Saving Grace: Season 1, Episode 2 "Bring It On, Earl" (C-)
Grace actually wrestling with the angel? No good. This show is too out there without being grounded in enough enticing dramatic material. The cases are boring and unimaginative, the supporting cast is lackluster, and there just really is not too much to write home about here. Guest star James Marsters is not used terribly well here, but it is reassuring that the two leads, Holly Hunter and angel Leon Rippy, are reliable and fun.
Tuesday, July 31, 2007
What I'm Watching: The Closer
The Closer: Season 3, Episode 7 "Four to Eight" (B+)
Brenda's mysterious ailment is amusing with a slight air of foreboding seriousness. The gang war case is intruiging, not nearly as real or gritty as on "The Shield", but Sanchez serves as a good liaison for the gangs and one with a personal connection. That is one of the best aspects of the show, taking turns highlighting a specific character and giving a member of the cast the opportunity to take the spotlight and shine. Corey Reynolds (Gabriel) has already had his shot this year, and now Raymond Cruz gets to give Sanchez some great character background.
Brenda's mysterious ailment is amusing with a slight air of foreboding seriousness. The gang war case is intruiging, not nearly as real or gritty as on "The Shield", but Sanchez serves as a good liaison for the gangs and one with a personal connection. That is one of the best aspects of the show, taking turns highlighting a specific character and giving a member of the cast the opportunity to take the spotlight and shine. Corey Reynolds (Gabriel) has already had his shot this year, and now Raymond Cruz gets to give Sanchez some great character background.
What I'm Watching: The Kill Point
The Kill Point: Part 3 "No Meringue" (B-)
I do not know a great deal about hostage-kidnapper relations aside from what I have seen on TV and in movies ("The Nine", "The Negotiator"), but it seems that all the hostages and the hostage-takers seem just a bit too chummy. I am glad that Kelly was able to get himself back into play and that this show has now passed over the mandatory negotiator-loses-authority part of the show, though it was fun seeing Susan Misner (Lou's crazy nun from "Rescue Me") try a serious, no-nonsense approach and get completely shot down. The ending seems more than a bit abrupt, especially since I thought two parts were airing. This mini-series may end up being a bit longer than it should have been, but it should get pretty intense once Wolff's buddies on the outside try to help them.
I do not know a great deal about hostage-kidnapper relations aside from what I have seen on TV and in movies ("The Nine", "The Negotiator"), but it seems that all the hostages and the hostage-takers seem just a bit too chummy. I am glad that Kelly was able to get himself back into play and that this show has now passed over the mandatory negotiator-loses-authority part of the show, though it was fun seeing Susan Misner (Lou's crazy nun from "Rescue Me") try a serious, no-nonsense approach and get completely shot down. The ending seems more than a bit abrupt, especially since I thought two parts were airing. This mini-series may end up being a bit longer than it should have been, but it should get pretty intense once Wolff's buddies on the outside try to help them.
What I'm Watching: Psych
Psych: Season 2, Episode 3 "Psy vs. Psy" (B+)
I love this show so much. James Roday and Dule Hill are the best duo on television right now, and the supporting cast is just great. Guest star Lou Diamond Phillips is fantastic, and the dynamic between FBI psychic Lindsay Leikin (Bianca Kajlich) and Shawn is amazing. The writing is so sharp and quick, and the irreverent nature of this whole counterfeiting plot in this episode makes the show hilarious. And bonus points since Shawn called Lassiter Lassie!
I love this show so much. James Roday and Dule Hill are the best duo on television right now, and the supporting cast is just great. Guest star Lou Diamond Phillips is fantastic, and the dynamic between FBI psychic Lindsay Leikin (Bianca Kajlich) and Shawn is amazing. The writing is so sharp and quick, and the irreverent nature of this whole counterfeiting plot in this episode makes the show hilarious. And bonus points since Shawn called Lassiter Lassie!
What I'm Watching: Monk
Monk: Season 6, Episode 3 "Mr. Monk and the Naked Man" (B+)
Ah, it is nice to see Diedrich Bader ("The Drew Carey Show") getting some work, especially in such a fun role like this. "Monk" continues to expand upon Monk's phobias without making them seem trite and overdone, additionally utilizing its high-profile guest stars like Alfred Molina without flashing their presence, but rather weaving them into the plot and giving Tony Shalhoub more great actors and actresses with whom to interact. The nudist colony plot in this episode is priceless, especially Natalie's admission that she was once a member.
Ah, it is nice to see Diedrich Bader ("The Drew Carey Show") getting some work, especially in such a fun role like this. "Monk" continues to expand upon Monk's phobias without making them seem trite and overdone, additionally utilizing its high-profile guest stars like Alfred Molina without flashing their presence, but rather weaving them into the plot and giving Tony Shalhoub more great actors and actresses with whom to interact. The nudist colony plot in this episode is priceless, especially Natalie's admission that she was once a member.
What I'm Watching: Mad Men
Mad Men: Season 1, Episode 2 "Ladies Room" (B)
While the storyline remains fascinating and the performers are right on key, I cannot help feeling that this show is getting pretty dense. It is hard to get excited about simply because it proceeds at such a slow pace. The writing is good, and everything looks great, but this is one of those period shows that just takes some patience to get through (the reason I did not watch "Carnivale", "Deadwood", and "The Tudors" after their pilot episodes). I hope that future episodes may pick up the pace just a bit. I realize it is a stylish aspect of the show, but I still would love to see just a bit more excitement every once in a while.
While the storyline remains fascinating and the performers are right on key, I cannot help feeling that this show is getting pretty dense. It is hard to get excited about simply because it proceeds at such a slow pace. The writing is good, and everything looks great, but this is one of those period shows that just takes some patience to get through (the reason I did not watch "Carnivale", "Deadwood", and "The Tudors" after their pilot episodes). I hope that future episodes may pick up the pace just a bit. I realize it is a stylish aspect of the show, but I still would love to see just a bit more excitement every once in a while.
Second Run TV: Smallville
Smallville: Season 6, Episode 14 "Trespass" (D-)
Was it not blaringly obvious that Lana's stalker was one of the security guards? And they are really terrible at doing their job, staying so far away from her and giving her so much space to be attacked. Since when did Lana become this arrogant and commanding person? Lex remains his usual creepy self, watching Lana while she sleeps, and in the best moment of this episode, inviting Clark to the wedding so that he can see what he lost. This episode is an example of a "Smallville" hour without a freak-of-the-week and pretty much absent of any superpowers at all, and it shows why the show often needs to inject a bit of super power to give it some life.
Was it not blaringly obvious that Lana's stalker was one of the security guards? And they are really terrible at doing their job, staying so far away from her and giving her so much space to be attacked. Since when did Lana become this arrogant and commanding person? Lex remains his usual creepy self, watching Lana while she sleeps, and in the best moment of this episode, inviting Clark to the wedding so that he can see what he lost. This episode is an example of a "Smallville" hour without a freak-of-the-week and pretty much absent of any superpowers at all, and it shows why the show often needs to inject a bit of super power to give it some life.
Thursday, July 26, 2007
Coming Soon...
"TV with Abe" will be taking a brief hiatus, but will be fully updated on Tuesday with reviews of the most recent episodes of "Smallville", "Mad Men", "Monk", "Psych", "The Kill Point", "The Closer", and "Saving Grace". I am also making my way simultaneously through three very different TV shows on DVD, including "Weeds", "The L Word", and "Battlestar Galactica", so thoughts on those coming as soon as I am finished with them.
TV on DVD: Battlestar Galactica (2003 Miniseries)
Alright, I am hooked. I watched about a third of this miniseries about a year ago, and cannot remember why it was that I stopped watching. I liked it pretty much from the start. While there is an awful lot of seemingly random making out, it is made up for by the excellent characters and impressive writing. I understand why this show has such a cult following, and I am eager to become a full-fledged member as soon as I make my way through the rest of the show so far. My hope is that I can finish the first two seasons before the end of the summer and that the third season will be released before the premiere of the fourth and final season of the show at the end of November. This is truly great science fiction and I love it.
Battlestar Galactica Miniseries: A
Battlestar Galactica Miniseries: A
What I'm Watching: Rescue Me
Rescue Me: Season 4, Episode 6 "Balance" (B+)
Garrity accidentally setting Mike's house on fire is probably the highlight of this episode. Additionally, the nicknames the firemen give each other are hilarious. The new chief is a fun character who gets in on the fun yet does not impede any of the plotlines, though I would not object to giving Jerry Adler a bigger role on the show. And this whole probie thing, while amusing, is sure not to last. It is pretty funny that Tommy is terrible at basketball. Nice to see Sheila some more, but she seems to be getting a bit too crazy to be remotely believable. But absolutely hilarious that Sheila's new boyfriend has a Tommy shrine.
Garrity accidentally setting Mike's house on fire is probably the highlight of this episode. Additionally, the nicknames the firemen give each other are hilarious. The new chief is a fun character who gets in on the fun yet does not impede any of the plotlines, though I would not object to giving Jerry Adler a bigger role on the show. And this whole probie thing, while amusing, is sure not to last. It is pretty funny that Tommy is terrible at basketball. Nice to see Sheila some more, but she seems to be getting a bit too crazy to be remotely believable. But absolutely hilarious that Sheila's new boyfriend has a Tommy shrine.
What I'm Watching: Damages (Series Premiere)
Damages: Season 1, Episode 1 "Pilot" (B-)
The pilot of "Damages" finally airs after I have seen probably a thousand commercials. I definitely like the style of the show, and the central case depicted involving Ted Denson's Arthur Frobisher. It is the main good guys who I think need a little work. Ellen (Rose Byrne) is overly cheery and not seemingly very skilled, contrary to what we are led to think. Her amazing and immediately likeable lawyer charm has yet to work on me. I do not see what Patty Hewes sees. Speaking of Ms. Hewes, her character is far too hard to read. Many will argue that this is a good thing, all the better for her character to be more mysterious and therefore dynamic and multi-layered. Yet I see her rather as underdeveloped and flawed character whose ideal purpose on the show is unclear and often changing. I am willing to stick with it, and see how it plays out, but it could fall off my radar if other more uniformly good shows are airing in the same time slot.
The pilot of "Damages" finally airs after I have seen probably a thousand commercials. I definitely like the style of the show, and the central case depicted involving Ted Denson's Arthur Frobisher. It is the main good guys who I think need a little work. Ellen (Rose Byrne) is overly cheery and not seemingly very skilled, contrary to what we are led to think. Her amazing and immediately likeable lawyer charm has yet to work on me. I do not see what Patty Hewes sees. Speaking of Ms. Hewes, her character is far too hard to read. Many will argue that this is a good thing, all the better for her character to be more mysterious and therefore dynamic and multi-layered. Yet I see her rather as underdeveloped and flawed character whose ideal purpose on the show is unclear and often changing. I am willing to stick with it, and see how it plays out, but it could fall off my radar if other more uniformly good shows are airing in the same time slot.
Tuesday, July 24, 2007
What I'm Watching: Saving Grace
Saving Grace: Season 1, Episode 1 "Bring It On, Earl" (C)
I somewhat like the idea for this show, but the execution comes off as a bit slow and kind of out-there. The angel Earl, perfectly played by Leon Rippy, walking around with his very fake-looking wings, is a fun character but his purpose and mission, as accepted by Grace, seem strange. Everyone so readily accepts the presence of this angel, even selfish drunk Grace. Holly Hunter gives a great performance as the title character, and she is surrounded by a bizarre and adequate ensemble including Laura San Giacomo and Kenny Johnson (Lem from "The Shield"). All in all, the combination of a less-than-riveting crime drama and a fancy angel presence does not mesh together so well here. I am willing to tune in again next week, but after that...?
I somewhat like the idea for this show, but the execution comes off as a bit slow and kind of out-there. The angel Earl, perfectly played by Leon Rippy, walking around with his very fake-looking wings, is a fun character but his purpose and mission, as accepted by Grace, seem strange. Everyone so readily accepts the presence of this angel, even selfish drunk Grace. Holly Hunter gives a great performance as the title character, and she is surrounded by a bizarre and adequate ensemble including Laura San Giacomo and Kenny Johnson (Lem from "The Shield"). All in all, the combination of a less-than-riveting crime drama and a fancy angel presence does not mesh together so well here. I am willing to tune in again next week, but after that...?
What I'm Watching: The Closer
The Closer: Season 3, Episode 6 "Dumb Luck" (B+)
Brenda's mysterious cold and the WMD training come together for a very funny episode. "The Closer" incorporates extremely well all these truly dumb people, like the clueless wife and useless henchmen, and makes them seem believable, all the while making the audience laugh with the antics of Brenda and the shocked look continuously on Pope's face. Highlight of the episode: Buzz pretending to be Lt. Tau.
Brenda's mysterious cold and the WMD training come together for a very funny episode. "The Closer" incorporates extremely well all these truly dumb people, like the clueless wife and useless henchmen, and makes them seem believable, all the while making the audience laugh with the antics of Brenda and the shocked look continuously on Pope's face. Highlight of the episode: Buzz pretending to be Lt. Tau.
Monday, July 23, 2007
What I'm Watching: The Kill Point (Series Premiere)
The Kill Point: Parts 1 & 2 "Pilot, Parts 1 & 2" (B-)
This Spike TV hostage drama miniseries is certainly action-packed and entertaining. Donnie Wahlberg stars as a hostage negotiator bent on correcting everyone's grammar (not an endearing or sophisticated trait), and he is surrounded by a generally able and sufficient cast. Tobin Bell clocks in also as a powerful father of one of the hostages willing to do whatever it takes to get his daughter out alive. The idea is fun, execution pretty good, but the overall dialogue and writing needs work. The best thing about this show is John Leguizamo, who is excellent as the primary hostage taker, Mr. Wolf. I think I will tune in for the remaining installments.
This Spike TV hostage drama miniseries is certainly action-packed and entertaining. Donnie Wahlberg stars as a hostage negotiator bent on correcting everyone's grammar (not an endearing or sophisticated trait), and he is surrounded by a generally able and sufficient cast. Tobin Bell clocks in also as a powerful father of one of the hostages willing to do whatever it takes to get his daughter out alive. The idea is fun, execution pretty good, but the overall dialogue and writing needs work. The best thing about this show is John Leguizamo, who is excellent as the primary hostage taker, Mr. Wolf. I think I will tune in for the remaining installments.
Welcome to TV with Abe!
Welcome to TV with Abe, the brand-new spin-off from my original blog, Movies with Abe. Here you will find all the same TV-related reviews and awards coverage. Older posts have been imported to this blog. I look forward to being able to devote an entire site to my enthusiasm for television.
TV on DVD: The L Word (Season Two)
Minor spoilers about events in the second season included. Avoid reading if you have not seen the season and plan to watch the show.
The second season of "The L Word" continues the greatness of the first season despite a few unfortunate tweaks. The opening credits now include a bizarre montage and obnoxious theme, unlike the bouncy and quick tune from the first year. Weird whispering also pervades a number of the scenes each episode. Jenny's storyline takes a turn for the slightly creepy and altogether disturbing. I do praise the second season for several things, however. The aftermath of Tina and Bette's breakup is very well played out, and all characters contribute well to the dramatic and often comedic situations. Dana and Alice finally get together is great, and all their scenes together, especially sneaking around, are lots of fun. Having roommate Mark not be the typical, lesbian-porn-loving male is fantastic, and he proves to be a fascinating character, especially his relationship with Shane.
Guest star Ossie Davis is very good as Bette's dying father, and has some powerful scenes with both Jennifer Beals and Pam Grier (Kit). My pick for best guest star of the season is Charles S. Dutton as Benjamin Bradshaw, the author of the "Theory of Everything" book and a love for interest for Kit. He brings an uncommon male energy to the show, and is truly excellent (the man learned to act in jail! He is awesome). The best performances of the season come from newcomers Sarah Shahi and Rachel Shelley, who really add a lot to the show. As Carmen, Shahi is energetic and very open about her feelings, and causes Shane to consider her lifestyle. Shelley is unapolegetic and manipulative yet still likeable as Helena Peabody, who ends up influencing Bette and Tina's lives more than anyone could imagine. Overall, a great second season not quite as amazing as the first, but still lots of fun.
"The L Word" Season Two: B+
The second season of "The L Word" continues the greatness of the first season despite a few unfortunate tweaks. The opening credits now include a bizarre montage and obnoxious theme, unlike the bouncy and quick tune from the first year. Weird whispering also pervades a number of the scenes each episode. Jenny's storyline takes a turn for the slightly creepy and altogether disturbing. I do praise the second season for several things, however. The aftermath of Tina and Bette's breakup is very well played out, and all characters contribute well to the dramatic and often comedic situations. Dana and Alice finally get together is great, and all their scenes together, especially sneaking around, are lots of fun. Having roommate Mark not be the typical, lesbian-porn-loving male is fantastic, and he proves to be a fascinating character, especially his relationship with Shane.
Guest star Ossie Davis is very good as Bette's dying father, and has some powerful scenes with both Jennifer Beals and Pam Grier (Kit). My pick for best guest star of the season is Charles S. Dutton as Benjamin Bradshaw, the author of the "Theory of Everything" book and a love for interest for Kit. He brings an uncommon male energy to the show, and is truly excellent (the man learned to act in jail! He is awesome). The best performances of the season come from newcomers Sarah Shahi and Rachel Shelley, who really add a lot to the show. As Carmen, Shahi is energetic and very open about her feelings, and causes Shane to consider her lifestyle. Shelley is unapolegetic and manipulative yet still likeable as Helena Peabody, who ends up influencing Bette and Tina's lives more than anyone could imagine. Overall, a great second season not quite as amazing as the first, but still lots of fun.
"The L Word" Season Two: B+
TV Movies: Longford
Longford
Directed by Tom Hooper
Originally aired February 17, 2007
This is excellent television right here. Any project starring Jim Broadbent and Samantha Morton already has a leg up on the competition, but this is truly captivating. Broadbent stars as Lord Longford, an outspoken advocate for child murderer Myra Hindley as well as a serious response to increasing amounts of pornography in England. Broadbent so fully immerses himself in the performance, and the result is marvelous. Morton is equally good as Hindley, who shows such seeming remorse and compassion despite the horrible actions for which Hindley was responsible. Watching the two of them on screen is fascinating. Andy Serkis (Gollum for "Lord of the Rings") is chilling in a small role as Hindley's partner-in-crime, and Lindsay Duncan is excellent as Longford's supportive but doubtful wife. The film's last third is not as great as the rest of the film, but overall it is an immensely worthwhile experience. How it managed only three Emmy nominations (Best TV Movie, and nominations for Broadbent and Morton) is insane. The directing and cinematography are stunning, and the writing is certainly better than that for "The Starter Wife". "Longford" is highly recommended, and available on DVD.
B+
Directed by Tom Hooper
Originally aired February 17, 2007
This is excellent television right here. Any project starring Jim Broadbent and Samantha Morton already has a leg up on the competition, but this is truly captivating. Broadbent stars as Lord Longford, an outspoken advocate for child murderer Myra Hindley as well as a serious response to increasing amounts of pornography in England. Broadbent so fully immerses himself in the performance, and the result is marvelous. Morton is equally good as Hindley, who shows such seeming remorse and compassion despite the horrible actions for which Hindley was responsible. Watching the two of them on screen is fascinating. Andy Serkis (Gollum for "Lord of the Rings") is chilling in a small role as Hindley's partner-in-crime, and Lindsay Duncan is excellent as Longford's supportive but doubtful wife. The film's last third is not as great as the rest of the film, but overall it is an immensely worthwhile experience. How it managed only three Emmy nominations (Best TV Movie, and nominations for Broadbent and Morton) is insane. The directing and cinematography are stunning, and the writing is certainly better than that for "The Starter Wife". "Longford" is highly recommended, and available on DVD.
B+
What I'm Watching: Psych
Psych: Season 2, Episode 2 "Sixty Five Million Years Off" (B+)
Yeah, this show is definitely back after an off hour last week. James Roday and Dule Hill are so great together, especially with Gus' fascination with and excitement about dinosaurs and Shawn always trying to take credit for his ideas. I very much enjoy the flashback to 1987 and an incident with Shawn and Gus that precedes the events of each episode. Corbin Bernsen is fun as Shawn's father, and I do love the relationship between the psychic detective agency (being Shawn and Gus) and the police force. I wish Shawn would continue to call Lassiter "Lassie" but I will settle for Lassiter being back on the case and getting a good portion of screentime with his short-lived hot streak. This show is very well paired with the similarly quirky "Monk".
Yeah, this show is definitely back after an off hour last week. James Roday and Dule Hill are so great together, especially with Gus' fascination with and excitement about dinosaurs and Shawn always trying to take credit for his ideas. I very much enjoy the flashback to 1987 and an incident with Shawn and Gus that precedes the events of each episode. Corbin Bernsen is fun as Shawn's father, and I do love the relationship between the psychic detective agency (being Shawn and Gus) and the police force. I wish Shawn would continue to call Lassiter "Lassie" but I will settle for Lassiter being back on the case and getting a good portion of screentime with his short-lived hot streak. This show is very well paired with the similarly quirky "Monk".
What I'm Watching: Monk
Monk: Season 6, Episode 2 "Mr. Monk and the Rapper" (B+)
I am still surprised that this show did not make it into the top 10 for Best Comedy Series. It is capable of taking on such diverse plotlines, like this episode with the murder of a rapper, and making it work while still keeping the Monk aspects of the show as they should be. I enjoy Snoop Dogg's guest appearances on shows like this and "The L Word" not because of his questionable acting skills but rather for his presence, which just seems to fit in even though it should not. The theme song is also performed rap-style by Snoop Dogg, which is fun. Monk's blacking out and agreeing to help the rapper is funny, as is Natalie's attitude towards the whole thing. While others trash this show for being tiresome and "atrocious" (check out some reviews of this episode here), I cannot help but disagree with them and champion my belief that this is an excellent show that is entertaining and always coming up with new elements to add to its original premise.
I am still surprised that this show did not make it into the top 10 for Best Comedy Series. It is capable of taking on such diverse plotlines, like this episode with the murder of a rapper, and making it work while still keeping the Monk aspects of the show as they should be. I enjoy Snoop Dogg's guest appearances on shows like this and "The L Word" not because of his questionable acting skills but rather for his presence, which just seems to fit in even though it should not. The theme song is also performed rap-style by Snoop Dogg, which is fun. Monk's blacking out and agreeing to help the rapper is funny, as is Natalie's attitude towards the whole thing. While others trash this show for being tiresome and "atrocious" (check out some reviews of this episode here), I cannot help but disagree with them and champion my belief that this is an excellent show that is entertaining and always coming up with new elements to add to its original premise.
Sunday, July 22, 2007
What I'm Watching: Mad Men (Series Premiere)
Mad Men: Season 1, Episode 1 "Smoke Gets In Your Eyes" (B+)
AMC's television series about advertising in the 1960s starts off with a great hour that perfectly captures the time and antics of all the people in it. Jon Hamm is an able lead surrounded by a great supporting cast, all of whom fit in well with the time period, even the annoying Elisabeth Moss (Zoe on "The West Wing"). Limited commercial interruption helps to give this show the feeling that it is far more like an HBO or Showtime series where an episode ends up being more like a shortened TV movie. I am definitely tuning in next week, and will have more to say then.
AMC's television series about advertising in the 1960s starts off with a great hour that perfectly captures the time and antics of all the people in it. Jon Hamm is an able lead surrounded by a great supporting cast, all of whom fit in well with the time period, even the annoying Elisabeth Moss (Zoe on "The West Wing"). Limited commercial interruption helps to give this show the feeling that it is far more like an HBO or Showtime series where an episode ends up being more like a shortened TV movie. I am definitely tuning in next week, and will have more to say then.
Second Run TV: Smallville
Smallville: Season 6, Episode 13 "Crimson" (D+)
I am really mad that the CW decided to just skip three episodes in its re-broadcasting of the sixth season, including the Justice League episode which I have heard is so good. I had already seen one of the three, "Labyrinth", a what-if-Clark-didn't-have-powers-but-was-insane alternate reality hour which was pretty bad. But on to this episode. Do they really have to bring back the red kryptonite? And the transferrence via a kiss was a far-fetched. Clark has told his secret to approximately 1,754 people, but everyone seems to conveniently forget everything immediately afterwards. I think it is time someone else actually lived to remember Clark's secret. All the flirtation is pretty awkward, and Tom Welling really cannot play angry too well. Lex pulled a gun! Interesting, but not as interesting as Lana's discovery that something is a little off about the object that should have stabbed Clark. Could she maybe discover his secret soon....? Yeah and Jimmy is annoying.
I am really mad that the CW decided to just skip three episodes in its re-broadcasting of the sixth season, including the Justice League episode which I have heard is so good. I had already seen one of the three, "Labyrinth", a what-if-Clark-didn't-have-powers-but-was-insane alternate reality hour which was pretty bad. But on to this episode. Do they really have to bring back the red kryptonite? And the transferrence via a kiss was a far-fetched. Clark has told his secret to approximately 1,754 people, but everyone seems to conveniently forget everything immediately afterwards. I think it is time someone else actually lived to remember Clark's secret. All the flirtation is pretty awkward, and Tom Welling really cannot play angry too well. Lex pulled a gun! Interesting, but not as interesting as Lana's discovery that something is a little off about the object that should have stabbed Clark. Could she maybe discover his secret soon....? Yeah and Jimmy is annoying.
What I'm Watching: Rescue Me
Rescue Me: Season 4, Episode 5 "Black" (B+)
I definitely like this episode even though I keep finally like this season is not as electrifying and awesome as the first three seasons. Regardless, things are pretty on track here. The new chief played by Jerry Adler (Hesh from 'The Sopranos") is lots of fun. Mike living with Sean is pretty funny, and Tatum O'Neal continues to be great in a more limited but still stellar role. The whole Tommy-Jennifer Esposito thing seems to be repeating itself with that truck scene, but hopefully things are taking a new direction. And Sheila's boyfriend/Tommy imitator is great. Franco marrying his girlfriend? I suppose that should be fine, but it is my firm belief that every character does not necessarily have to become mature throughout a series' run.
Oh, by the way, FX is premiering a new show called "Damages" on Tuesday. You probably missed the ads every single commercial break for the past two months.
I definitely like this episode even though I keep finally like this season is not as electrifying and awesome as the first three seasons. Regardless, things are pretty on track here. The new chief played by Jerry Adler (Hesh from 'The Sopranos") is lots of fun. Mike living with Sean is pretty funny, and Tatum O'Neal continues to be great in a more limited but still stellar role. The whole Tommy-Jennifer Esposito thing seems to be repeating itself with that truck scene, but hopefully things are taking a new direction. And Sheila's boyfriend/Tommy imitator is great. Franco marrying his girlfriend? I suppose that should be fine, but it is my firm belief that every character does not necessarily have to become mature throughout a series' run.
Oh, by the way, FX is premiering a new show called "Damages" on Tuesday. You probably missed the ads every single commercial break for the past two months.
What I'm Watching: Traveler (Season Finale)
Traveler: Season 1, Episode 8 "The Exchange" (F)
The episode was looking up for a bit, what with Marlow discovering that Chambers is a bad guy. But then again, how could he be so dumb as to call from his personal cell phone knowing it could be traced? And why would Chambers not just look at who was calling him on his phone? It is those kind of gaping plotholes that ruin this show. And the bad acting on the part of pretty much everyone, especially Aaron Stanford (Will). Except for Neal McDonough, who cannot save the show by himself in a poorly written Really Evil role. And that was just the dumbest thing they could have done at the end of the episode. Put their only evidence in a limo with the bad guy inside and call some random reporter to come get it? Seriously, have some sense and at least keep the bad guy somewhere else. Will was a secret agent, after all. And this is worse than mid-season 2 "Prison Break" stuff - now they will never be able to stop running. They just blew up a Homeland Security Director. Way to go guys! You are really dumb.
Renewal for this show? I think not. We will see.
The episode was looking up for a bit, what with Marlow discovering that Chambers is a bad guy. But then again, how could he be so dumb as to call from his personal cell phone knowing it could be traced? And why would Chambers not just look at who was calling him on his phone? It is those kind of gaping plotholes that ruin this show. And the bad acting on the part of pretty much everyone, especially Aaron Stanford (Will). Except for Neal McDonough, who cannot save the show by himself in a poorly written Really Evil role. And that was just the dumbest thing they could have done at the end of the episode. Put their only evidence in a limo with the bad guy inside and call some random reporter to come get it? Seriously, have some sense and at least keep the bad guy somewhere else. Will was a secret agent, after all. And this is worse than mid-season 2 "Prison Break" stuff - now they will never be able to stop running. They just blew up a Homeland Security Director. Way to go guys! You are really dumb.
Renewal for this show? I think not. We will see.
Emmy Nominees: Best Drama Series
My predictions: 3/5, missing "House" and the horrific "Boston Legal" for "Friday Night Lights" and "Lost".
My ballot: 0/5
I hate bad surprises. Boston Legal flip-flops each year between drama and comedy, and I will be the first to go on record predicting it as a nominee in the Best Comedy Series race next year. It is ridiculous and by no means deserved to be called a drama series, let alone be nominated for BEST drama series. And over "Dexter", or "Lost" (that episode submission!) or the critically-acclaimed "Friday Night Lights". When nobody, and I mean nobody, predicts a show as a nominee, that should say something about the quality of the show, especially in this case. My face registered both shock and rage when "Boston Legal" was called first when I was expecting either "Dexter" or "Friday Night Lights". Ugh. If I keep going here I will just be repeating myself. That episode "Angel of Death" which "Boston Legal" submitted better be good. If I ever get around to seeing it.
Grey's Anatomy and The Sopranos were getting in here no matter what. Their omission would have been more shocking than the inclusion of "Boston Legal". I am a bit surprised that Heroes managed to make it in, especially over "Lost", and I think it will have a much better, but still not great, chance at winning if the episode submission is changed from the pilot to the awesome "Company Man". And more of House. Whatever.
Who will win? Most people would say "The Sopranos" but I think "Grey's Anatomy" may win this year. And you can guess what my reaction would be if both Patricia Arquette and "Boston Legal" won. Never watching the Emmys ever again.
My ballot: 0/5
I hate bad surprises. Boston Legal flip-flops each year between drama and comedy, and I will be the first to go on record predicting it as a nominee in the Best Comedy Series race next year. It is ridiculous and by no means deserved to be called a drama series, let alone be nominated for BEST drama series. And over "Dexter", or "Lost" (that episode submission!) or the critically-acclaimed "Friday Night Lights". When nobody, and I mean nobody, predicts a show as a nominee, that should say something about the quality of the show, especially in this case. My face registered both shock and rage when "Boston Legal" was called first when I was expecting either "Dexter" or "Friday Night Lights". Ugh. If I keep going here I will just be repeating myself. That episode "Angel of Death" which "Boston Legal" submitted better be good. If I ever get around to seeing it.
Grey's Anatomy and The Sopranos were getting in here no matter what. Their omission would have been more shocking than the inclusion of "Boston Legal". I am a bit surprised that Heroes managed to make it in, especially over "Lost", and I think it will have a much better, but still not great, chance at winning if the episode submission is changed from the pilot to the awesome "Company Man". And more of House. Whatever.
Who will win? Most people would say "The Sopranos" but I think "Grey's Anatomy" may win this year. And you can guess what my reaction would be if both Patricia Arquette and "Boston Legal" won. Never watching the Emmys ever again.
Emmy Nominees: Best Comedy Series
My predictions: 4/5, picking "Scrubs" over "Entourage"
My ballot: 3/5 "Entourage", "The Office" & "30 Rock"
Not too much to say here, other than that I am excited Entourage is finally being recognized (though last season was better). It appeared not to be Emmy's cup of tea but came through here. And they really like 30 Rock, Two and a Half Men, and Ugly Betty. And hooray for The Office. A subpar episode submission still managed to break into the top five and ensure the show some recognition for continued quality work.
Who will win? Oh, I hope not "Ugly Betty". I would be thrilled about "Entourage" or "30 Rock", or a repeat victory for "The Office". It may just be "Two and a Half Men", though.
My ballot: 3/5 "Entourage", "The Office" & "30 Rock"
Not too much to say here, other than that I am excited Entourage is finally being recognized (though last season was better). It appeared not to be Emmy's cup of tea but came through here. And they really like 30 Rock, Two and a Half Men, and Ugly Betty. And hooray for The Office. A subpar episode submission still managed to break into the top five and ensure the show some recognition for continued quality work.
Who will win? Oh, I hope not "Ugly Betty". I would be thrilled about "Entourage" or "30 Rock", or a repeat victory for "The Office". It may just be "Two and a Half Men", though.
Emmy Nominees: Best Lead Actor in a Drama Series
My predictions: 3/5, missing Spader and Sutherland for Michael C. Hall and Eddie Izzard.
My ballot: 2/5 Leary & Gandolfini
I am going to preface this by saying that I just do not like Hugh Laurie on "House". I think the role is far less difficult to play than many think, and besides the great concealment of his British accent, he does not do too much. Besides that, I would have been thrilled with this lineup a few years ago. I was so excited when James Spader received a surprise nomination for his amazing performance on the final season of "The Practice" and even more thrilled when he won. On "Boston Legal" the following year, his performance was still good but his material just was way too preposterous. Maybe a nomination, but certainly not another win. Kiefer Sutherland, on the other hand, was simply stunning in the first season of "24" and continued to perform very well for the next three seasons. But at some points this year, I alternately cringed and laughed at how bad his acting could get. Of course he is not as bad in the season premiere which he submitted, but come on! Emmy voters moved on from "24" in almost all other categories, why not here? The reason I am so angry is that Eddie Izzard should have had a shot and SURE THING Michael C. Hall, who was amazing on "Dexter" this year and "Six Feet Under" before that (he was nominated in this category in 2002) somehow gets snubbed. I was worried initially that this would happen, but then I thought to myself: there is no way. He has a Golden Globe nomination and a SAG nomination. But somehow it managed to happen. This category is bizarre, especially last year with the snub of Laurie and James Gandolfini, both of whom are now back. Gandolfini does deserves his nomination for some great work this year. And the one positive thing here is that Denis Leary keeps holding on and deservedly remaining in.
Who will win? I would love for it to be Leary but otherwise it better be Gandolfini. But then I remember that Laurie still has not won an Emmy...ugh...
My ballot: 2/5 Leary & Gandolfini
I am going to preface this by saying that I just do not like Hugh Laurie on "House". I think the role is far less difficult to play than many think, and besides the great concealment of his British accent, he does not do too much. Besides that, I would have been thrilled with this lineup a few years ago. I was so excited when James Spader received a surprise nomination for his amazing performance on the final season of "The Practice" and even more thrilled when he won. On "Boston Legal" the following year, his performance was still good but his material just was way too preposterous. Maybe a nomination, but certainly not another win. Kiefer Sutherland, on the other hand, was simply stunning in the first season of "24" and continued to perform very well for the next three seasons. But at some points this year, I alternately cringed and laughed at how bad his acting could get. Of course he is not as bad in the season premiere which he submitted, but come on! Emmy voters moved on from "24" in almost all other categories, why not here? The reason I am so angry is that Eddie Izzard should have had a shot and SURE THING Michael C. Hall, who was amazing on "Dexter" this year and "Six Feet Under" before that (he was nominated in this category in 2002) somehow gets snubbed. I was worried initially that this would happen, but then I thought to myself: there is no way. He has a Golden Globe nomination and a SAG nomination. But somehow it managed to happen. This category is bizarre, especially last year with the snub of Laurie and James Gandolfini, both of whom are now back. Gandolfini does deserves his nomination for some great work this year. And the one positive thing here is that Denis Leary keeps holding on and deservedly remaining in.
Who will win? I would love for it to be Leary but otherwise it better be Gandolfini. But then I remember that Laurie still has not won an Emmy...ugh...
Emmy Nominees: Best Lead Actress in a Drama Series
My predictions: 4/6, missing Field and Arquette for Connie Britton.My ballot: 3/5 Sedgwick, Driver & Falco
Who are these people who think that Patricia Arquette can act? Two years ago her nomination was shocking and her win even more so; I hoped it was a one-time lapse in judgment on the part of Emmy voters. Apparently I was wrong. Is she really better than Kristen Bell or Connie Britton? And I am sure fans of "Battlestar Galactica" and "Gilmore Girls" would argue that Mary McDonnell and Lauren Graham, respectively, deserve a nomination far more than Arquette. I cannot comment too much on Sally Field as I only saw her work in the pilot but the show turned me off so much. Mariska Hargitay is expected here, as is Edie Falco, returning after missing out on a nomination last year. I am so happy about Kyra Sedgwick and even more so about Minnie Driver, the lone nominee in any category from "The Riches".
Who will win? I would so love to see Driver win, but I feel like it might be Falco for the final season of "The Sopranos". And I am turning off the awards show if Arquette wins again.
Emmy Nominees: Best Lead Actor in a Comedy Series
My predictions: 4/5, missing Gervais for Zach Braff.My ballot: 3/5 Shalhoub, Carrell & Baldwin
The only real shock here is Ricky Gervais whose understated performance as disgruntled extra Andy Millman on "Extras" seems to have made the cut. Too bad for Zach Braff, who wisely chose the musical episode and so deserved this award for the first two seasons of "Scrubs." The rest is business as usual, Charlie Sheen (who I never thought would actually be an Emmy nominee), Steve Carrell, Tony Shalhoub, and the fantastic Alec Baldwin.
Who will win? As much as I enjoyed Gervais' Golden Globe win for "The Office" a few years ago, this had better go to either Baldwin or Carrell, I do not personally care which since they both deserve it. Carrell actually has the edge with his episode, "Business School".
Emmy Race: Best Lead Actress in a Comedy Series
My predictions: 5/5 (that's right!)My ballot: 3/5 Huffman, Fey & Parker
I am overjoyed to have gotten this entire category correct. It is especially sweet after I went 0/5 last year and had to face the dismal line-up that ensued. I am finally really liking Felicity Huffman on Desperate Housewives, and though I would love to see Eva Longoria get recognized one of these days, I am happy with that. Julia Louis-Dreyfus is awful on her new sitcom but at least this year she will lose to an actress who is much better on an equally bad but overpraised show, America Ferrera on Ugly Betty. And after last year's shocking snub, Mary-Louise Parker is here deservedly for her great role on Weeds. I am also thrilled that the most vulnerable contender in this category, Tina Fey, made it in for her straight man role on 30 Rock.
Who will win? Oh, I would love for it to be Fey. But yeah, I think it's pretty much Ferrera.
Emmy Nominees: Best Guest Actor in a Drama Series
My predictions: 3/6, missing Goodman, Morse and Daly for Liev Schreiber and Stanley Tucci.
My ballot: 0/5 (Whitaker for "The Shield")
Christian Clemenson won last year, and obviously they now love the show, so no big surprise. Forest Whitaker is an amazing actor and deserves to be here, no matter what show. I am excited about Eli Wallach and will sustain John Goodman despite the relative simplicity of his role. I am thrilled to see both David Morse (House) and Tim Daly (The Sopranos), who I had not considered serious contenders. Both have done great work throughout recent years. I cannot stand watching "House", and Daly's role on "The Sopranos" this year was not as great as it was a few years back. But I am nonetheless happy to see them here.
Who will win? Give it to Whitaker! But hey, Wallach is 90.
My ballot: 0/5 (Whitaker for "The Shield")
Christian Clemenson won last year, and obviously they now love the show, so no big surprise. Forest Whitaker is an amazing actor and deserves to be here, no matter what show. I am excited about Eli Wallach and will sustain John Goodman despite the relative simplicity of his role. I am thrilled to see both David Morse (House) and Tim Daly (The Sopranos), who I had not considered serious contenders. Both have done great work throughout recent years. I cannot stand watching "House", and Daly's role on "The Sopranos" this year was not as great as it was a few years back. But I am nonetheless happy to see them here.
Who will win? Give it to Whitaker! But hey, Wallach is 90.
Emmy Nominees: Best Guest Actress in a Drama Series
My predictions: 2/5, missing Caron, Harden, and Smart for Megan Mullally, Doris Roberts, and Christine Lahti.
My ballot: 0/5
Even though Emmy voters clearly no longer like "24", they do love their former first lady, Jean Smart. I had never heard of Leslie Caron before today, but apparently she was a two-time Oscar nominee in the 60s and now has her first Emmy nomination. Marcia Gay Harden is an actress whose style I really do not like, but Oscar voters loved her overrated roles in "Pollock" and "Mystic River", so I guess this is no surprise. Kate Burton receives her second consecutive nomination, and is joined by a fellow "Grey's Anatomy" guest star. I did not think she was all that on "Grey's", but I am thrilled that Elizabeth Reaser, who was so good in the little-seen "Puccini for Beginners" is getting awards attention.
Who will win? Smart since she lost last year in the supporting category or Burton because people LOVE her.
My ballot: 0/5
Even though Emmy voters clearly no longer like "24", they do love their former first lady, Jean Smart. I had never heard of Leslie Caron before today, but apparently she was a two-time Oscar nominee in the 60s and now has her first Emmy nomination. Marcia Gay Harden is an actress whose style I really do not like, but Oscar voters loved her overrated roles in "Pollock" and "Mystic River", so I guess this is no surprise. Kate Burton receives her second consecutive nomination, and is joined by a fellow "Grey's Anatomy" guest star. I did not think she was all that on "Grey's", but I am thrilled that Elizabeth Reaser, who was so good in the little-seen "Puccini for Beginners" is getting awards attention.
Who will win? Smart since she lost last year in the supporting category or Burton because people LOVE her.
Emmy Nominees: Best Guest Actor in a Comedy Series
My predictions: 3/5, missing the "Earl" boys for Daniel Radcliffe and Will Arnett.My ballot: 1/5 Landau
Martin Landau and Stanley Tucci so deserve to be here and I am thrilled for them. I am surprised by the omission of Will Arnett, especially after his "Arrested Development" nomination last year. Ian McKellen was no shock, but after seeing his so limited performance, I am torn between being happy for him and hating his brief screentime. But he does have one great scene to be sure. Giovanni Ribisi deserves some awards attention, not necessarily for "Earl", but I will take it. Beau Bridges sort of came out of nowhere, or so I thought, until I realized he was my alternate prediction for this category a year ago. A fine list of actors here (maybe not Bridges, but that is alright).
Who will win? Landau gets my vote, and Tucci should be his only real competition.
Emmy Nominees: Best Guest Actress in a Comedy Series
My predictions: 3/5, picking Isabella Rossellini and Allison Janney over Hayek and Light.
My ballot: 2/5 Carter & Metcalf
The inclusion of Dixie Carter and Laurie Metcalf for "Desperate Housewives, however expected, makes me smile. And I certainly glad that I added in Elaine Stritch at the last second for "30 Rock", though I am surprised that Isabella Rossellini did not make the cut. Judith Light for Ugly Betty means nothing to me, but Salma Hayek, who I know for a fact to be a terrible actress, stinks of some unhealthy "Ugly Betty" fervor.
Who will win? Unless Hayek makes me hate Emmy voters by somehow stealing the trophy, it is Metcalf for sure.
My ballot: 2/5 Carter & Metcalf
The inclusion of Dixie Carter and Laurie Metcalf for "Desperate Housewives, however expected, makes me smile. And I certainly glad that I added in Elaine Stritch at the last second for "30 Rock", though I am surprised that Isabella Rossellini did not make the cut. Judith Light for Ugly Betty means nothing to me, but Salma Hayek, who I know for a fact to be a terrible actress, stinks of some unhealthy "Ugly Betty" fervor.
Who will win? Unless Hayek makes me hate Emmy voters by somehow stealing the trophy, it is Metcalf for sure.
Emmy Nominees: Best Directing in a Drama Series
My predictions: 3/7, missing "Battlestar Galactica", "Boston Legal" and "Heroes" as well as choosing the wrong "Sopranos" episode.
My ballot: 1/6, the brilliant "Through the Looking Glass"
You think there are enough nominees here? This is the second year running that there have been 7 nominees in this category. As I said with the writing category, Battlestar Galactica fans rejoice over "Exodus, Part 2" being nominated. Boston Legal and its episode "Son of the Defender" I am sure are not that good, but I will try to find it somewhere to be able to watch it. The pilots of Friday Night Lights and Studio 60 were expected, but their omissions in the writing category and virtually everywhere else are not good signs, especially for fledgling renewed FNL. I am excited about the Lost finale, "Through the Looking Glass". The Sopranos episode picked at first surprised me. I correctly predicted the absence of the series finale in this category, perhaps a representation of the anger and frustration over the episode's closing moments. I thought "Soprano Home Movies" had to get in here, but "Kennedy and Heidi" is very well-crafted, especially with the drug scenes with James Gandolfini and Sarah Shahi.
Who will win? I hope it is the "Lost" finale, though I have a funny inkling it may be the "Studio 60" pilot. I would say vote-split and it goes to "Kennedy and Heidi".
My ballot: 1/6, the brilliant "Through the Looking Glass"
You think there are enough nominees here? This is the second year running that there have been 7 nominees in this category. As I said with the writing category, Battlestar Galactica fans rejoice over "Exodus, Part 2" being nominated. Boston Legal and its episode "Son of the Defender" I am sure are not that good, but I will try to find it somewhere to be able to watch it. The pilots of Friday Night Lights and Studio 60 were expected, but their omissions in the writing category and virtually everywhere else are not good signs, especially for fledgling renewed FNL. I am excited about the Lost finale, "Through the Looking Glass". The Sopranos episode picked at first surprised me. I correctly predicted the absence of the series finale in this category, perhaps a representation of the anger and frustration over the episode's closing moments. I thought "Soprano Home Movies" had to get in here, but "Kennedy and Heidi" is very well-crafted, especially with the drug scenes with James Gandolfini and Sarah Shahi.
Who will win? I hope it is the "Lost" finale, though I have a funny inkling it may be the "Studio 60" pilot. I would say vote-split and it goes to "Kennedy and Heidi".
Emmy Nominees: Best Directing in a Comedy Series
My predictions: 2/6, choosing the wrong "Entourage" and "30 Rock" episodes and "Desperate Housewives" and missing "Extras" and "The Office".
My ballot: 1/5 "My Musical"
I am thrilled to see "One Day in the Valley" from Entourage here. Such a great episode that perfectly captures the show (which clearly worked as it got the show a nod for Best Comedy Series). The Ugly Betty "Pilot" is no surprise, and it is pleasantly counteracted by the wonderful "My Musical" episode of Scrubs. As with the comedy writing nominees, what are Extras, The Office, and 30 Rock thinking? "Orlando Bloom" (Extras) was lackluster, as was "Gay Witch Hunt" (The Office). "The Break-Up" is fine for 30 Rock, but nowhere near as good as "Hardball".
Who will win? I would be happy with "Scrubs" but I worry that "Ugly Betty" might rear its ugly head and pull off an undeserved victory.
My ballot: 1/5 "My Musical"
I am thrilled to see "One Day in the Valley" from Entourage here. Such a great episode that perfectly captures the show (which clearly worked as it got the show a nod for Best Comedy Series). The Ugly Betty "Pilot" is no surprise, and it is pleasantly counteracted by the wonderful "My Musical" episode of Scrubs. As with the comedy writing nominees, what are Extras, The Office, and 30 Rock thinking? "Orlando Bloom" (Extras) was lackluster, as was "Gay Witch Hunt" (The Office). "The Break-Up" is fine for 30 Rock, but nowhere near as good as "Hardball".
Who will win? I would be happy with "Scrubs" but I worry that "Ugly Betty" might rear its ugly head and pull off an undeserved victory.
Emmy Nominees: Best Writing in a Drama Series
My predictions: 3/5, picking the "Friday Night Lights" and "Studio 60" pilots over the BSG and third "Sopranos" episode.
My ballot: 0/5
If I felt the same way about Battlestar Galactica that I do about say "Jericho" or "Threshold", I would be ecstatic right now. Diehard cult fans of the show should be thrilled that the show managed not one but two major nominations. It bodes well for the show since it is not even the final year. I was also surprised since I had heard of "Exodus, Part 2" but not of the two-part season opener "Occupation/Precipice". The season finale of Lost, "Through the Looking Glass", is no surprise and a welcome mention here. I am also unsurprised about the three Sopranos episodes here, though I find the choices a bit strange, as "The Blue Comet" and "Soprano Home Movies" stand out to me as better than "Kennedy & Heidi" and the series finale, "Made in America". "The Second Coming" is a very well-written episode and does deserves to be here.
Who will win? I would be excited if "Battlestar Galactica" won simply because it is a triumph of a cult show over a mainstream awards system. I think it is a showdown between "Sopranos" episode, and I feel like finale backlash might give it to "The Second Coming."
My ballot: 0/5
If I felt the same way about Battlestar Galactica that I do about say "Jericho" or "Threshold", I would be ecstatic right now. Diehard cult fans of the show should be thrilled that the show managed not one but two major nominations. It bodes well for the show since it is not even the final year. I was also surprised since I had heard of "Exodus, Part 2" but not of the two-part season opener "Occupation/Precipice". The season finale of Lost, "Through the Looking Glass", is no surprise and a welcome mention here. I am also unsurprised about the three Sopranos episodes here, though I find the choices a bit strange, as "The Blue Comet" and "Soprano Home Movies" stand out to me as better than "Kennedy & Heidi" and the series finale, "Made in America". "The Second Coming" is a very well-written episode and does deserves to be here.
Who will win? I would be excited if "Battlestar Galactica" won simply because it is a triumph of a cult show over a mainstream awards system. I think it is a showdown between "Sopranos" episode, and I feel like finale backlash might give it to "The Second Coming."
Emmy Nominees: Best Writing in a Comedy Series
My predictions: 0/5, expecting two other "Office" episodes, "Entourage", "Ugly Betty", and "Weeds".
My ballot: 0/5
I should have expectecd Extras to make a showing here, especially for its hilarious "Daniel Radcliffe" episode. The other nominees are bizarre, however. While both "The Office" and "30 Rock" have a number of hilarious and well-written episodes, these four are not their best. "The Negotiation" (The Office) and "Jack-Tor" (30 Rock) are pretty funny, but I do not see how voters liked the writing in the weak episodes "Gay Witch Hunt" (The Office) and "Tracy Does Conan" (30 Rock).
Who will win? If voters want to reward "Extras" after the Kate Winslet episode failed to win last year, they may go that route. But I suspect Tina Fey will be walking away with a trophy for the weird "Tracy Does Conan" episode of "30 Rock".
My ballot: 0/5
I should have expectecd Extras to make a showing here, especially for its hilarious "Daniel Radcliffe" episode. The other nominees are bizarre, however. While both "The Office" and "30 Rock" have a number of hilarious and well-written episodes, these four are not their best. "The Negotiation" (The Office) and "Jack-Tor" (30 Rock) are pretty funny, but I do not see how voters liked the writing in the weak episodes "Gay Witch Hunt" (The Office) and "Tracy Does Conan" (30 Rock).
Who will win? If voters want to reward "Extras" after the Kate Winslet episode failed to win last year, they may go that route. But I suspect Tina Fey will be walking away with a trophy for the weird "Tracy Does Conan" episode of "30 Rock".
Emmy Nominees: Best Supporting Actor in a Drama Series
My predictions: 3/6, picking Henry Ian Cusick over costar O'Quinn, Shatner and Knight.
My ballot: 0/5
As with Best Supporting Actress in a Drama Series, the nominees are not that bad despite the omission of many deserving candidates. William Shatner is the worst one here. While his "Denny Crane" is funny, it is enough already. He has already won two awards and should really consider whether his performance is a dramatic one (do not even get me started on Best Drama Series!). T.R. Knight is fine, but I do hope his publicity is not the only reason for his nod. Michael Imperioli should have been nominated for the earlier seasons of "The Sopranos", and his role just was not big or good enough this year. I would have preferred to see Robert Iler (A.J.). Masi Oka is a fun one, and I am happy and I am sure he will be too (especially if he wins). Michael Emerson is certainly the best of the bunch, and I am thrilled since he was the best perfomer on "Lost" this season besides Elizabeth Mitchell and Dominic Monaghan (in the season finale). Terry O'Quinn is the definitive episode submission nominee, having chosen "The Man From Tallahassee", where he is front and center and does a good job. I think he had much better material in the first season, and just did not appear in this season enough to merit a nomination.
Who will win? My money is on O'Quinn based on his episode. I would love to see Emerson or Oka, and I really hope it is not Shatner or Imperioli because they already had their chance and do not deserve a win (or a nod) this season.
My ballot: 0/5
As with Best Supporting Actress in a Drama Series, the nominees are not that bad despite the omission of many deserving candidates. William Shatner is the worst one here. While his "Denny Crane" is funny, it is enough already. He has already won two awards and should really consider whether his performance is a dramatic one (do not even get me started on Best Drama Series!). T.R. Knight is fine, but I do hope his publicity is not the only reason for his nod. Michael Imperioli should have been nominated for the earlier seasons of "The Sopranos", and his role just was not big or good enough this year. I would have preferred to see Robert Iler (A.J.). Masi Oka is a fun one, and I am happy and I am sure he will be too (especially if he wins). Michael Emerson is certainly the best of the bunch, and I am thrilled since he was the best perfomer on "Lost" this season besides Elizabeth Mitchell and Dominic Monaghan (in the season finale). Terry O'Quinn is the definitive episode submission nominee, having chosen "The Man From Tallahassee", where he is front and center and does a good job. I think he had much better material in the first season, and just did not appear in this season enough to merit a nomination.
Who will win? My money is on O'Quinn based on his episode. I would love to see Emerson or Oka, and I really hope it is not Shatner or Imperioli because they already had their chance and do not deserve a win (or a nod) this season.
Emmy Nominees: Best Supporting Actress in a Drama Series
My predictions: 4/6, predicting CCH Pounder over Griffiths and Wilson.
My ballot: 0/5
Besides the rage I am feeling over the omissions of Elizabeth Mitchell and CCH Pounder, the nominees here are not that bad. My hatred of the "Brothers & Sisters" pilot and show hype is probably clouding my knowledge that Rachel Griffiths is an amazing actress (see: "Six Feet Under). I cannot really comment on the "Grey's Anatomy" women other than to say that Sandra Oh and Chandra Wilson are pretty good on the show and that Katherine Heigl deserves some acclaim (and she is great in "Knocked Up", not that her film role should have any influence here). And wow, both Lorraine Bracco and Aida Turturro were amazing in "The Blue Comet" and "Soprano Home Movies", respectively. Not that one episode should determine an entire season's praise, especially in this case since those episodes were basically the only ones either played a major role in (though Bracco submitted "The Second Coming", in which she was good too).
Who will win? Hard to say at this point. Bracco never won against Edie Falco, so this may be her shot if she changes her submission to "The Blue Comet". Heigl may surprise though.
My ballot: 0/5
Besides the rage I am feeling over the omissions of Elizabeth Mitchell and CCH Pounder, the nominees here are not that bad. My hatred of the "Brothers & Sisters" pilot and show hype is probably clouding my knowledge that Rachel Griffiths is an amazing actress (see: "Six Feet Under). I cannot really comment on the "Grey's Anatomy" women other than to say that Sandra Oh and Chandra Wilson are pretty good on the show and that Katherine Heigl deserves some acclaim (and she is great in "Knocked Up", not that her film role should have any influence here). And wow, both Lorraine Bracco and Aida Turturro were amazing in "The Blue Comet" and "Soprano Home Movies", respectively. Not that one episode should determine an entire season's praise, especially in this case since those episodes were basically the only ones either played a major role in (though Bracco submitted "The Second Coming", in which she was good too).
Who will win? Hard to say at this point. Bracco never won against Edie Falco, so this may be her shot if she changes her submission to "The Blue Comet". Heigl may surprise though.
Emmy Nominees: Best Supporting Actor in a Comedy Series
My predictions: 4/5, missing Harris for John Krasinski.My ballot: 2/5 Piven & Wilson
I am speechless in regard to Neil Patrick Harris, who I did not honestly expect to become an Emmy nominee. I am happy to see Kevin Dillon, but I wish Harris and Dillon were not here at the expense of highly deserving snubbee John Krasinski. Jon Cryer is fine, but I don't watch "Two and a Half Men" anymore. He deserved a win for the show's first season though. Thrilled to see Jeremy Piven and Rainn Wilson, the two best performers in this category.
Who will win? I would be ecstatic if Rainn Wilson took it, and I think he has the best shot, though Dillon might.
Emmy Nominees: Best Supporting Actress in a Comedy Series
My predictions: 3/6, missing Pressly, Ferrell, and Taylor for Joosten and Krakowski.
My ballot: 2/5 Fischer & Weeds
First things first, I am beyond thrilled about the inclusion of Jenna Fischer. I am astounded and angry that Jane Krakowski did not make the list especially considering "30 Rock" did so well (series, actor, actress, two writing, one directing). Elizabeth Perkins is welcome and it is nice to see "Weeds" getting some love. I have said before that while Conchata Ferrell and Holland Taylor are funny on "Two and a Half Men", their roles just are not Emmy-worthy. And I guess I will have to accept Jaime Pressly and Vanessa Williams.
My ballot: 2/5 Fischer & Weeds
First things first, I am beyond thrilled about the inclusion of Jenna Fischer. I am astounded and angry that Jane Krakowski did not make the list especially considering "30 Rock" did so well (series, actor, actress, two writing, one directing). Elizabeth Perkins is welcome and it is nice to see "Weeds" getting some love. I have said before that while Conchata Ferrell and Holland Taylor are funny on "Two and a Half Men", their roles just are not Emmy-worthy. And I guess I will have to accept Jaime Pressly and Vanessa Williams.
Who will win? At this point, I would have to hope that it is Fischer, because she deserves it hands-down especially with Krakowski out of the race. The only other one I could stand would be Perkins, but it should go to Fischer.
Preliminary Reactions
10:08 am Emmy nomination morning, I have just finished calculating my accuracy rate. Overall, I went 104/162, or 64%, though there were a shocking number of six plus nominees in some of the categories. As far as the top 10 races are concerned (comedy and drama series and acting), I went 38/54, or 70%, which is not too bad in my book. Especially considering there were 4 races with a sixth nominee, so my percentage can also be 38/50, or 76%.
Now as far as the nominees go, I am generally dismayed. I cannot believe the snubbing of sure thing Michael C. Hall (Dexter) and the wholly unexpected inclusion of "Boston Legal" in Best Drama Series. I am obviously unhappy about the omission of the six actors on the left frame of this page. I am pretty surprised by the fact that "Battlestar Galactica" earned a nomination for directing and for writing, for different episodes. And Neil Patrick Harris? It is nice to see unexpected names like Tim Daly ("The Sopranos") and David Morse ("House"), who are both fantastic actors. I think Emmy voters really need to watch FX and Showtime a bit more. "The Shield" is shut out for the third time in its six-year history. How is that possible? And for the record, why nominate a TV movie like "Why I Wore Lipstick To My Mastectomy" and not its star, Sarah Chalke? Was Debra Messing really better in "The Starter Wife"? I am thrilled for Minnie Driver though, and Rainn Wilson and Jenna Fischer for "The Office". And fun for "Scrubs" to receive two nominations in the Best Song category from the musical episode.
I will be posting reactions category-by-category throughout the day, so check back frequently!
Now as far as the nominees go, I am generally dismayed. I cannot believe the snubbing of sure thing Michael C. Hall (Dexter) and the wholly unexpected inclusion of "Boston Legal" in Best Drama Series. I am obviously unhappy about the omission of the six actors on the left frame of this page. I am pretty surprised by the fact that "Battlestar Galactica" earned a nomination for directing and for writing, for different episodes. And Neil Patrick Harris? It is nice to see unexpected names like Tim Daly ("The Sopranos") and David Morse ("House"), who are both fantastic actors. I think Emmy voters really need to watch FX and Showtime a bit more. "The Shield" is shut out for the third time in its six-year history. How is that possible? And for the record, why nominate a TV movie like "Why I Wore Lipstick To My Mastectomy" and not its star, Sarah Chalke? Was Debra Messing really better in "The Starter Wife"? I am thrilled for Minnie Driver though, and Rainn Wilson and Jenna Fischer for "The Office". And fun for "Scrubs" to receive two nominations in the Best Song category from the musical episode.
I will be posting reactions category-by-category throughout the day, so check back frequently!
No Guts, No Glory
Update: 10:21pm - I am done. I am going right to bed the moment "Rescue Me" ends and I am giddy with anticipation about tomorrow. Let us leave this thing free of "My Name is Earl" and "Brothers & Sisters", shall we? See you all in the morning.
Less than eighteen hours before nominees are announced, it has come to that time where my final predictions really become my final predictions. Unless there is a major news break before 10pm tonight, this is my final list. In awards tradition, I want to make three "no guts, no glory" predictions. The term is pretty self-explanatory, in this case used to mean a performer or series which is unlikely to make the list, but which I think could have a surprise shot. No guts, no glory. I do not include them in my main predictions, but instead post them here. They also happen to be nominations about which I would be thrilled.
DEXTER for Best Drama Series
Creed Bratton (THE OFFICE) for Best Guest Actor in a Comedy Series
JERICHO for Best Directing in a Drama Series (Pilot or Season Finale)
While Kristen Bell is currently winning the underdog nominee poll, I just do not think she can pull it off. But we will have to wait to see. And with that, I will be online by 9:30 EST tomorrow morning with full coverage of all the nominees and detailed reactions. See you then!
Less than eighteen hours before nominees are announced, it has come to that time where my final predictions really become my final predictions. Unless there is a major news break before 10pm tonight, this is my final list. In awards tradition, I want to make three "no guts, no glory" predictions. The term is pretty self-explanatory, in this case used to mean a performer or series which is unlikely to make the list, but which I think could have a surprise shot. No guts, no glory. I do not include them in my main predictions, but instead post them here. They also happen to be nominations about which I would be thrilled.
DEXTER for Best Drama Series
Creed Bratton (THE OFFICE) for Best Guest Actor in a Comedy Series
JERICHO for Best Directing in a Drama Series (Pilot or Season Finale)
While Kristen Bell is currently winning the underdog nominee poll, I just do not think she can pull it off. But we will have to wait to see. And with that, I will be online by 9:30 EST tomorrow morning with full coverage of all the nominees and detailed reactions. See you then!
TV on DVD: Extras
Prior to watching the second season of the show, I had only seen the very funny Ben Stiller episode from the first series (as they call them in England). The show is not as uproariously funny as many would suggest, though I did burst out laughing maybe ten times throughout the second season, mostly during the Daniel Radcliffe episode, which the show submitted for Emmy consideration. The episodes themselves do not work quite so well, and if it is possible, they are too awkward. Ricky Gervais is not as blatantly funny as he was on "The Office" as he is the straight man here, but he is trying very hard. Ashley Jensen is great at playing the ditz, and often goes beyond her material. Stephen Merchant is flat-out hilarious as star Andy's useless agent (and he is so tall!). But each episode presents too many ridiculous occurences and unfortunate coincidences. The celebrity guest stars are used well for the most part, but unlike Stiller, their roles are often pretty minimal and forgettable (David Bowie, for instane) or too small (Ian McKellen). McKellen and Daniel Radcliffe both are not quite as good as the material their on-screen characters are given, though Radcliffe's plotline is much better than the underwhelming McKellen one. I am now doubtful of the chances for those two in the guest actor category, and would much rather see the terrific Robert Lindsay, who guest stars as a version of himself so obsessed with his fame and unable to accept that a young boy has never heard of him.
"Extras" Season Two: B-
As far as Emmy chances go, I do not think the show, Gervais, or Jensen (especially with her bizarre submission of the Chris Martin episode) deserves to make the list. All three are confirmed as being in their respective top 10s, however, so it is easily possible that they will make it in. I think this is a major step down from the British version of "The Office", and that while it is occasionally funny, I suspect it may not be the brand of humor preferred by both myself and Emmy voters.
"Extras" Season Two: B-
As far as Emmy chances go, I do not think the show, Gervais, or Jensen (especially with her bizarre submission of the Chris Martin episode) deserves to make the list. All three are confirmed as being in their respective top 10s, however, so it is easily possible that they will make it in. I think this is a major step down from the British version of "The Office", and that while it is occasionally funny, I suspect it may not be the brand of humor preferred by both myself and Emmy voters.
Emmy Race Update: Best Supporting Actress in a Comedy Series
News from Tom O'Neil on the top 10 finalists for Best Supporting Actress in a Comedy Series.
KATHRYN JOOSTEN, DESPERATE HOUSEWIVES
ASHLEY JENSEN, EXTRAS
JAIME PRESSLY, MY NAME IS EARL
JENNA FISCHER, THE OFFICE
JANE KRAKOWSKI, 30 ROCK
CONCHATA FERRELL, TWO AND A HALF MEN
HOLLAND TAYLOR, TWO AND A HALF MEN
BECKI NEWTON, UGLY BETTY
VANESSA WILLIAMS, UGLY BETTY
ELIZABETH PERKINS, WEEDS
So the main shocking thing here is the omission of Nicollette Sheridan (Edie) from "Desperate Housewives" and the inclusion of Kathryn Joosten (Mrs. McCluskey). I, like many others, had pegged her as a guest star. I actually had her in my predictions there, and will probably replace her with Elaine Stritch from "30 Rock". The biggest boost here, besides the inclusion of two "Ugly Betty" actresses, goes to "Extras". Female lead/supporting actress Jensen is not too surprising here, but it means that Emmy voters really do like the offbeat British comedy. I am not sure if she can crack the top five. Most are saying that Jaime Pressly is a shoo-in, but I am hoping for and anticipating a snub. I will go out on a limb here and predict Joosten as a surprise nominee. Hooray for Jane Krakowski!
KATHRYN JOOSTEN, DESPERATE HOUSEWIVES
JENNA FISCHER, THE OFFICE
JANE KRAKOWSKI, 30 ROCK
VANESSA WILLIAMS, UGLY BETTY
ELIZABETH PERKINS, WEEDS
KATHRYN JOOSTEN, DESPERATE HOUSEWIVES
ASHLEY JENSEN, EXTRAS
JAIME PRESSLY, MY NAME IS EARL
JENNA FISCHER, THE OFFICE
JANE KRAKOWSKI, 30 ROCK
CONCHATA FERRELL, TWO AND A HALF MEN
HOLLAND TAYLOR, TWO AND A HALF MEN
BECKI NEWTON, UGLY BETTY
VANESSA WILLIAMS, UGLY BETTY
ELIZABETH PERKINS, WEEDS
So the main shocking thing here is the omission of Nicollette Sheridan (Edie) from "Desperate Housewives" and the inclusion of Kathryn Joosten (Mrs. McCluskey). I, like many others, had pegged her as a guest star. I actually had her in my predictions there, and will probably replace her with Elaine Stritch from "30 Rock". The biggest boost here, besides the inclusion of two "Ugly Betty" actresses, goes to "Extras". Female lead/supporting actress Jensen is not too surprising here, but it means that Emmy voters really do like the offbeat British comedy. I am not sure if she can crack the top five. Most are saying that Jaime Pressly is a shoo-in, but I am hoping for and anticipating a snub. I will go out on a limb here and predict Joosten as a surprise nominee. Hooray for Jane Krakowski!
KATHRYN JOOSTEN, DESPERATE HOUSEWIVES
JENNA FISCHER, THE OFFICE
JANE KRAKOWSKI, 30 ROCK
VANESSA WILLIAMS, UGLY BETTY
ELIZABETH PERKINS, WEEDS
Emmy Race Update: Best Supporting Actress in a Drama Series
So much for those final predictions. Tom O'Neil just keeps on adding more top 10 lists. Today he has Best Supporting Actress in a Drama Series, tomorrow the same category for Comedy Series. I am tempted not to change my predictions yet still feel lthat I should have them as updated as possible so as to be as accurate as possible. Therefore I may be revising up until Wednesday afternoon. The top 10 finalists for Supporting Actress in a Drama Series are as follows:
RACHEL GRIFFITHS, BROTHERS & SISTERS
PATRICIA WETTIG, BROTHERS & SISTERS
KATHERINE HEIGL, GREY'S ANATOMY
SANDRA OH, GREY'S ANATOMY
KATE WALSH, GREY'S ANATOMY
CHANDRA WILSON, GREY'S ANATOMY
S. EPATHA MERKERSON, LAW & ORDER
CCH POUNDER, THE SHIELD
LORRAINE BRACCO, THE SOPRANOS
AIDA TURTURRO, THE SOPRANOS
This sort of messes up my theory of "Brothers & Sisters" being snubbed completely. Or maybe not. The biggest shock is the unfortunate and inexplicable snub of Elizabeth Mitchell for "Lost". I am pretty surprised about that but not as surprised as I am about the inclusion of S. Epatha Merkerson, who never once before has been nominated for "Law & Order" but won an Emmy two years ago for the TV movie "Lackawanna Blues". The rest of the list is not surprising, and I am sticking by my initial predictions obviously minus Elizabeth Mitchell. My replacement is someone who I had counted in as a close alternate, Lorraine Bracco, who was excellent in the series' penultimate episode. Predictions have been updated on the "Final Emmy Predictions" page.
KATHERINE HEIGL, GREY'S ANATOMY
SANDRA OH, GREY'S ANATOMY
CCH POUNDER, THE SHIELD
LORRAINE BRACCO, THE SOPRANOS
AIDA TURTURRO, THE SOPRANOS
RACHEL GRIFFITHS, BROTHERS & SISTERS
PATRICIA WETTIG, BROTHERS & SISTERS
KATHERINE HEIGL, GREY'S ANATOMY
SANDRA OH, GREY'S ANATOMY
KATE WALSH, GREY'S ANATOMY
CHANDRA WILSON, GREY'S ANATOMY
S. EPATHA MERKERSON, LAW & ORDER
CCH POUNDER, THE SHIELD
LORRAINE BRACCO, THE SOPRANOS
AIDA TURTURRO, THE SOPRANOS
This sort of messes up my theory of "Brothers & Sisters" being snubbed completely. Or maybe not. The biggest shock is the unfortunate and inexplicable snub of Elizabeth Mitchell for "Lost". I am pretty surprised about that but not as surprised as I am about the inclusion of S. Epatha Merkerson, who never once before has been nominated for "Law & Order" but won an Emmy two years ago for the TV movie "Lackawanna Blues". The rest of the list is not surprising, and I am sticking by my initial predictions obviously minus Elizabeth Mitchell. My replacement is someone who I had counted in as a close alternate, Lorraine Bracco, who was excellent in the series' penultimate episode. Predictions have been updated on the "Final Emmy Predictions" page.
KATHERINE HEIGL, GREY'S ANATOMY
SANDRA OH, GREY'S ANATOMY
CCH POUNDER, THE SHIELD
LORRAINE BRACCO, THE SOPRANOS
AIDA TURTURRO, THE SOPRANOS
Final Emmy Predictions
Update: Tom O'Neil is continuing to leak information on some of the categories, so predictions will be updated until Wednesday afternoon.
Of course it had to be the week of the Emmy nominations announcement that my computer started having some wild unexpected problems. I am therefore posting my final Emmy predictions today (barring any major top 10 finalist updates from Tom O'Neil in the next few days). Nominees in series and lead acting races will be announced by Kyra Sedgwick and Jon Cryer this Thursday morning at 8:40 am EST. The other nominees should be available online very soon afterwards. I will be posting nominees and reactions to all categories as soon as I can, so check back Thursday afternoon for a complete, detailed analysis.
Thus, my final predictions:
Best Drama Series
FRIDAY NIGHT LIGHTS
GREY'S ANATOMY
HEROES
LOST
THE SOPRANOS
Best Lead Actor in a Drama Series
MICHAEL C. HALL, DEXTER
HUGH LAURIE, HOUSE
EDDIE IZZARD, THE RICHES
DENIS LEARY, RESCUE ME
JAMES GANDOLFINI, THE SOPRANOS
Best Lead Actress in a Drama Series
KYRA SEDGWICK, THE CLOSER
CONNIE BRITTON, FRIDAY NIGHT LIGHTS
MARISKA HARGITAY, LAW & ORDER: SVU
MINNIE DRIVER, THE RICHES
EDIE FALCO, THE SOPRANOS
Best Supporting Actor in a Drama Series
MASI OKA, HEROES
HENRY IAN CUSICK, LOST
MICHAEL EMERSON, LOST
WALTON GOGGINS, THE SHIELD
MICHAEL IMPERIOLI, THE SOPRANOS
Best Supporting Actress in a Drama Series
KATHERINE HEIGL, GREY'S ANATOMY
SANDRA OH, GREY'S ANATOMY
CCH POUNDER, THE SHIELD
LORRAINE BRACCO, THE SOPRANOS
AIDA TURTURRO, THE SOPRANOS
Best Guest Actor in a Drama Series
CHRISTIAN CLEMENSON, BOSTON LEGAL
LIEV SCHREIBER, CSI
STANLEY TUCCI, ER
FOREST WHITAKER, ER
ELI WALLACH, STUDIO 60 ON THE SUNSET STRIP
Best Guest Actress in a Drama Series
MEGAN MULLALLY, BOSTON LEGAL
KATE BURTON, GREY'S ANATOMY
ELIZABETH REASER, GREY'S ANATOMY
DORIS ROBERTS, LAW & ORDER: CRIMINAL INTENT
CHRISTINE LAHTI, STUDIO 60 ON THE SUNSET STRIP
Best Directing in a Drama Series
FRIDAY NIGHT LIGHTS, "Pilot"
LOST, "Through the Looking Glass"
THE SOPRANOS, "Soprano Home Movies"
THE RICHES, "Pilot"
STUDIO 60 ON THE SUNSET STRIP, "Pilot"
Best Writing in a Drama Series
FRIDAY NIGHT LIGHTS, "Pilot"
LOST, "Through the Looking Glass"
THE SOPRANOS, "Made in America"
THE SOPRANOS, "The Second Coming"
STUDIO 60 ON THE SUNSET STRIP, "Pilot"
Best Comedy Series
THE OFFICE
SCRUBS
30 ROCK
TWO AND A HALF MEN
UGLY BETTY
Best Lead Actor in a Comedy Series
TONY SHALHOUB, MONK
STEVE CARRELL, THE OFFICE
ZACH BRAFF, SCRUBS
ALEC BALDWIN, 30 ROCK
CHARLIE SHEEN, TWO AND A HALF MEN
Best Lead Actress in a Comedy Series
FELICITY HUFFMAN, DESPERATE HOUSEWIVES
JULIA LOUIS-DREYFUS, THE NEW ADVENTURES OF OLD CHRISTINE
TINA FEY, 30 ROCK
AMERICA FERRERA, UGLY BETTY
MARY-LOUISE PARKER, WEEDS
Best Supporting Actor in a Comedy Series
KEVIN DILLON, ENTOURAGE
JEREMY PIVEN, ENTOURAGE
JOHN KRASINSKI, THE OFFICE
RAINN WILSON, THE OFFICE
JON CRYER, TWO AND A HALF MEN
Best Supporting Actress in a Comedy Series
KATHRYN JOOSTEN, DESPERATE HOUSEWIVES
JENNA FISCHER, THE OFFICE
JANE KRAKOWSKI, 30 ROCK
VANESSA WILLIAMS, UGLY BETTY
ELIZABETH PERKINS, WEEDS
Best Guest Actor in a Comedy Series
MARTIN LANDAU, ENTOURAGE
IAN MCKELLEN, EXTRAS
DANIEL RADCLIFFE, EXTRAS
STANLEY TUCCI, MONK
WILL ARNETT, 30 ROCK
Best Guest Actress in a Comedy Series
DIXIE CARTER, DESPERATE HOUSEWIVES
LAURIE METCALF, DESPERATE HOUSEWIVES
ISABELLA ROSSELLINI, 30 ROCK
ELAINE STRITCH, 30 ROCK
ALLISON JANNEY, TWO AND A HALF MEN
Best Directing in a Comedy Series
DESPERATE HOUSEWIVES, "Bang"
ENTOURAGE, "Sorry, Ari"
SCRUBS, "My Musical"
30 ROCK, "Hardball"
UGLY BETTY, "Pilot"
Best Writing in a Comedy Series
ENTOURAGE, "Sorry, Ari"
THE OFFICE, "Business School
"THE OFFICE, "Cocktails"
UGLY BETTY, "Pilot"
WEEDS, "Mrs. Botwin's Neighborhood"
Best Lead Actor in a Mini-Series/Movie
ROBERT DUVALL, BROKEN TRAIL
DONNIE WAHLBERG, KINGS OF SOUTH BEACH
JIM BROADBENT, LONGFORD
WILLIAM H. MACY, NIGHTMARES & DREAMSCAPES
MATTHEW PERRY, THE RON CLARK STORY
Best Lead Actress in a Mini-Series/Movie
QUEEN LATIFAH, LIFE SUPPORT
HELEN MIRREN, PRIME SUSPECT: THE FINAL ACT
DEBRA MESSING, THE STARTER WIFE
SOPHIE OKONEDO, TSUNAMI: THE AFTERMATH
SARAH CHALKE, WHY I WORE LIPSTICK TO MY MASTECTOMY
Best Supporting Actor in a Mini-Series/Movie
THOMAS HADEN CHURCH, BROKEN TRAIL
TOM SKERRITT, FALLEN
STEVEN BAUER, KINGS OF SOUTH BEACH
STEVEN WEBER, NIGHTMARES & DREAMSCAPES
TIM ROTH, TSUNAMI: THE AFTERMATH
Best Supporting Actress in a Mini-Series/Movie
RACHEL GRIFFITHS, ANGEL RODRIGUEZ
KATHY BAKER, JESSE STONE: SEA CHANGE
SAMANTHA MORTON, LONGFORD
JUDY DAVIS, THE STARTER WIFE
TONI COLLETTE, TSUNAMI: THE AFTERMATH
Best Mini-Series
BROKEN TRAIL
NIGHTMARES & DREAMSCAPES
THE STARTER WIFE
THE STATE WITHIN
TSUNAMI: THE AFTERMATH
Best TV Movie
ANGEL RODRIGUEZ
BURY MY HEART AT WOUNDED KNEE
JESSE STONE: SEA CHANGE
LIFE SUPPORT
LONGFORD
Best Directing in a Mini-Series/Movie
BROKEN TRAIL
BURY MY HEART AT WOUNDED KNEE
LONGFORD
THE STATE WITHIN
TSUNAMI: THE AFTERMATH
Best Writing in a Mini-Series/Movie
ANGEL RODRIGUEZ
BROKEN TRAIL
LIFE SUPPORT
LONGFORD
THE STATE WITHIN
Best Variety Special
DANE COOK: VICIOUS CIRCLE
GREAT PERFORMANCES: A TRIBUTE TO JAMES TAYLOR
PAUL MCCARTNEY: THE SPACE BETWEEN US
TONY BENNETT: AN AMERICAN CLASSIC
WANDA SYKES: SICK & TIRED
Best Variety Series
THE COLBERT REPORT
THE DAILY SHOW WITH JON STEWART
LATE LATE SHOW WITH CRAIG FERGUSON
LATE NIGHT WITH CONAN O’BRIEN
LATE SHOW WITH DAVID LETTERMAN
Best Individual Performance in a Variety Program
STEPHEN COLBERT, THE COLBERT REPORT
CRAIG FERGUSON, LATE LATE SHOW WITH CRAIG FERGUSON
CONAN O’BRIEN, LATE NIGHT WITH CONAN O’BRIEN
PAUL MCCARTNEY, PAUL MCCARTNEY: THE SPACE BETWEEN US
TONY BENNETT, TONY BENNETT: AN AMERICAN CLASSIC
Best Reality/Competition Program
THE AMAZING RACE
AMERICAN IDOL
HELL’S KITCHEN 2
PROJECT RUNWAY
SURVIVOR
Best Reality Program
ANTIQUES ROADSHOW
EXTREME MAKEOVER: HOME EDITION
KATHY GRIFFIN: MY LIFE ON THE D-LIST
PENN & TELLER
SONS OF HOLLYWOOD
Of course it had to be the week of the Emmy nominations announcement that my computer started having some wild unexpected problems. I am therefore posting my final Emmy predictions today (barring any major top 10 finalist updates from Tom O'Neil in the next few days). Nominees in series and lead acting races will be announced by Kyra Sedgwick and Jon Cryer this Thursday morning at 8:40 am EST. The other nominees should be available online very soon afterwards. I will be posting nominees and reactions to all categories as soon as I can, so check back Thursday afternoon for a complete, detailed analysis.
Thus, my final predictions:
Best Drama Series
FRIDAY NIGHT LIGHTS
GREY'S ANATOMY
HEROES
LOST
THE SOPRANOS
Best Lead Actor in a Drama Series
MICHAEL C. HALL, DEXTER
HUGH LAURIE, HOUSE
EDDIE IZZARD, THE RICHES
DENIS LEARY, RESCUE ME
JAMES GANDOLFINI, THE SOPRANOS
Best Lead Actress in a Drama Series
KYRA SEDGWICK, THE CLOSER
CONNIE BRITTON, FRIDAY NIGHT LIGHTS
MARISKA HARGITAY, LAW & ORDER: SVU
MINNIE DRIVER, THE RICHES
EDIE FALCO, THE SOPRANOS
Best Supporting Actor in a Drama Series
MASI OKA, HEROES
HENRY IAN CUSICK, LOST
MICHAEL EMERSON, LOST
WALTON GOGGINS, THE SHIELD
MICHAEL IMPERIOLI, THE SOPRANOS
Best Supporting Actress in a Drama Series
KATHERINE HEIGL, GREY'S ANATOMY
SANDRA OH, GREY'S ANATOMY
CCH POUNDER, THE SHIELD
LORRAINE BRACCO, THE SOPRANOS
AIDA TURTURRO, THE SOPRANOS
Best Guest Actor in a Drama Series
CHRISTIAN CLEMENSON, BOSTON LEGAL
LIEV SCHREIBER, CSI
STANLEY TUCCI, ER
FOREST WHITAKER, ER
ELI WALLACH, STUDIO 60 ON THE SUNSET STRIP
Best Guest Actress in a Drama Series
MEGAN MULLALLY, BOSTON LEGAL
KATE BURTON, GREY'S ANATOMY
ELIZABETH REASER, GREY'S ANATOMY
DORIS ROBERTS, LAW & ORDER: CRIMINAL INTENT
CHRISTINE LAHTI, STUDIO 60 ON THE SUNSET STRIP
Best Directing in a Drama Series
FRIDAY NIGHT LIGHTS, "Pilot"
LOST, "Through the Looking Glass"
THE SOPRANOS, "Soprano Home Movies"
THE RICHES, "Pilot"
STUDIO 60 ON THE SUNSET STRIP, "Pilot"
Best Writing in a Drama Series
FRIDAY NIGHT LIGHTS, "Pilot"
LOST, "Through the Looking Glass"
THE SOPRANOS, "Made in America"
THE SOPRANOS, "The Second Coming"
STUDIO 60 ON THE SUNSET STRIP, "Pilot"
Best Comedy Series
THE OFFICE
SCRUBS
30 ROCK
TWO AND A HALF MEN
UGLY BETTY
Best Lead Actor in a Comedy Series
TONY SHALHOUB, MONK
STEVE CARRELL, THE OFFICE
ZACH BRAFF, SCRUBS
ALEC BALDWIN, 30 ROCK
CHARLIE SHEEN, TWO AND A HALF MEN
Best Lead Actress in a Comedy Series
FELICITY HUFFMAN, DESPERATE HOUSEWIVES
JULIA LOUIS-DREYFUS, THE NEW ADVENTURES OF OLD CHRISTINE
TINA FEY, 30 ROCK
AMERICA FERRERA, UGLY BETTY
MARY-LOUISE PARKER, WEEDS
Best Supporting Actor in a Comedy Series
KEVIN DILLON, ENTOURAGE
JEREMY PIVEN, ENTOURAGE
JOHN KRASINSKI, THE OFFICE
RAINN WILSON, THE OFFICE
JON CRYER, TWO AND A HALF MEN
Best Supporting Actress in a Comedy Series
KATHRYN JOOSTEN, DESPERATE HOUSEWIVES
JENNA FISCHER, THE OFFICE
JANE KRAKOWSKI, 30 ROCK
VANESSA WILLIAMS, UGLY BETTY
ELIZABETH PERKINS, WEEDS
Best Guest Actor in a Comedy Series
MARTIN LANDAU, ENTOURAGE
IAN MCKELLEN, EXTRAS
DANIEL RADCLIFFE, EXTRAS
STANLEY TUCCI, MONK
WILL ARNETT, 30 ROCK
Best Guest Actress in a Comedy Series
DIXIE CARTER, DESPERATE HOUSEWIVES
LAURIE METCALF, DESPERATE HOUSEWIVES
ISABELLA ROSSELLINI, 30 ROCK
ELAINE STRITCH, 30 ROCK
ALLISON JANNEY, TWO AND A HALF MEN
Best Directing in a Comedy Series
DESPERATE HOUSEWIVES, "Bang"
ENTOURAGE, "Sorry, Ari"
SCRUBS, "My Musical"
30 ROCK, "Hardball"
UGLY BETTY, "Pilot"
Best Writing in a Comedy Series
ENTOURAGE, "Sorry, Ari"
THE OFFICE, "Business School
"THE OFFICE, "Cocktails"
UGLY BETTY, "Pilot"
WEEDS, "Mrs. Botwin's Neighborhood"
Best Lead Actor in a Mini-Series/Movie
ROBERT DUVALL, BROKEN TRAIL
DONNIE WAHLBERG, KINGS OF SOUTH BEACH
JIM BROADBENT, LONGFORD
WILLIAM H. MACY, NIGHTMARES & DREAMSCAPES
MATTHEW PERRY, THE RON CLARK STORY
Best Lead Actress in a Mini-Series/Movie
QUEEN LATIFAH, LIFE SUPPORT
HELEN MIRREN, PRIME SUSPECT: THE FINAL ACT
DEBRA MESSING, THE STARTER WIFE
SOPHIE OKONEDO, TSUNAMI: THE AFTERMATH
SARAH CHALKE, WHY I WORE LIPSTICK TO MY MASTECTOMY
Best Supporting Actor in a Mini-Series/Movie
THOMAS HADEN CHURCH, BROKEN TRAIL
TOM SKERRITT, FALLEN
STEVEN BAUER, KINGS OF SOUTH BEACH
STEVEN WEBER, NIGHTMARES & DREAMSCAPES
TIM ROTH, TSUNAMI: THE AFTERMATH
Best Supporting Actress in a Mini-Series/Movie
RACHEL GRIFFITHS, ANGEL RODRIGUEZ
KATHY BAKER, JESSE STONE: SEA CHANGE
SAMANTHA MORTON, LONGFORD
JUDY DAVIS, THE STARTER WIFE
TONI COLLETTE, TSUNAMI: THE AFTERMATH
Best Mini-Series
BROKEN TRAIL
NIGHTMARES & DREAMSCAPES
THE STARTER WIFE
THE STATE WITHIN
TSUNAMI: THE AFTERMATH
Best TV Movie
ANGEL RODRIGUEZ
BURY MY HEART AT WOUNDED KNEE
JESSE STONE: SEA CHANGE
LIFE SUPPORT
LONGFORD
Best Directing in a Mini-Series/Movie
BROKEN TRAIL
BURY MY HEART AT WOUNDED KNEE
LONGFORD
THE STATE WITHIN
TSUNAMI: THE AFTERMATH
Best Writing in a Mini-Series/Movie
ANGEL RODRIGUEZ
BROKEN TRAIL
LIFE SUPPORT
LONGFORD
THE STATE WITHIN
Best Variety Special
DANE COOK: VICIOUS CIRCLE
GREAT PERFORMANCES: A TRIBUTE TO JAMES TAYLOR
PAUL MCCARTNEY: THE SPACE BETWEEN US
TONY BENNETT: AN AMERICAN CLASSIC
WANDA SYKES: SICK & TIRED
Best Variety Series
THE COLBERT REPORT
THE DAILY SHOW WITH JON STEWART
LATE LATE SHOW WITH CRAIG FERGUSON
LATE NIGHT WITH CONAN O’BRIEN
LATE SHOW WITH DAVID LETTERMAN
Best Individual Performance in a Variety Program
STEPHEN COLBERT, THE COLBERT REPORT
CRAIG FERGUSON, LATE LATE SHOW WITH CRAIG FERGUSON
CONAN O’BRIEN, LATE NIGHT WITH CONAN O’BRIEN
PAUL MCCARTNEY, PAUL MCCARTNEY: THE SPACE BETWEEN US
TONY BENNETT, TONY BENNETT: AN AMERICAN CLASSIC
Best Reality/Competition Program
THE AMAZING RACE
AMERICAN IDOL
HELL’S KITCHEN 2
PROJECT RUNWAY
SURVIVOR
Best Reality Program
ANTIQUES ROADSHOW
EXTREME MAKEOVER: HOME EDITION
KATHY GRIFFIN: MY LIFE ON THE D-LIST
PENN & TELLER
SONS OF HOLLYWOOD
Emmy Race: Best Lead Actor in a Comedy Series
As with Best Supporting Actor, I think "Two and a Half Men" may be overwhelmingly popular. I am pretty sure Zach Braff will make it in, and while Gervais is great on "Extras", his performance is nowhere near as good as on the British version of "The Office." Therefore, the new list:
TONY SHALHOUB, MONK
STEVE CARRELL, THE OFFICE
ZACH BRAFF, SCRUBS
ALEC BALDWIN, 30 ROCK
CHARLIE SHEEN, TWO AND A HALF MEN
A surprise of either Kevin Connolly or James Roday here would be nice, but I would be pretty surprised. Even though Jason Lee is by far the best thing about the dismal "My Name is Earl", I would not be happy if he received a nomination.
TONY SHALHOUB, MONK
STEVE CARRELL, THE OFFICE
ZACH BRAFF, SCRUBS
ALEC BALDWIN, 30 ROCK
CHARLIE SHEEN, TWO AND A HALF MEN
A surprise of either Kevin Connolly or James Roday here would be nice, but I would be pretty surprised. Even though Jason Lee is by far the best thing about the dismal "My Name is Earl", I would not be happy if he received a nomination.
Emmy Race: Best Supporting Actor in a Comedy Series
I am feeling like I am underestimating how much Emmy voters love "Two and a Half Men". Even though I have heard that Emmy judges went wild for both "Men" and "30 Rock", I am pulling Jack McBrayer and replacing him with Jon Cryer to end up with the five confirmed finalists ending up as the nominees on Thursday:
KEVIN DILLON, ENTOURAGE
JEREMY PIVEN, ENTOURAGE
JOHN KRASINSKI, THE OFFICE
RAINN WILSON, THE OFFICE
JON CRYER, TWO AND A HALF MEN
I would actually be pretty happy with this list, as well as any list with Dillon or Cryer swapped out for Justin Kirk, Jack McBrayer and John C. McGinley. I would NOT be happy if anyone from "Ugly Betty" or "My Name is Earl" was here.
KEVIN DILLON, ENTOURAGE
JEREMY PIVEN, ENTOURAGE
JOHN KRASINSKI, THE OFFICE
RAINN WILSON, THE OFFICE
JON CRYER, TWO AND A HALF MEN
I would actually be pretty happy with this list, as well as any list with Dillon or Cryer swapped out for Justin Kirk, Jack McBrayer and John C. McGinley. I would NOT be happy if anyone from "Ugly Betty" or "My Name is Earl" was here.
What I'm Watching: Psych (Season Premiere)
Psych: Season 2, Episode 1 "American Duos" (B-)
There is no denying that the dialogue is witty and the communication between the cast members, particularly the stellar duo James Roday and Dule Hill, is extremely sharp. Regardless, the plot here is simply preposterous and it does not even play as well as last season's similarly ridiculous season finale "Scary Sherry". Timothy Omundson, fresh off his sure-to-continue stint as Constantino on "Jericho", seems to be taking a backseat to the rest of the cast, which is really too bad as he can be really funny (and dramatically great, as evidenced by "Jericho"). Guest stars Tim Curry and Gina Gershon are not memorable in a good way. There are some great characters and ideas to work with here, but this show does not always utilize its assets to the best of their ability.
There is no denying that the dialogue is witty and the communication between the cast members, particularly the stellar duo James Roday and Dule Hill, is extremely sharp. Regardless, the plot here is simply preposterous and it does not even play as well as last season's similarly ridiculous season finale "Scary Sherry". Timothy Omundson, fresh off his sure-to-continue stint as Constantino on "Jericho", seems to be taking a backseat to the rest of the cast, which is really too bad as he can be really funny (and dramatically great, as evidenced by "Jericho"). Guest stars Tim Curry and Gina Gershon are not memorable in a good way. There are some great characters and ideas to work with here, but this show does not always utilize its assets to the best of their ability.
What I'm Watching: Monk (Season Premiere)
Monk: Season 6, Episode 1 "Mr. Monk and His Biggest Fan" (B+)
The return of "Monk" is not a letdown. He is back and just as obsessive-compulsive as ever, with supporting players Natalie as sarcastic as ever, Randy as lovably dumb as ever, and Captain Stottlemeyer the same as always. Sarah Silverman guest stars as Monk's biggest fan in a fun role that is not necessarily much of a stretch, but she does a good job anyway. The appearance of a Monk bobblehead is particularly fun.
The return of "Monk" is not a letdown. He is back and just as obsessive-compulsive as ever, with supporting players Natalie as sarcastic as ever, Randy as lovably dumb as ever, and Captain Stottlemeyer the same as always. Sarah Silverman guest stars as Monk's biggest fan in a fun role that is not necessarily much of a stretch, but she does a good job anyway. The appearance of a Monk bobblehead is particularly fun.
TV on DVD: The L Word (Season One)
I had seen a few episodes of season one back when they aired in 2004, and liked the show but did not have the chance to get into it. I rented the first season, and I am already well into the second. The characters are so rich and well-written, and most importantly, they all have verifiable jobs which they go to every single day (unlike, say, "Hidden Palms"). The cast is terrific, and the real standouts are supporting players Leisha Hailey and Erin Daniels, as bisexual journalist Alice and shy tennis pro Dana, respectively. The show goes so deeply into the lesbian culture while still providing an extremely accessible environment for viewers. The main title theme music is great, and the "lesbian incident" clips that are shown beforehand in each episode are a lot of fun. Highly recommended viewing, but beware of graphic sexuality, lots of nudity, and pretty unlimited language.
"The L Word" Season One: A-
"The L Word" Season One: A-
Second Run TV: Smallville
Smallville: Season 6, Episode 9 "Subterranean" (C+)
This feels just like an "X-Files" episode (remember that awesome one with the bees?), though the "freak of the week" is far too easily taken out by one Clark Kent. This, like recent episodes, is a mixed bag. All the lines Martha and Clark have ooze corniness, and Lana's naievete is just obnoxious ("imagine all the people we can help!"). I do like that Clark continues to question how he can help more people. I would recommend he get some help from Oliver Queen! Bring Justin Hartley back; he helped the show. Aaron Ashmore (Jimmy) is no replacement.
This feels just like an "X-Files" episode (remember that awesome one with the bees?), though the "freak of the week" is far too easily taken out by one Clark Kent. This, like recent episodes, is a mixed bag. All the lines Martha and Clark have ooze corniness, and Lana's naievete is just obnoxious ("imagine all the people we can help!"). I do like that Clark continues to question how he can help more people. I would recommend he get some help from Oliver Queen! Bring Justin Hartley back; he helped the show. Aaron Ashmore (Jimmy) is no replacement.
AFT Awards: Top 20 Scenes #10-6
The top 5 scenes of the season will be delayed for a bit due to unexpected computer trouble, but will be up at some point soon.
The following represent some of the best individual moments in television for the 2006-2007 season. Descriptions contain SPOILERS. This particular post contains important information that should be avoided if you have not seen the most recent seasons of any of the following: The Nine, Smith, Rescue Me, The Sopranos, and Lost.
Best Scenes of the Season
#10. THE NINE, "Pilot"
#10. THE NINE, "Pilot"
The hold-up that started the show. Nine strangers calmly enter a bank, and suddenly all illusion of peace and safety is shattered. Cop Nick reaches for his gun, and Lucas warns him to put it away, telling him it will all be over in five minutes. Fifty-two hours later...an amazing start to a not-so-amazing show.
#9. SMITH, "Pilot"
#9. SMITH, "Pilot"
A heist goes horribly wrong and the thieves make a getaway on a boat. One of them is bleeding bad, but a stern Ray Liotta coolly takes charge of the situation. Set to some great music, this was a thrilling start to a far-too-short-lived show.
#8. RESCUE ME, "Discovery" 
At his father's birthday party, Tommy bends down under the table to get his napkin and catches a glimpse of some flirtateous behavior between his ex-wife Janet and his brother Johnny. He checks back to confirm what he saw, then calmly wipes his mouth with his napkin before lunging across the table to beat the hell out of his brother.
#7. THE SOPRANOS, "The Blue Comet"
The penultimate episode ends so much better than the show does. After top guys Sil and Bobby are taken out, Tony goes into hiding, taking his most trusted band of men with him. As he walks up to a bedroom in the safehouse, he flashes back to when Bobby gave him a gun for his birthday. He tucks the gun close to him and lays down to go to sleep.
#6. LOST, "Through the Looking Glass" 
Desmond predicted so many times that Charlie had to die, but when the moment comes, it is still a shock. It is the perfect sendoff for the character, who makes an important realization before the room he is in is flooded. He shuts the door so that Desmond can survive and heroically writes a message on his hand so that Desmond can tell the castaways. In his final moments, Charlie becomes a beloved character who dies a heroic death.
What I'm Watching: Rescue Me
Rescue Me: Season 4, Episode 4 "Pussified" (B+)
I am surprised by the general lack of reaction to Jerry's suicide besides that one poignant scene. And it is really too bad that Sean and Maggie are getting a divorce, as Tatum O'Neal may have little reason to remain on the show just as she was starting to grow on me. The show's recent twists and turns with Sheila, Connor, and Johnny sound pretty ridiculous when listed off one by one in therapy, but Andrea Roth and Denis Leary manage to make it work and not turn the entire series into a mockery. And man is Jennifer Esposito determined to get Tommy! Great scene with the non-existent carborator.
I am surprised by the general lack of reaction to Jerry's suicide besides that one poignant scene. And it is really too bad that Sean and Maggie are getting a divorce, as Tatum O'Neal may have little reason to remain on the show just as she was starting to grow on me. The show's recent twists and turns with Sheila, Connor, and Johnny sound pretty ridiculous when listed off one by one in therapy, but Andrea Roth and Denis Leary manage to make it work and not turn the entire series into a mockery. And man is Jennifer Esposito determined to get Tommy! Great scene with the non-existent carborator.
What I'm Watching: Traveler
Traveler: Season 1, Episode 7 "The Reunion" (F)
It is definitely not a good sign when in the middle of a chase scene, the scene cuts to an altogether unexciting other event. And boy does Will travel fast, from Boston one second to a random street in New York City where his friends happen to be. Enough of this chain of command nonsense, unless Chambers is in on the whole thing, which I highly doubt. It is good that people are finally putting the pieces together and that all three guys are finally reunited, but I cannot imagine that next week's series (?) finale will provide any good answers to the not-so-burning questions about the show.
It is definitely not a good sign when in the middle of a chase scene, the scene cuts to an altogether unexciting other event. And boy does Will travel fast, from Boston one second to a random street in New York City where his friends happen to be. Enough of this chain of command nonsense, unless Chambers is in on the whole thing, which I highly doubt. It is good that people are finally putting the pieces together and that all three guys are finally reunited, but I cannot imagine that next week's series (?) finale will provide any good answers to the not-so-burning questions about the show.
What I'm Watching: Hidden Palms (Series Finale)
Hidden Palms: Season 1, Episode 8 "Second Chances" (F)
This actually aired last Wednesday, but I watched it a week late. I am sad to see this great "O.C." clone go off the air. It is so lovable in its ridiculousness, and the cast is so bad they are good. Watching this finale after the preview revealed "someone will die", I was rooting for the departed to be Johnny, since he really is a boring, fairly unlikeable character. Maria Nolan's death is a bit of a cop-out, but the parting shot of Skip shooting Eddie is interesting. I wish there was more! Best line of the episode is a tie: "I guess I don't want to think that my girlfriend's dad murdered her last boyfriend" from Johnny and "I know I can be a bit shady sometimes" from Cliff. Let's hope for a "Seventh Heaven"-style eleventh hour renewal here.
The show: F (but A for entertainment)
This actually aired last Wednesday, but I watched it a week late. I am sad to see this great "O.C." clone go off the air. It is so lovable in its ridiculousness, and the cast is so bad they are good. Watching this finale after the preview revealed "someone will die", I was rooting for the departed to be Johnny, since he really is a boring, fairly unlikeable character. Maria Nolan's death is a bit of a cop-out, but the parting shot of Skip shooting Eddie is interesting. I wish there was more! Best line of the episode is a tie: "I guess I don't want to think that my girlfriend's dad murdered her last boyfriend" from Johnny and "I know I can be a bit shady sometimes" from Cliff. Let's hope for a "Seventh Heaven"-style eleventh hour renewal here.
The show: F (but A for entertainment)
AFT Awards: Top 20 Scenes #15-11
The following represent some of the best individual moments in television for the 2006-2007 season. Descriptions contain SPOILERS. This particular post contains important information that should be avoided if you have not seen the most recent seasons of any of the following: Jericho, The Riches, Dexter, Sleeper Cell & Desperate Housewives.
Best Scenes of the Season
#15. JERICHO, "Why We Fight" 
Heather ends up in a camp and is more than confused at the state of authority. She looks up to see a new American flag, with fewer stars and stripes going the wrong way. A fantastic image used amazingly in this fan-made promo.
#14. THE RICHES, "Been There, Done That"
One of the most powerful scenes in recent history features Wayne and Dahlia pretending to be different people but still connecting over the phone. Stunning performances from Eddie Izzard and Minnie Driver.
#13. DEXTER, "Born Free"
The final scene in this fabulous first season features our antihero Dexter being warmly welcomed by a loving audience. Set to the wonderfully creepy title theme music, this is a great send-off for the freshman show.
#12. SLEEPER CELL: AMERICAN TERROR, "Al-Baqara"
The frightening and intense conclusion to the first episode shows Darwyn watching as his FBI handler Patrice Serxner, who we were just starting to like, beheaded by terrorists. Darwyn's horrified reaction is made only more real by a terrifying shot of Farik.
#11. DESPERATE HOUSEWIVES, "The Miracle Song"
Friendly neighbor Art reveals to Lynette that the death of his sister has made it impossible for him to contain himself. In one moment, he goes from wronged victim to creepy pedophile. Amazing performances from both Matt Roth and Felicity Huffman, and a great example of how this show really straddles the line between comedy and drama.
AFT Awards: Top 20 Scenes #20-16
The following represent some of the best individual moments in television for the 2006-2007 season. Descriptions contain SPOILERS. This particular post contains important information that should be avoided if you have not seen the most recent seasons of any of the following: The Shield, Prison Break, 24 & The Sopranos.
Best Scenes of the Season
#20. THE SHIELD, "Spanish Practices"
As a henchman tries to drive away, Mackey jumps onto the car and holds on to the open door as the driver just keeps on going. It is a great representation of the stark, gritty nature of this show and Mackey's determination not to give up which should play a large part in next season.
#19. PRISON BREAK, "Manhunt"
Michael watches Mahone (the best new character on any show, save possibly the character to be revealed in scene #2), and in the second that Mahone looks up, it is clear that these two are perfectly matched as rivals. The concept of the show would necessitate a single season, but William Fichtner is here to make sure it does not go downhill (at least not yet).
#18. THE SOPRANOS, "The Blue Comet"
One of the only truly good-hearted characters on this show gets laid to rest with a fitting final scene, added to by the model trains moving on the concourse. Not much more to say, the scene speaks for itself.
#17. 24, "7:00am-8:00am"
Before I gave this show repetitive grades of "F-" each week, the first few episodes still managed to impress me a bit. By far the coolest and most memorable moment, however unrealistic, was when Jack actually kicked a terrorist about to blow himself up off a train. That's the Jack Bauer we know and love.
#16. PRISON BREAK, "The Killing Box"
"Prison Break" was a bit strange but still going strong at the time of this fall finale. Following last year's mid-season ender was a tough act, and Kellerman's shocking side-switch and shooting of Mahone should have set the show in a great new direction. Unfortunately, the second half of the season did not quite live up to it, but what a thrilling cliffhanger.
What I'm Watching: Greek (Series Premiere)
Greek: Season 1, Episode 1 "Pilot" (F)
You do not need me to tell you how bad this show is. To be absolutely fair, I thought I may as well give it an honest shot. To my horror, I discovered it was a "limited commercial interruption" episode meaning I had to suffer through close to 50 minutes instead of the standard 42 or so. Regardless, it is more unintentionally funny in its attempted dramatic and confrontational moments than it its obvious comedic scenes. I did not expect any more from this trite and pointless show, but I cannot say that it entertained me enough to merit a second chance.
You do not need me to tell you how bad this show is. To be absolutely fair, I thought I may as well give it an honest shot. To my horror, I discovered it was a "limited commercial interruption" episode meaning I had to suffer through close to 50 minutes instead of the standard 42 or so. Regardless, it is more unintentionally funny in its attempted dramatic and confrontational moments than it its obvious comedic scenes. I did not expect any more from this trite and pointless show, but I cannot say that it entertained me enough to merit a second chance.
What I'm Watching: The Closer
The Closer: Season 3, Episode 4 "Ruby" (B+)
An all-serious episode of "The Closer" is not nearly as fun as the usual heavily comic fare, but it is nonetheless effective. Both Corey Reynolds (Sergeant Gabriel) and Robert Gossett (Commander Taylor) get a chance to show their dramatic acting talents during the case of an abducted child. That scene with the suspect antagonizing Gabriel is an excellent demonstration of how solid this show is.
An all-serious episode of "The Closer" is not nearly as fun as the usual heavily comic fare, but it is nonetheless effective. Both Corey Reynolds (Sergeant Gabriel) and Robert Gossett (Commander Taylor) get a chance to show their dramatic acting talents during the case of an abducted child. That scene with the suspect antagonizing Gabriel is an excellent demonstration of how solid this show is.
AFT Awards: Best Drama Series
This is the twenty-first category of the 1st Annual AFT Television Awards to be announced. Episodes listed in parantheses for actors and shows indicate a great sample of their work, however I look at the entire season when choosing my nominees and winners. Nominees are listed in alphabetical order. For the record, I felt obliged to have only five nominees, but "Rescue Me" ranks a very close 6th on this list.
Best Drama Series
BROTHERHOOD (Ecclesiastes 7:2)
This new mob drama takes the dramatic impact of "The Sopranos" and mixes it up with some even more intense family issues and a stellar cast. "Ecclesiastes 7:2" is a standout episode that shows how good this show can really be.
THE CLOSER (To Protect and Serve)
This is a truly worthwhile procedural with an outstanding cast and some really hilarious episodes which are nonetheless dramatically effective. Kyra Sedgwick is more than an able lead, and her performanc is always great.
DEXTER (Shrink Wrap)
This quirky drama about a forensic expert who moonlights as a serial killer is so good. Michael C. Hall is stunning as the title character, and he receives able support from the entire cast. "Shrink Wrap" is the best episode, but they are all pretty great.
JERICHO (Why We Fight)
I have written a lot about this show. It is so original and wonderfully fatalistic. Its pilot and its finale perfectly bracket an amazing and exciting season.
THE SHIELD (Chasing Ghosts)
This is another cop show really worth checking out. Not losing any steam after five seasons, "The Shield" continues to have compelling character and plot arcs, and I am honestly not sure if I have seen a better show.
And the winner is...
DEXTER
AFT Awards: Best Comedy Series
This is the twentieth category of the 1st Annual AFT Television Awards to be announced. Episodes listed in parantheses for actors and shows indicate a great sample of their work, however I look at the entire season when choosing my nominees and winners. Nominees are listed in alphabetical order.
Best Comedy Series
ENTOURAGE (One Day in the Valley)
This third season, split into two parts, was not as mind-blowingly amazing as the show's second season, but it was solid and steady the whole way through. The cast is perfect, and additions to the cast like Carla Gugino work well. "One Day in the Valley" is a perfect sampling of the show for those who want to try one episode and see if they will like the show.
MONK (Mr. Monk Is At Your Service)
I just wrote about why this show is so great here. This season is steady, and every episode is enjoyable. The cast is awesome and it serves well in a somewhat unique genre of the detective comedy.
THE OFFICE (Beach Games)
This already magnificent show just continues to get better. The cast is unbeatable, and the show's dramatic scenes with Jim and Pam only enhance the show. "Beach Games" is one episode which combines the comedy and drama very effectively, but really, pick any episode.
30 ROCK (Hardball)
This offbeat new comedy packs a bizarre but hilarious cast and some strange plotlines. Alec Baldwin is unstoppably funny, and Tina Fey is a perfect complement to his craziness. Tracy Morgan and Jane Krakowski are just two of the great ensemble that drives this uneven but usually funny show.
WEEDS (Mrs. Botwin's Neighborhood)
As I have said before, I have only seen five of this season's episodes. It is not quite as daring and original as the first season, but it is still a lot of fun. The interactions between Kevin Nealon (Doug) and Justin Kirk (Andy) are truly the best.
And the winner is...
THE OFFICE
Next: Best Drama Series
This third season, split into two parts, was not as mind-blowingly amazing as the show's second season, but it was solid and steady the whole way through. The cast is perfect, and additions to the cast like Carla Gugino work well. "One Day in the Valley" is a perfect sampling of the show for those who want to try one episode and see if they will like the show.
MONK (Mr. Monk Is At Your Service)
I just wrote about why this show is so great here. This season is steady, and every episode is enjoyable. The cast is awesome and it serves well in a somewhat unique genre of the detective comedy.
THE OFFICE (Beach Games)
This already magnificent show just continues to get better. The cast is unbeatable, and the show's dramatic scenes with Jim and Pam only enhance the show. "Beach Games" is one episode which combines the comedy and drama very effectively, but really, pick any episode.
30 ROCK (Hardball)
This offbeat new comedy packs a bizarre but hilarious cast and some strange plotlines. Alec Baldwin is unstoppably funny, and Tina Fey is a perfect complement to his craziness. Tracy Morgan and Jane Krakowski are just two of the great ensemble that drives this uneven but usually funny show.
WEEDS (Mrs. Botwin's Neighborhood)
As I have said before, I have only seen five of this season's episodes. It is not quite as daring and original as the first season, but it is still a lot of fun. The interactions between Kevin Nealon (Doug) and Justin Kirk (Andy) are truly the best.
And the winner is...
THE OFFICE
Next: Best Drama Series
AFT Awards: The "Threshold" Award for Best Cancelled Series
This is the nineteenth category of the 1st Annual AFT Television Awards to be announced. This category is a special one, honoring those shows which failed to live past, or even up to, their initial episode orders. "Threshold", for those who do not know, was a fantastic science fiction drama that premiered in 2005 on CBS and was axed after only nine episodes (the DVD release contains four additional unaired episodes). Led by the great Carla Gugino and featuring a fun cast, the show began with an electrifying pilot surrounding an interesting type of alien invasion strategy. Unfortunately, the show premiered around the same time as two similar sci-fi series, the dreadful "Surface" and the impressive "Invasion". Both those shows outlived "Threshold" but ultimately did not make the cut for a renewal order. "Threshold" was the victim of a bad timeslot, and just to make it worse, CBS decided to renew a staggering six series from the 2005-2006 season. This category was suggested by a friend to be titled the "Firefly" award, but I could not in good conscience name an award after a show I have not yet seen (though I plan to). Thus, I would like to honor the memory of "Threshold" with this award.
To be eligible, shows must have aired anywhere between one and twenty-four episodes and not have been renewed for a second season.
To be eligible, shows must have aired anywhere between one and twenty-four episodes and not have been renewed for a second season.
The "Threshold" Award for Best Cancelled Series
IN CASE OF EMERGENCY (ABC)
This quirky comedy was a lot better than critics might have you believe. Jonathan Silverman and David Arquette led an able cast, the standouts of which were supporting players Kelly Hu and Greg Germann. ABC aired 12 of the 13 produced episodes.
THE KNIGHTS OF PROSPERITY (ABC)
This was hyped for a while, and everyone seemed prepared to like it, but when it premiered, it got pulled after only nine episodes. I personally think the show needed work, but it was definitely fun and got better as it went along.
THE NINE (ABC)
ABC really cancels a lot of their good shows, huh? And "Ugly Betty" and "Brothers & Sisters" get undeservingly renewed. "The Nine" started off with a thrilling and promising pilot, faltered and went downhill a bit, but otherwise a great "what happened in there" concept worthy of more than seven episodes. Luckily, ABC has decided to air the remaining six beginning August 1st.
RAINES (NBC)
I am not a fan of "Medium" or "Ghost Whisperer" and their respective leads. This show came as a welcome surprise. While it may have needed a bit of time to develop, its brief midseason seven episodes showed that Jeff Goldblum is fantastic (and a runner-up for my Best Lead Actor in a Drama Series nominees) and that a cop-talking-to-dead-people show can work.
SMITH (CBS)
This quirky comedy was a lot better than critics might have you believe. Jonathan Silverman and David Arquette led an able cast, the standouts of which were supporting players Kelly Hu and Greg Germann. ABC aired 12 of the 13 produced episodes.
THE KNIGHTS OF PROSPERITY (ABC)
This was hyped for a while, and everyone seemed prepared to like it, but when it premiered, it got pulled after only nine episodes. I personally think the show needed work, but it was definitely fun and got better as it went along.
THE NINE (ABC)
ABC really cancels a lot of their good shows, huh? And "Ugly Betty" and "Brothers & Sisters" get undeservingly renewed. "The Nine" started off with a thrilling and promising pilot, faltered and went downhill a bit, but otherwise a great "what happened in there" concept worthy of more than seven episodes. Luckily, ABC has decided to air the remaining six beginning August 1st.
RAINES (NBC)
I am not a fan of "Medium" or "Ghost Whisperer" and their respective leads. This show came as a welcome surprise. While it may have needed a bit of time to develop, its brief midseason seven episodes showed that Jeff Goldblum is fantastic (and a runner-up for my Best Lead Actor in a Drama Series nominees) and that a cop-talking-to-dead-people show can work.
SMITH (CBS)
I have previously bemoaned this show's death, due mainly due to its time slot, here. Regardless, this was a fantastic heist drama with a pretty good cast and a lot of potential. Three episodes was so much less than the show deserved. Here's hoping for a DVD release real soon.
STUDIO 60 ON THE SUNSET STRIP (NBC)
This is another show I have mentioned a lot. It had a remarkable cast and great premise, but needed a bit more balance to make it truly excellent. NBC did give it a chance, which was good, and a burn-off run in May. It is too bad it did not make it.
And the winner is...
RAINES
STUDIO 60 ON THE SUNSET STRIP (NBC)
This is another show I have mentioned a lot. It had a remarkable cast and great premise, but needed a bit more balance to make it truly excellent. NBC did give it a chance, which was good, and a burn-off run in May. It is too bad it did not make it.
And the winner is...
RAINES
Next: Best Comedy Series
Keeping up with HBO: Entourage & Flight of the Conchords
It is tough to keep up with these HBO comedies without getting HBO. I am doing my best, however, and managed to get ahold of the third episodes of both "Entourage" and "Flight of the Conchords". Luckily, it is pretty much all good news.
Entourage: Season 4, Episodes 3 "Malibooty" (B+)
I am most excited about the most recent development, which should send the show back to its film-festival/Ari-starring glory days of the second season. It has been fun seeing the making of the Medellin film, but I am eager to get back to some Ari plotlines and more stable supporting characters (bring back Sloane! And her father). In any case, still good stuff here.
Flight of the Conchords: Season 1, Episode 3 "Mugged" (B+)
Man, I love this show. While the songs are not as fantastic as in the first episode, the cast is so bizarre and endearing, it is impossible not to laugh. The camera phone (just a camera taped to a phone) and the whole mugging scenario are priceless. Lenny Venito, making the rounds on cancelled shows ("The Knights of Prosperity") and in recurring roles ("The Sopranos", "Rescue Me"), stops by here as one of the muggers who forms a friendship with Jemaine in a fun role. My favorite part by far of this stellar show: the manager taking attendance at the three-person meetings.
Entourage: Season 4, Episodes 3 "Malibooty" (B+)
I am most excited about the most recent development, which should send the show back to its film-festival/Ari-starring glory days of the second season. It has been fun seeing the making of the Medellin film, but I am eager to get back to some Ari plotlines and more stable supporting characters (bring back Sloane! And her father). In any case, still good stuff here.
Flight of the Conchords: Season 1, Episode 3 "Mugged" (B+)
Man, I love this show. While the songs are not as fantastic as in the first episode, the cast is so bizarre and endearing, it is impossible not to laugh. The camera phone (just a camera taped to a phone) and the whole mugging scenario are priceless. Lenny Venito, making the rounds on cancelled shows ("The Knights of Prosperity") and in recurring roles ("The Sopranos", "Rescue Me"), stops by here as one of the muggers who forms a friendship with Jemaine in a fun role. My favorite part by far of this stellar show: the manager taking attendance at the three-person meetings.
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