his weapon of choice) makes up for it, as does his decision to eat (and then criticize) Steven’s breakfast.
I’ve read some unfavorable things about this show, including a Television Without Pity piece implicating Ben Hoyt as one of TV’s most obnoxious characters, and I can’t really understand why. It’s fair to argue that this show might not be as focused on depth and believable plotting as others, but that’s not the point. A friend of mine compared it to “Chuck” (in a less than positive way, of course), and I think it’s an appropriate to posit it next to since it’s just as entertaining and action-packed, making each hour feel enormously fulfilling and jammed with plenty of excitement and thrills. Boris Kodjoe and Gugu Mbatha-Raw also make a great case for the hottest couple on TV, both skilled at the comedy and the action scenes in addition to creating a decently believable husband and wife duo. It’s also not always like “Nikita,” where every episode now finds the titular heroine rescuing some poor target who desperately needs their help. In this episode, the kidnapping victim just wants to eat jelly beans, and he’s willing to do whatever codebreaking he needs to in order to get a new handful. I will concede that it took Steven and Samantha way too long to discern that the codebreaker was actually a person, and Carlton’s refusal to believe it almost puts him into the category of obnoxious TV cop bosses who can’t possibly do their job adequately. Fortunately, Carlton’s dry demeanor and ability to break into his agents’ home using nothing more than a pen (I believe that was his weapon of choice) makes up for it, as does his decision to eat (and then criticize) Steven’s breakfast.
Sunday, October 10, 2010
What Andy’s Watching: Survivor
Survivor: Season 21, Episode 4 “Pulling the Trigger” (B-)
Looks like Marty's plan to take control of the older tribe is working. Last week he successfully got Jimmy Johnson, someone who most people on the tribe turned to for leadership, voted off. This week, Jimmy T tried asserting himself too much so Marty lobbied against him. It was painfully obvious that Dan should go. Sure Jimmy T might have been annoying, but he definitely is needed in terms of strength. Dan is pretty weak, sits out challenges, and provides very little for the tribe.
Marty is the only one thinking of Survivor in terms of a numbers game. He wants to keep Dan in the game in order to have one more sheep to lead.
Also, by advocating for Tyrone to be the official leader of the tribe, he takes the target off of his back. He already has Jill in his back pocket - hell, she told him where to find the immunity idol! No one else is scheming so he really doesn't have any adversaries.
Jane is a bit out of touch with reality, saying that they should vote off Dan because "that's what Coach put down and I think Coach was sending a message to us to vote the next weakest link out." You should vote off Dan because he can barely walk, not because the ghost of Jimmy Johnson sent you a message. Geez Jane, think for yourself.
Once again NaOnka acts like an immature idiot by exploding at Kelly B. She is extremely insensitive, as demonstrated by her telling the camera, "not even a one legged person could stand in my way, as you can see, one shove and she's out of there" and "screw your leg, keep it away from the fire." Now that she has the hidden immunity idol she is in vastly better standing which is very unfortunate.
Thankfully Brenda made the mistake of telling Chase that NaOnka has the idol. A few weeks ago he turned on Shannon, so I wouldn't be surprised if that happens again.
Where was Jud/Fabio this episode? His presence was sorely missed.
Looks like Marty's plan to take control of the older tribe is working. Last week he successfully got Jimmy Johnson, someone who most people on the tribe turned to for leadership, voted off. This week, Jimmy T tried asserting himself too much so Marty lobbied against him. It was painfully obvious that Dan should go. Sure Jimmy T might have been annoying, but he definitely is needed in terms of strength. Dan is pretty weak, sits out challenges, and provides very little for the tribe.
Marty is the only one thinking of Survivor in terms of a numbers game. He wants to keep Dan in the game in order to have one more sheep to lead.
Also, by advocating for Tyrone to be the official leader of the tribe, he takes the target off of his back. He already has Jill in his back pocket - hell, she told him where to find the immunity idol! No one else is scheming so he really doesn't have any adversaries.
Jane is a bit out of touch with reality, saying that they should vote off Dan because "that's what Coach put down and I think Coach was sending a message to us to vote the next weakest link out." You should vote off Dan because he can barely walk, not because the ghost of Jimmy Johnson sent you a message. Geez Jane, think for yourself.
Once again NaOnka acts like an immature idiot by exploding at Kelly B. She is extremely insensitive, as demonstrated by her telling the camera, "not even a one legged person could stand in my way, as you can see, one shove and she's out of there" and "screw your leg, keep it away from the fire." Now that she has the hidden immunity idol she is in vastly better standing which is very unfortunate.
Thankfully Brenda made the mistake of telling Chase that NaOnka has the idol. A few weeks ago he turned on Shannon, so I wouldn't be surprised if that happens again.
Where was Jud/Fabio this episode? His presence was sorely missed.
What I’m Watching: Caprica (Midseason Premiere)
Caprica: Season 1, Episode 10 “Unvanquished” (C-)
What is there to say about this show? The first thing would have to be that I don’t think I’ll be sticking around, at least not to review it, considering there are three legitimately good shows on in the same insanely crowded time slot. This show got off to a sluggish start last year, and the finale showed decent promise for the way everything came to a head. Unfortunately, this premiere is pretty much a disaster, for many reasons. Everything exploded in the midseason finale, and now nothing is back together, and I can’t imagine it ever will be. The emphasis on this religious terrorist group has always been problematic for this show, and having Sister Clarice go around cavorting with religious fanatics at one end of the spectrum against fanatics at another end is pretty muddling and isn’t all that engaging. The most interesting character on the show – Zoe – didn’t even appear until the final scene, where she’s still engaged in all that unnecessary combat staging that Tamara was doing last season. I’m not interested in Daniel’s petty feud with Tomas Vergis. And I would much rather Amanda have been revealed as dead instead of just chilling on the couch debating whether to video-chat with Daniel. It was set up to be a big shock that she’s still alive given the way that Daniel was talking about her, and honestly, it’s not much of a relief to see her still breathing considering she was last season’s worst character. I don’t see much hope for the future of this show.
What is there to say about this show? The first thing would have to be that I don’t think I’ll be sticking around, at least not to review it, considering there are three legitimately good shows on in the same insanely crowded time slot. This show got off to a sluggish start last year, and the finale showed decent promise for the way everything came to a head. Unfortunately, this premiere is pretty much a disaster, for many reasons. Everything exploded in the midseason finale, and now nothing is back together, and I can’t imagine it ever will be. The emphasis on this religious terrorist group has always been problematic for this show, and having Sister Clarice go around cavorting with religious fanatics at one end of the spectrum against fanatics at another end is pretty muddling and isn’t all that engaging. The most interesting character on the show – Zoe – didn’t even appear until the final scene, where she’s still engaged in all that unnecessary combat staging that Tamara was doing last season. I’m not interested in Daniel’s petty feud with Tomas Vergis. And I would much rather Amanda have been revealed as dead instead of just chilling on the couch debating whether to video-chat with Daniel. It was set up to be a big shock that she’s still alive given the way that Daniel was talking about her, and honestly, it’s not much of a relief to see her still breathing considering she was last season’s worst character. I don’t see much hope for the future of this show.
What I’m Watching: The Good Wife
The Good Wife: Season 2, Episode 2 “Double Jeopardy” (B+)
I feel like the intensity on this show has been amped up considerably since last season, both when it comes to the cases the firm is taking on and the aggressiveness with which Peter’s campaign is being attacked. It’s definitely working for the show, of course, and the added element of having the merger complicating things at the firm is a nice bonus. Diane is certainly the less featured partner, and it’s good to see the occasionally underused character get a chance to receive an unexpected compliment when the client she tried to oust declares that he’s going to leave unless she represents him since he was so honest about her dislike for him. This episode is a fantastic showcase for Will, who gets off to a terrible start with the military judge and then makes a big show in court to ensure that the case doesn’t get lost completely. Watching Will point to codes and laws on a piece of paper for Alicia to read was reminiscent of last week when Alicia did the same thing to the defendant who insisted on representing himself, and it’s cool to think that Alicia is extremely talented and Will is even more experienced and knowledgeable. The case in this episode was genuinely interesting, and spending some time in military cool was an intriguing experience. As far as Zach and his girlfriend creating fake Internet accounts goes, I’d prefer they would have left it to the professionals (namely, Eli), but I guess mistakes have to be made in order for things to be effectively cleaned up.
I feel like the intensity on this show has been amped up considerably since last season, both when it comes to the cases the firm is taking on and the aggressiveness with which Peter’s campaign is being attacked. It’s definitely working for the show, of course, and the added element of having the merger complicating things at the firm is a nice bonus. Diane is certainly the less featured partner, and it’s good to see the occasionally underused character get a chance to receive an unexpected compliment when the client she tried to oust declares that he’s going to leave unless she represents him since he was so honest about her dislike for him. This episode is a fantastic showcase for Will, who gets off to a terrible start with the military judge and then makes a big show in court to ensure that the case doesn’t get lost completely. Watching Will point to codes and laws on a piece of paper for Alicia to read was reminiscent of last week when Alicia did the same thing to the defendant who insisted on representing himself, and it’s cool to think that Alicia is extremely talented and Will is even more experienced and knowledgeable. The case in this episode was genuinely interesting, and spending some time in military cool was an intriguing experience. As far as Zach and his girlfriend creating fake Internet accounts goes, I’d prefer they would have left it to the professionals (namely, Eli), but I guess mistakes have to be made in order for things to be effectively cleaned up.
What I'm Watching: Parenthood
Parenthood: Season 2, Episode 4 "Date Night" (B+)
It would appear that all threads in this episode manage to work equally well, which is quite an achievement considering the large number of characters and interactions on this show. I wasn't so sure at the start about Joel moping around the house trying to find a hobby, but his entirely successful activity at the end of the episode made it all worthwhile, in addition to demonstrating Joel's true worth. He’s always been the least developed of the spouses, and it’s good to see him get a spotlight that doesn’t involve being emasculated by Julia for once. Speaking of characters not traditionally featured, Drew suddenly becomes a major player as his mom butts into his budding romance and ends up ruining his chances by encouraging him to make a move. When she tries the same thing with Mike, of course, it does work, so her advice isn’t all that off. Crosby getting drunk during the middle of the day doesn’t help his case, but it’s good that his mother-in-law, as he casually refers to her, is actually on his side and Jasmine decides to come back. That final scene with the party for Haddie that her parents subtly sneak away from is a nice culmination of a productive episode that now has the many couples and parents falling neatly into their assigned roles and realizing how they can cope with the unexpected events that sometimes happen in life. It’s only episode four of this season that should last longer than thirteen episodes, so I’m eager to see the Braverman family overcome the many speed bumps that will likely pop up along the way.
It would appear that all threads in this episode manage to work equally well, which is quite an achievement considering the large number of characters and interactions on this show. I wasn't so sure at the start about Joel moping around the house trying to find a hobby, but his entirely successful activity at the end of the episode made it all worthwhile, in addition to demonstrating Joel's true worth. He’s always been the least developed of the spouses, and it’s good to see him get a spotlight that doesn’t involve being emasculated by Julia for once. Speaking of characters not traditionally featured, Drew suddenly becomes a major player as his mom butts into his budding romance and ends up ruining his chances by encouraging him to make a move. When she tries the same thing with Mike, of course, it does work, so her advice isn’t all that off. Crosby getting drunk during the middle of the day doesn’t help his case, but it’s good that his mother-in-law, as he casually refers to her, is actually on his side and Jasmine decides to come back. That final scene with the party for Haddie that her parents subtly sneak away from is a nice culmination of a productive episode that now has the many couples and parents falling neatly into their assigned roles and realizing how they can cope with the unexpected events that sometimes happen in life. It’s only episode four of this season that should last longer than thirteen episodes, so I’m eager to see the Braverman family overcome the many speed bumps that will likely pop up along the way.
Saturday, October 9, 2010
What I’m Watching: Sons of Anarchy
Sons of Anarchy: Season 3, Episode 5 “Turning and Turning” (B+)
Well, I didn’t expect this. That’s true of most occurrences on this show, especially of late, but it’s still pretty jarring to see Jax go to Stahl to make a deal. After all of the business with Opie, Chips, and Eddie being suspected rats, the fact that Jax is the first one of them to actually turn on his club (essentially) is extremely surprising. It makes sense considering there was no other way out for Gemma since she did actually kill someone. This show is reminding me even more of the later seasons of “The Shield” (in a really good way, of course), and David Marciano, who played idiot detective Billings on the elder FX series, is even present in this episode to aid the reference, following previous appearances by Kenneth Johnson and Jay Karnes. Seeing more of the personal life of Agent Stahl is truly fascinating as Jax finds her address and confronts her at her home, and it's the perfect timing for Jax to be dealing with another corrupt agent of law enforcement, now that Unser has to officially back off and actually enforce the law. SAMCRO really seems to be getting in the middle of a whole lot of messes in which they needn't be involved, though it's good that they're not all engaged in this trip to Ireland that's sure to go down violently. We're not yet halfway through the season, but once everything explodes with the Irish as Jax likely gets his son back and leaves some destruction in his path, this show is probably going to get just as intense as it did as the end of last season. Having Jax sign up as an informant for Stahl will make things even more volatile, and I can't wait to see it all unfold.
Well, I didn’t expect this. That’s true of most occurrences on this show, especially of late, but it’s still pretty jarring to see Jax go to Stahl to make a deal. After all of the business with Opie, Chips, and Eddie being suspected rats, the fact that Jax is the first one of them to actually turn on his club (essentially) is extremely surprising. It makes sense considering there was no other way out for Gemma since she did actually kill someone. This show is reminding me even more of the later seasons of “The Shield” (in a really good way, of course), and David Marciano, who played idiot detective Billings on the elder FX series, is even present in this episode to aid the reference, following previous appearances by Kenneth Johnson and Jay Karnes. Seeing more of the personal life of Agent Stahl is truly fascinating as Jax finds her address and confronts her at her home, and it's the perfect timing for Jax to be dealing with another corrupt agent of law enforcement, now that Unser has to officially back off and actually enforce the law. SAMCRO really seems to be getting in the middle of a whole lot of messes in which they needn't be involved, though it's good that they're not all engaged in this trip to Ireland that's sure to go down violently. We're not yet halfway through the season, but once everything explodes with the Irish as Jax likely gets his son back and leaves some destruction in his path, this show is probably going to get just as intense as it did as the end of last season. Having Jax sign up as an informant for Stahl will make things even more volatile, and I can't wait to see it all unfold.
Thrilling news - "Sons of Anarchy" was renewed earlier this week for a fourth season!
Friday, October 8, 2010
Round Two: No Ordinary Family
No Ordinary Family: Season 1, Episode 2 “No Ordinary Marriage” (B+)
I started this episode out with more positive feelings than I left it with, but I’d still like to posit that it was an effective second installment and that it demonstrates that the show should work. What I initially dismissed but eventually found bothersome was the constant bashing of the parenting by both Jim and Stephanie, and the way that both are so mercilessly bullied by the other parents. I though that a snarky line like “I keep my phone on, in case my kids needs to reach me,” as delivered by one of the other mothers, was funny and was the kind of dialogue that isn’t meant to be taken too literally, rather in keeping with the show’s somewhat campy sensibilities. By the end of the episode, however, it becomes a bit too much, and I think it’s not quite necessary to help its heroes become what they can be with their new abilities. The way that JJ’s teacher speaks to him so rudely and condescendingly also seems harsh, but I’m sure he’ll eventually have his revenge on the obnoxious professor. The continuing mystery of the source and meaning of the powers is interesting, and I’m enjoying both parents’ pursuit to learn how to best safely use their abilities to do the most good. Jim’s decision to actually tell someone besides George was a bit surprising, though sadly it appears that she’s now dead and his confession will have been in vain. It also seems like Stephen Collins’ Dr. King is truly evil and behind pretty much everything related to our new super-family, and while it may seem corny right now, I think that it will work well in establishing a mega-villain for the Powell family to eventually have to take down. We’ll have to wait until episode three to see if this show can really deliver and sustain itself.
I started this episode out with more positive feelings than I left it with, but I’d still like to posit that it was an effective second installment and that it demonstrates that the show should work. What I initially dismissed but eventually found bothersome was the constant bashing of the parenting by both Jim and Stephanie, and the way that both are so mercilessly bullied by the other parents. I though that a snarky line like “I keep my phone on, in case my kids needs to reach me,” as delivered by one of the other mothers, was funny and was the kind of dialogue that isn’t meant to be taken too literally, rather in keeping with the show’s somewhat campy sensibilities. By the end of the episode, however, it becomes a bit too much, and I think it’s not quite necessary to help its heroes become what they can be with their new abilities. The way that JJ’s teacher speaks to him so rudely and condescendingly also seems harsh, but I’m sure he’ll eventually have his revenge on the obnoxious professor. The continuing mystery of the source and meaning of the powers is interesting, and I’m enjoying both parents’ pursuit to learn how to best safely use their abilities to do the most good. Jim’s decision to actually tell someone besides George was a bit surprising, though sadly it appears that she’s now dead and his confession will have been in vain. It also seems like Stephen Collins’ Dr. King is truly evil and behind pretty much everything related to our new super-family, and while it may seem corny right now, I think that it will work well in establishing a mega-villain for the Powell family to eventually have to take down. We’ll have to wait until episode three to see if this show can really deliver and sustain itself.
What I’m Watching: Glee
Glee: Season 2, Episode 3 “Grilled Cheesus” (B+)
After last week’s iffy Britney Spears episode, it’s good to see this show back on track in an installment that’s both hilarious and heartbreaking at the same time. For starters, I can think of few things funnier than the Grilled Cheesus and the way that Finn started worshipping it, thinking that it was giving him all this good luck at the expense of other people. It tied in well with the episode’s overarching theme of religion, which enabled Rachel, Mercedes, and Kurt to have some pretty rocking solo numbers. Rachel’s Yentl reenactment, set outdoors because that’s the way that Streisand sang it, was quite entertaining and worked well to counteract the problem cited by Richter Scale in the comments last week about Rachel always needing to give an unnecessary introduction speech to all of her emotion-expressing songs. It’s nice to see Mercedes be a good friend to Kurt in his time of need, even if he isn’t so receptive to her approach. Tom O’Neil of Gold Derby is already writing about how this should be Chris Colfer’s Emmy submission, and I think I agree. He really did a terrific job, and Kurt carried this episode quite well. A surprisingly dramatic ending not related to Kurt featured Sue and Will in a rare moment of bonding, as Sue realizes that sometimes religion isn’t the worst thing in the world, and people need to express themselves in a whatever way makes sense for them. I’d call this installment a solid and multi-faceted episode!
After last week’s iffy Britney Spears episode, it’s good to see this show back on track in an installment that’s both hilarious and heartbreaking at the same time. For starters, I can think of few things funnier than the Grilled Cheesus and the way that Finn started worshipping it, thinking that it was giving him all this good luck at the expense of other people. It tied in well with the episode’s overarching theme of religion, which enabled Rachel, Mercedes, and Kurt to have some pretty rocking solo numbers. Rachel’s Yentl reenactment, set outdoors because that’s the way that Streisand sang it, was quite entertaining and worked well to counteract the problem cited by Richter Scale in the comments last week about Rachel always needing to give an unnecessary introduction speech to all of her emotion-expressing songs. It’s nice to see Mercedes be a good friend to Kurt in his time of need, even if he isn’t so receptive to her approach. Tom O’Neil of Gold Derby is already writing about how this should be Chris Colfer’s Emmy submission, and I think I agree. He really did a terrific job, and Kurt carried this episode quite well. A surprisingly dramatic ending not related to Kurt featured Sue and Will in a rare moment of bonding, as Sue realizes that sometimes religion isn’t the worst thing in the world, and people need to express themselves in a whatever way makes sense for them. I’d call this installment a solid and multi-faceted episode!
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