Golden Globe Winner Predictions: Best Actress in a Miniseries or TV Movie

The competition:
Kaitlyn Dever (Unbelievable) plays Marie Alder, a rape victim who no one believes, in the Netflix limited series. This is Dever’s first Globe nomination, and she was almost a double nominee this year for her film work in “Booksmart” (costar Beanie Feldstein is nominated). In addition to Merritt Wever and Toni Collette, her project contends for the top prize.

Joey King (The Act) plays Gypsy Blanchard, a sick child whose entire life is managed by her mother, in the Hulu miniseries. This is King’s first Globe nomination. Her Emmy-winning costar Patricia Arquette is also nominated.

Helen Mirren (Catherine the Great) plays the controversial title character in the HBO limited series. Mirren previously won two Globes in 2006 for playing two different queens. She has eight previous film nominations and seven previous TV nominations, winning her first of three prizes in 1996 for the TV movie “Losing Chase.” She is the lone representative of her project.

Merritt Wever (Unbelievable) plays Karen Duvall, a no-nonsense detective investigating a series of rapes, in the Netflix limited series. This is Wever’s first Globe nomination. In addition to Kaitlyn Dever and Toni Collette, her project contends for the top prize.

Michelle Williams (Fosse/Verdon) plays actress and dancer Gwen Verdon in the FX limited series. Williams won a Globe for “My Week with Marilyn” in 2011 and has four other film nominations. In addition to costar Sam Rockwell, her project is up for the top prize.

Additional notes: Williams beat King for the Emmy this past year, and the other three have a chance to contend this coming year. Two nominees from one project hasn’t stopped “Big Little Lies” or “Grey Gardens” from having one of its actresses win this prize.
Who should win? I only watched one episode of King, Mirren, and Williams’ work. Between the two stars of the same series, I’d opt for Wever.
Who will win? I don’t think there’s much of a risk that Williams loses this.

Golden Globe Winner Predictions: Best Actor in a Miniseries or TV Movie

The competition:
Christopher Abbott (Catch-22) plays tormented soldier Captain John Yossarian in the Hulu limited series. This is his first Globe bid, and his show also contends for the top prize.

Sasha Baron Cohen (The Spy) plays Eli Cohen, a Mossad spy operating in Syria, in the Netflix limited series. Cohen was nominated last year for his work on the variety series “Who is America?” and won a Globe in 2006 for his performance in the film “Borat.” He is the lone representative from his project.

Russell Crowe (The Loudest Voice) plays Roger Ailes, the founder of Fox News, in the Showtime limited series. This is Crowe’s first TV bid. He won for “A Beautiful Mind” in 2001 and received four other film nominations that decade. His project is also nominated for the top prize.

Jared Harris (Chernobyl) plays Valery Legasov, a Soviet scientist, in the HBO limited series. This is Harris’ first Globe nomination. He is joined by costars Stellan Skarsgard and Emily Watson, and his show contends for the top prize.

Sam Rockwell (Fosse/Verdon) plays charismatic director and choreographer Bob Fosse in the FX limited series. This is Rockwell’s third consecutive Globe bid. He was nominated last year for playing George W. Bush in “Vice” and won the year before that for “Three Billboards Outside Ebbing, Missouri.” In addition to costar Michelle Williams, his project contends for the top prize.

Additional notes: Rockwell and Harris lost the Emmy to Jharrel Jerome, who isn’t nominated. Cohen and Crowe may contend this coming year.
Who should win? I only watched one episode of all but Crowe’s work, and he’s my obvious pick though I can’t really assess the strength of their performances over the course of multiple hours.
Who will win? With Emmy winner Jerome not contending, it could be Harris, but I think Crowe wins.

Golden Globe Winner Predictions: Best Actress in a TV Series – Comedy/Musical

The competition:
Christina Applegate (Dead to Me) plays Jen Harding, a grieving widow searching for the person who killed her husband in a hit-and-run, in the first season of Netflix’s dark comedy. Applegate has been nominated in this category three times before, twice for “Samantha Who?” and once for “Jesse.” She is the lone representative from her show.

Rachel Brosnahan (The Marvelous Mrs. Maisel) plays Midge Maisel, a stand-up comedian in the 1950s in the third season of the popular Amazon series. She is the defending champ in this category with two consecutive wins. Her show is also nominated for Best TV Series – Comedy/Musical.

Kirsten Dunst (On Becoming a God in Central Florida) plays Krystal Stubbs, a water park employee who rises through the ranks in a pyramid scheme, in the first season of Showtime’s dark comedy. Dunst was nominated for a Globe for her work in “Fargo” in 2015 and for starring in the film “Interview with the Vampire” in 1994. She is the lone representative from her series.

Natasha Lyonne (Russian Doll) plays Nadia Vulvokov, a young woman who keeps dying on her thirtieth birthday, in the first season of the Netflix series. This is the first Globe nomination for Lyonne, whose show competed for the top award at the Emmys. She is its lone representative at the Globes.

Phoebe Waller-Bridge (Fleabag) plays the title character in the second season of Amazon’s comedy series. This is Waller-Bridge’s first Globe nomination. She won the Emmy this past year, and her show also took home the top prize. She is joined by costar Andrew Scott, and her show is up for Best TV Series – Comedy/Musical.

Additional notes: Despite four of last year’s nominees being eligible, only Brosnahan is back. The only actress to win three consecutive trophies in this category was Sarah Jessica Parker, who triumphed from 1999-2001 for “Sex and the City.”
Who should win? I only watched the first episode of Dunst’s work, most of Lyonne’s, and I’m only halfway through this most recent season of Brosnahan’s show. I’d be very happy if this went to Applegate, Waller-Bridge, or the still very deserving Brosnahan.
Who will win? I think it’s safe to say Waller-Bridge wins this.

Golden Globe Winner Predictions: Best Actor in a TV Series – Comedy/Musical

The competition:
Michael Douglas (The Kominsky Method) plays aging acting teacher Sandy Kominsky in the second season of the Netflix comedy. Douglas won this award last year, a TV Globe in 2013 for “Behind the Candelabra,” a film Globe in 1987 for “Wall Street,” and the Cecil B. DeMille Award in 2003. He has six other previous nominations. His costar Alan Arkin is also nominated, and the show contends for Best TV Series – Comedy/Musical.

Bill Hader (Barry) plays Barry Berkman, a hitman trying to make it as an actor in the first season of the HBO comedy. This is Hader’s second Globe bid, and he has taken home two consecutive Emmys for this role. His costar Henry Winkler is also nominated, and the show contends for Best TV Series – Comedy/Musical.

Ben Platt (The Politician) plays Payton Hobart, an ambitious high schooler running for student body president in the first season of Netflix’s comedy. This is the first Globe nomination for Platt, who took home a Tony Award in 2017 for starring in “Dear Evan Hansen.” His show is nominated for Best TV Series – Comedy/Musical.

Paul Rudd (Living with Yourself) plays Miles Elliot, a copywriter who accidentally gets cloned in the first season of Netflix’s comedy. This is the first Globe nomination for Rudd, who represents his show by himself.

Ramy Youssef (Ramy) plays Ramy Hassan, a Muslim man in American trying to balance multiple identities in the first season of the Hulu series. This is the first Globe nomination for Youssef, who represents his show by himself.

Additional notes: There’s not much to report here, other than the fact that this category rarely sees repeat winners, with Alec Baldwin the last to triumph again in 2009.  
Who should win? I haven’t yet finished the second season of Douglas’ show, but he continues to be great. The same goes for the dependable Hader. Rudd was good in his dual performance but doesn’t get my vote. I might pick Platt because he was really very good, but I’m just so happy that Youssef is here that I’d love to see him score an unlikely win.
Who will win? I think this goes to Platt, though it’s worth remembering that Hader didn’t win last year and still could.

Golden Globe Winner Predictions: Best Actress in a TV Series – Drama

The competition:
Jennifer Aniston (The Morning Show) plays Alex Leavy, the co-anchor of a popular news show in Apple TV Plus’ freshman series. Aniston won a Globe in 2002 for her work on “Friends,” her second nomination for that role. She was also nominated for her work in the film “Cake” in 2014. In addition to costar Reese Witherspoon, her show is up for Best TV Series – Drama.

Olivia Colman (The Crown) plays Queen Elizabeth in the third season of Netflix’s historical drama, taking over the role from Claire Foy, who won this prize in 2016. Colman has a perfect track record at the Globes, taking home a film award last year for her work in “The Favourite,” which also managed to secure her an Oscar, and winning a TV prize in 2016 for “The Night Manager.” In addition to costars Tobias Menzies and Helena Bonham Carter, her show is up for Best TV Series – Drama.

Jodie Comer (Killing Eve) plays Villanelle, an assassin who takes great pleasure in the work she does, in the second season of the BBC America drama. Comer wasn’t nominated for a Globe last year – though her costar Sandra Oh won – but she managed to eclipse her and take home the Emmy this past year. This is her first Globe nomination. Her show also contends for Best TV Series – Drama.

Nicole Kidman (Big Little Lies) plays Celeste Wright, a mother and friend dealing with many issues in her life in the second season of HBO’s ensemble drama. She won a Globe two years ago for this role when the first season was considered a miniseries. She has another previous TV bid and eleven film nominations, three of which she won. In addition to costar Meryl Streep, her show is up for Best TV Series – Drama.

Reese Witherspoon (The Morning Show) plays Bradley Jackson, the newest addition to a popular news show in Apple TV Plus’ freshman series. Her only past TV nomination was for her work in a show nominated this year, “Big Little Lies.” She has four previous film nominations, winning in 2005 for “Walk the Line.” In addition to costar Jennifer Aniston, her show is up for Best TV Series – Drama.

Additional notes: This list is all new, with none of last year’s nominees (three were eligible) returning, including winner Sandra Oh (Killing Eve). Previous winners Elisabeth Moss (The Handmaid’s Tale) and Taraji P. Henson (Empire) were also eligible but not nominated this year. The star of a freshman series has won this award for the past six years in a row. Two actresses from the same show have been nominated before, for “The Sopranos,” “L.A. Law,” “Cagney and Lacey,” and “Dynasty,” among others, which hasn’t stopped one of them from winning.
Who should win? I actually watch all these shows! Kidman did great work in her show’s second season, and I like both Aniston and Witherspoon. To me, it’s a difficult choice between Comer and Colman, both so excellent in such different ways.
Who will win? This very competitive category comes down, I think, to Colman versus Aniston. It seems strange to predict Colman to lose, but I think that’s what happens here.

Golden Globe Winner Predictions: Best Actor in a TV Series – Drama

The competition:
Brian Cox (Succession) plays cutthroat businessman Logan Roy in the second season of HBO’s ensemble drama. He was previously nominated for his supporting work in the miniseries “Nuremberg” back in 2000. His show is up for Best TV Series – Drama, and costar Kieran Culkin is also nominated.

Kit Harington (Game of Thrones) plays Jon Snow, a warrior and leader of a northern kingdom in the eighth and final season of HBO’s fantasy series. Despite two Emmy nominations, this is Harington’s first bid. He’s also the only representative of his show, which was previously nominated five times for Best TV Series – Drama.

Rami Malek (Mr. Robot) plays Elliott Alderson, a computer hacker trying to bring down an evil worldwide corporation in the fourth and final season of USA’s tech drama. He was nominated for the first two seasons of the show, winning an Emmy for the first, and he won both a Globe and the Oscar last year for his performance in the film “Bohemian Rhapsody.” His show and costar Christian Bale have been nominated in the past, but not this year.

Tobias Menzies (The Crown) plays Prince Philip, Duke of Edinburgh in the third season of Netflix’s historical drama series, taking the role over from actor Matt Smith. Menzies was previously nominated in 2015 for his work on “Outlander.” He is joined by costars Olivia Colman and Helena Bonham Carter this year, and his show contends for Best TV Series – Drama.

Billy Porter (Pose) plays Pray Tell, a ball emcee in the second season of the popular FX series set in the late 1980s. This is his second consecutive bid, and he won the Emmy this past year for this role. His show was nominated for Best TV Series – Drama last year but isn’t up this time around, making him the sole representative for his show.

Additional notes: Last year’s winner, Richard Madden (Bodyguard), isn’t nominated because his show has yet to air its second season. The previous two winners, Sterling K. Brown (This Is Us) and Billy Bob Thornton (Goliath) aren’t in contention despite their shows still being on. This category does tend to reward freshman series, but not always.
Who should win? I only watched a good portion of season one of Cox and Porter’s shows, so I can’t comment on how they were in season two. Harington was good but doesn’t need to win this award. I’m very happy Malek was included again since he did superb work as always in season four of his just-wrapped show. My choice, based on the just over half of his show’s season that I’ve watched thus far, is Menzies, who is really terrific.
Who will win? Porter didn’t win this last year, so it’s possible he’ll earn late recognition, and the same goes for Cox, who wasn’t even nominated before. I think Menzies takes it, though I’m not overly confident about that choice.

Top 19 New Shows of 2019: #1

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#1: Undone

I haven’t experienced another show like this that so freely casts aside all accepted perceptions of how time and space work to follow a character down the rabbit hole into an entirely new way of thinking. Using animation to tell this story is enormously effective, and each half-hour installment managed to probe even more intriguing ideas. A second season was far from guaranteed, and Amazon wonderfully decided to bring it back for more astonishing journeys into the past, the present, and what’s in between.

Best Episode: “Handheld Blackjack”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #2

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#2: Our Boys

I wasn’t sure about the idea of a TV show based on the abduction and murder of three Israeli teenagers and subsequent murder of a Palestinian teenager in the summer of 2014. This series defied all of my expectations, offering a layered, deeply involving and powerful look at Israeli and Palestinian society. The performances were excellent, and this dramatization was respectful and thought-provoking, a fully subtitled drama brought to American audiences by HBO.

Best Episode: “Chapter 4: The Dawn Martyr”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #3

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#3: Doom Patrol

Superhero shows are so common these days that this could have easily been dismissed as just another entry in a never-ending sea of the same. But this DC Universe series presented antiheroes who couldn’t control their mostly unhelpful powers and then repeatedly ripped apart their realities so that they could never quite be clear on what was real. It’s a mind-bending experience to watch this admittedly quite weird show, and one that will fortunately continue when it returns for a second season.

Best Episode: “Doom Patrol Patrol”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #4

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#4: Ramy

It’s great to see a comedy series that spotlights a Muslim protagonist who (mostly) adheres to the tenets of his religion. This show feels authentic and relatable, with star and creator Ramy Youssef crafting a totally enjoyable and at times truly powerful series about real people navigating your place in the world. Fortunately, Hulu will be bringing the show back for a second season sometime this coming spring.

Best Episode: “Ne Me Quitte Pas”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #5

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#5: When They See Us

In just four episodes, this Netflix limited series managed to convey the utter horror of five innocent teenagers being accused of a crime and then sentenced by the public and a jury with respect and affirmation. Ava DuVernay was the perfect steward for this affecting tribute to these people who were only seen as monsters, effectively presented with actors in a dramatization in a way that felt just as vivid and real as a documentary.

Best Episode: “Part Four”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #6

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#6: Dead to Me

This dark comedy series centered on a tragic death and the ensuing guilt it created in those affected. Its true strength came from the casting of its two leads – Christina Applegate and Linda Cardellini – who infused so much energy and personality into each of their characters and played off each other fantastically. The plot was riveting and always threw in some compelling surprises, and season two, coming soon to Netflix, is sure to be just as worthwhile.

Best Episode: “I Have to Be Honest”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #7

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#7: Watchmen

Damon Lindelof, one of the minds behind “Lost” and “The Leftovers,” was a formidable choice to adapt the acclaimed comic book of the same name into a series that was just as mesmerizing and incredible as the 2009 film, but different enough to exist in its own right. Each episode offered a new mind-blowing revelation, and casting Regina King, Tim Blake Nelson, Jeremy Irons, Hong Chau, and others made this show an unforgettable experience, one that may be contained to just one single season if Lindelof doesn’t want to continue it.

Best Episode: “This Extraordinary Being”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #8

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#8: The Morning Show

Apple TV Plus’ flagship original series attracted an impressive trio of big-name talent – Jennifer Aniston, Reese Witherspoon, and Steve Carell – and could probably have done well enough by relying on them. Instead, it crafted a complex and relevant drama about today’s issues, one that felt like “The Newsroom” in all the ways it should. It enhanced its leads with excellent supporting players, including Billy Crudup, Bel Powley, Mark Duplass, and Gugu Mbatha-Raw.

Best Episode: “A Seat at the Table”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #9

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#9: Unbelievable

This limited series was immersive and captivating enough from its disturbing first episode, thanks to a moving turn from young actress Kaitlyn Dever. When her fellow Golden Globe nominees Merritt Wever and Toni Collette were introduced, this show became entirely compelling, bringing a true story to life in a way that was both respectful and immensely watchable. Any opportunity to see Wever and Collette on screen in roles like this would be extremely welcome in the future, even if there isn’t more of a story left to tell here.

Best Episode: “Episode 5”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #10

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#10: The Loudest Voice

Like the recently-released film “Bombshell,” this project focused on Roger Ailes and his creation of just not a behemoth propaganda machine in Fox News but also a culture of abuse and harassment. Russell Crowe’s performance was as Ailes was incredibly strong, and setting each episode in one impactful year was a very effective device that made this portrayal of influential modern history essential viewing.

Best Episode: “2008”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #11

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#11: Mrs. Fletcher

This show was billed from the start as a limited series, but its strong presentation of a formidable lead and her desire to truly experience her life suggests that much more could be explored here. Kathryn Hahn, always a great supporting player, was a fantastic fit to play the title character, whose story was always interesting and slightly more pleasant than her wayward son’s misadventures at college. A commitment to three-dimensional supporting characters made this show above-average, and its sudden ending is the only real disappointment.

Best Episode: “Free Sample”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #12

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#12: Perpetual Grace, LTD.

It’s hard to think of an appropriate frame of reference in which to describe Epix’s bold, truly individual series. It wasn’t always easy – or even possible – to understand what was going on, but the manner in which it was presented was entirely gripping. Jimmi Simpson led an incredible cast including Luis Guzman, Damon Herriman, Chris Conrad, Dash Williams, Terry O’Quinn, Kurtwood Smith, Jacki Weaver, and Ben Kingsley. It’s a mystery why Epix has yet to renew the show for a second season, but it’s been and would surely continue to be a wild and stylized ride.

Best Episode: “Wandering Lift”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #13

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#13: The Politician

Ryan Murphy has no limits when it comes to dreaming up enormously entertaining concepts, and this Netflix series is no exception. A perfectly cast Ben Platt led a tremendously-populated ensemble in this send-up of high school, politics, loyalty, and so much more. It wasn’t always sure what it was or wanted to be, but when it worked, it really did. The second season will surely be different, but the offbeat and eccentric nature will surely still be recognizable.

Best Episode: “The Harrington Comode”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #14

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#14: Why Women Kill

It’s been a while since “Desperate Housewives” went off the air, and even longer since it was good, and it’s great to see creator Marc Cherry spring back with another fantastically imaginative, female-centric show. Ginnifer Goodwin, Lucy Liu, and Kirby Howell-Baptiste were all spectacular choices for their roles, surrounded by a terrific ensemble. Featuring an entirely new cast in season two is probably a great idea, since it ensures that the storylines should remain fresh, even if another helping of this world also appeals.

Best Episode: “I’d Like to Kill Ya; But I Just Washed My Hair”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #15

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#15: Work in Progress

To date, this show has only aired three episodes, which made me consider whether or not it was right to include on this list. I had no expectations whatsoever for a half-hour comedy that Showtime was premiering in December in the 11pm slot on Sunday nights, but this show really surprised me. Creator and star Abby McEnany is wonderful in this creative amalgam of serious drama and hilarious comedy – I look forward to seeing more of it and thinking that maybe I should have moved this even higher on the list.

Best Episode: Pilot
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #16

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#16: The Righteous Gemstones

The latest vehicle from Danny McBride was undeniably outrageous and over-the-top, but the themes of religion, corruption, and pure selfishness actually worked together very well in a fitting follow-up to “Vice Principals” and “Eastbound and Down.” McBride wasn’t the only one who was superbly cast for his own role, joined by Edi Patterson, Adam DeVine, Cassidy Freeman, Walton Goggins, and John Goodman to anchor a surprisingly sympathetic and often funny story about truly detestable people.

Best Episode: “And Yet One of You is a Devil”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #17

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#17: Shrill

I wasn’t initially completely taken with this show, but it grew on me over the course of its six episodes. Aidy Bryant, an Emmy nominee for her variety work on “Saturday Night Live,” was a perfect fit for the role of a spirited journalist who never got much of a fair shake in life. It was affirming to watch her, often comically, achieve more self-confidence and success. It’s nice to know that six episodes isn’t all we’ll get, giving this show even more of an opportunity to grow when it returns for season 2 on January 24th on Hulu.

Best Episode: “Article”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #18

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#18: Dollface

This offbeat Hulu comedy started out being a little too attached to its fantasy sequences in which its title character found herself experiencing something metaphorical in a completely literal way. Once it found its footing and abandoned that obsession, it turned into something endearing and genuinely funny, featuring great performances from star Kat Dennings and supporting actress Brenda Song.

Best Episode: “History Buff”
Pilot Review | Episode Reviews

Top 19 New Shows of 2019: #19

My annual TV Awards, the AFT Television Awards, are given out during the summer. It’s always nice to check inn midway through the television season to reflect back on all the calendar year introduced us to. As 2019 closes out and 2020 begins, here’s a look back at the best new shows of the year.

#19: Dickinson

Apple TV Plus’ comedy puts a wild, anachronistic spin on Emily Dickinson’s life and legacy, similar in setup to the film “Wild Nights with Emily” but given a livelier presence and energy thanks to star Hailee Steinfeld. It’s sometimes a bit untethered to reality or any sense of history, but it’s definitely a fun way of looking at a person who didn’t always get to tell her own story.

Best Episode: “I have never seen ‘Volcanoes’”
Pilot Review | Episode Reviews

What I’m Watching: His Dark Materials (Season Finale)

His Dark Materials: Season 1, Episode 8 “Betrayal” (B-)

This show opened so strong, and it’s really disappointing that it couldn’t keep up any of that energy or intrigue. I gradually lost interest in the story, and so little about this closing hour made me want to come to revisit it in season two, when the subtle knife becomes a big player and Will and Lyra realize that they can help each other. I was surprised by how much of a villain Lord Asriel was made out to be in this episode, refusing to discuss the fact that he lied to Lyra about being her father because he thought her to be too sentimental and then trapping Roger in a cage because he believed him to be a casualty of war. Kissing Mrs. Coulter when she came up to confront him and asking her to come with him showed just how addicted he’s become to the exploration, not realizing what he’s left behind in the process. Citing Lyra as her reason for staying was puzzling because of how much she manipulated her daughter, but obviously it’s done out of love even if it never really comes off that way. The discussion of Adam and Eve having daemons was interesting, and I wish that all that theology might have been more prominently featured and explored. The sight of the Northern Lights was definitely visually appealing, and the effects here were perfectly good. I was excited by this show as soon as I saw the trailer before the “Game of Thrones” series finale and, though it wasn’t nearly as much of a letdown as the 2007 film version of “The Golden Compass” was, it didn’t live up to my expectations. We’ll see how much else is on when season two premieres – something tells me I’ll still tune in.

Season grade: B
Season MVP: Ruth Wilson as Mrs. Coulter

Take Three: Work in Progress

Work in Progress: Season 1, Episode 3 “162” (B+)

I’m really liking this show, and it’s nice that it doesn’t seem to be in much of a rush to get through its story, even if its titles are still being framed in reference to the number of almonds that Abby has left. Her continued inability to order regular Lyft rides is entertaining, and it resulted in her and Chris getting to flirt cutely as they were joined by uninvited third parties who could interrupt or listen to what they were talking about and offer their own insight. I liked that one driver told her as she got out of the car that he too had herpes, which she followed up by giving him five stars right on the spot. Chris’s excitement about them having sex and his continued countdown was very endearing, and he also laid out his own ground rules for what he wanted and didn’t want in bed. After they went to so many different activities during the day and spent a whole lot on all these rideshares, they finally got to do it. It was funny that Abby wanted all the lights off, even after sustaining an injury, and that scene played out in an unexpectedly affecting and awesome way as nothing was shown on screen but we got to hear a whole lot. I’m not a Weird Al guy, but my wife recognized him before he was fully identified, and it was cool that it wasn’t a big deal but just another interesting thing that this wonderful couple got to experience together before their big night.

Take Three: The L Word: Generation Q

The L Word: Generation Q: Season 1, Episode 3 “Lost Love” (B+)

I liked this episode, which assured all of its characters interesting storylines that aren’t anywhere near resolved, making it feel worthwhile to return for future episodes. I was especially happy with the rehabilitation of Finley as a character after she found out that the woman she slept with wasn’t only a churchgoer but the minister of the church. Reframing it that way allows for her to have a bit more depth and talk a little less, and I like that Rebecca is portrayed as compassionate and understanding, eager to get to know Finley and make a relationship with her new romantic interest work. Alice’s desire for Nat to have friends resulted in her questionable decision to endorse a renewed friendship with her ex-wife, one that didn’t get terribly far but succeeded in making Alice extremely jealous. Dani’s father offering to pay for their wedding came with some worrisome strings, and Sophie was not at all happy to learn about any of those. Micah felt guilty immediately after sleeping with a random guy when Jose cancelled on him, and I do hope that Jose will choose to be open with him about what he had to do so that they can salvage what they have together. Shane buying the bar is a positive step, and her romance with Lena seems to be going well. After Angie nearly got expelled, Bette managed to turn around the debate, but choosing indulge in a problematic affair won’t help her political aspirations at all.

What I’m Watching: Mr. Robot (Series Finale)

Mr. Robot: Season 4, Episodes 12 and 13 “Series Finale Parts 1 and 2”

I wasn’t quite sure where things were headed when Elliot found himself in some sort of bizarre alternate reality which was clearly a figment of his imagination. Discovering what his life could have been before deciding to kill the version of himself that existed there was certainly interesting, but I’ve always found this show to be a bit more compelling when it’s tethered to what’s actually going on in the real world and not just to what’s happening in Elliot’s head. The notion that the Elliot we’ve known isn’t actually the real Elliot, with him existing more as a Mr. Robot-type personality, is intriguing, though we’ve come to know him so well that I’m not sure it matters. It felt weird that Darlene was the only one who didn’t show up in his imagined Washington Township homecoming, but that made her presence by his bedside when he woke up from his dream-within-a-dream-within-a-dream reminiscent of “Inception” all the more powerful. Her sentiments about having enjoyed spending time with him even when she knew that he wasn’t her brother were sweet, as was her parting greeting as the screen faded to black for good. I don’t think this finale was as strong as this show in general, but this final season was mostly good. I’ll appreciate this show most for the evolving relationship it conveyed between Elliot and Mr. Robot, and for some of its most incredible, innovative hours that made it one of the most unique and captivating shows I’ve ever seen.

Series finale: B-
Series grade: B+
Season MVP: Rami Malek
Season grade: B+
Series MVP: Rami Malek
Best Season: Season 1
Best Episode: Pilot

What I’m Watching: Shameless

Shameless: Season 10, Episode 7 “Citizen Carl” (B+)

It’s very possible that Carl has become my favorite character this season, though high-stressed sports agent Liam is definitely a runner-up. I wasn’t sure what was going to happen when Carl met Esther at the bus stop, and his desire to do something positive for the residents of the South Side was unquestionably among the nobler things he’s ever done. Having Kelly choose a wealthy friend to bring attention to the story was a smart idea, and I’m eager to see what he’ll do next. I’d say that the most shameless behavior in this episode was actually led by Veronica, who’s not usually as deplorable as the rest of the characters, as she went into an AA meeting with her hapless husband to go on and on about how great the drinks were at the Alibi so that they could replenish their customer base with a loyal group of hard drinkers. I was excited to see two new characters played by familiar faces, though I think that Constance Zimmer, of “Entourage” and “UnREAL,” likely won’t be back, even if she was incredibly memorable as the woman who saved Debs from going upstairs with an old man and then paid her, thinking she was a prostitute. Elizabeth Rodriguez from “Orange is the New Black” made an incredible impression as Faye, who seemed far too into Frank until the big reveal came that she lives luxuriously in her car. I think they’ll be wonderful for each other. After some plumbing problems, Lip and Tami seem to be on the right track again, which is good, and I like that Ian is the one who suggested to a now very motivated Mickey that they need to figure out how to kill Paula.

What I’m Watching: Ray Donovan

Ray Donovan: Season 7, Episode 6 “Inside Guy” (B-)

You’d think Ray would have been on to the fact that his father hadn’t in fact left the country before being confronted with that possibility by Jim, and that he’d have a bit more sense that to approach Daryll with the attitude, as always, that he’s merely a pawn in Mickey’s latest scheme. Finding Bridget in his room when he brought home Molly was a surprise, and she didn’t seem too fazed by the warning she got from her new boyfriend’s sibling to stay away from the Donovan family and when Bunchy didn’t remember growing up down the street from her. Inviting Ray back to her place because it was less crowded was a humorous misstep, as Jim was there waiting to greet them. Mickey’s murderous path is bad news for everyone, and Ray’s being trailed closely enough by Detective Perry that he’s sure to get at least a few of them implicated. Arresting Smitty seemed like a vindictive move, but Perry was out of options, and choosing the weakest link to scare into confessing was actually quite smart. Bridget getting Adam to drop the charges wasn’t overly convincing, and Smitty’s response that he wanted them reinstated so that she wasn’t doing him any favors wasn’t exactly the biting, vindictive vibe he was going for, and certainly won’t help him at all. Bunchy is going to fall apart now that the kid he shot died, and I sincerely hope Terry didn’t hurt himself or anyone else when he started driving.

What I’m Watching: Dollface

Dollface: Season 1, Episode 6 “History Buff” (B+)

This episode was a lot of fun, and I really think that this show is finding its offbeat rhythm. There are certain things that are definitely odd and unexplained, like Izzy dressing up as Hanukkah Harry rather than Santa and giving out challah that she’s written on with a sharpie, but that’s all in the service of, for instance, her pointing out that she wasn’t being the weirdest one for once. Madison is definitely high-energy while Stella is cool and subdued, and I liked watching them interact in this episode as Madison revealed just how much she’s stepped in to alter the course of Stella’s life, allegedly for her own good. Starting it all out with her obsession with preparedness provided a good segue into the revelation of some information that made Stella determined to show her that she didn’t need to meddle so much. Dan, played by Macaulay Culkin, really did seem too nice, and like that Izzy noticed how creepily he was eating the challah, which led him to confess his affinity for mascot characters that ended up proving his innocence and getting him booted right away from the manually-propelled Lyft that Madison took over pedaling. Jules did experience the “big one” both in terms of an earthquake and a dreaded run-in with Jeremy at the museum, and she handled it formidably, even if it didn’t seem that way while it was happening. Getting tackled after she gave herself a makeover was a misstep, but she gave one hell of a speech to Jeremy right where, for once, she finally said all the right things before mentioning that she left money for the items she had taken made for a great series of events that showed what a great lead character she is.

What I’m Watching: Dickinson

Dickinson: Season 1, Episode 6 “A brief, but patient illness” (B+)

I watched this episode shortly after seeing “Little Women,” and so Emily feigning an illness that she never even had just to get some time to write felt a bit dramatic. The absurdity of the times really were on full display with the doctor coming and concluding that, because of outbreaks in the area, Emily must be dying even though she wasn’t exhibiting any of the same symptoms and he hadn’t really examined her at all. Some time alone did afford Emily a chance to meet her father’s new law clerk, who may well be a fine romantic match for Emily. I recognized Matt Lauria by face but not by name from his roles on “Parenthood” and “Friday Night Lights,” and he brings a great subdued sensibility to the role of Ben, who went toe-to-toe with Emily on quoting poetry and expressing a love for good literature. His introduction came at a fortuitous time, just before Emily showed up good as new and then was shocked to find that Sue had returned because she thought that Emily was indeed close to death. Austin was just as overwhelmed by her being back, and, after initially being mad at each other, the two siblings now seemed like all they wanted was to be reunited with their shared love. Telling Sue that she should be there for Austin and not for her was a surprise, but Emily will likely still get to spend time with Sue if she’s around while she’s pursuing other options, like her new prospect Dan.

What I’m Watching: The Morning Show

The Morning Show: Season 1, Episode 8 “Lonely at the Top” (B+)

It took me a minute to realize that this was a flashback to a time when Mitch still worked on the show, and it was very effective to see him in such a comfortable setting that helped to explain how he was able to get able with a lot of his behavior. It’s so interesting to see how he’s portrayed by Steve Carell, who picked up a deserved SAG nomination for his performance, in a way that makes him mostly likeable but showed just how many buttons he was subtly pushing. Alex laughed off his comment about her wearing dresses like the one he pointed out, and the content of his surprise party showed exactly what kind of things he liked, namely in the form of Martin Short’s Dick Lundy, who experienced a downfall of his own sometime between the events of this episode and the previous ones. Paige was furious at him on their drive home because she knew about his affair, but that didn’t seem to lead to too many consequences for him. Asking for Mia to be taken off his team and for Hannah to be added to it seemed potentially problematic, but things got much worse when they flew to Las Vegas for the horrific shooting and he chose that moment to make a move on her. Gugu Mbatha-Raw was excellent in this episode, demonstrating her complete shock when he did that and she just didn’t know how to react. When he barely even acknowledged her in the hall, she marched straight into Fred’s office to report it, resulting in him offering her an on-the-spot promotion and clarifying that, when people do great things, they get rewarded. That was a heinous response which hopefully isn’t entirely true-to-life for similar situations, and seeing Weinstein’s abuse first being reported made the scene all the more devastating. The formation of a far healthier and more positive consensual relationship between Yanko and Claire at the same time was affirming, and I think we’ll have plenty to think about when we presumably return to the present in the final two hours of the season.

What I’m Watching: The Crown

The Crown: Season 3, Episode 6 “Tywysog Cymru” (B+)

I really think that this season is the best one yet of this show, so committed to profiling the different aspects of what its title means. I had read that some expected actor Josh O’Connor to be nominated for a Golden Globe in the supporting actor race, though I’m not entirely sure he would have been eligible given that this is his first appearance more than halfway through the season. Introducing him as an eager student and aspiring actor made him feel like a truly different kind of person than his parents, so immersed in regal business, and he didn’t seem too pleased that he apparently gets the brunt of the lectures instead of his sister. His initial meetings with his tutor Edward Millward were unfortunate since the anti-monarchist wasn’t impressed by the genuine energy the prince expressed that he mistook as disrespect toward tradition and the significance of his role in Wales. His wife wasn’t pleased at all when Edward took pity on him and invited him over for dinner, and it was very moving to see Charles’ transformation as he realized what he didn’t know and what he could do. It was sweet to see Edward show real pride in what Charles achieved, something that contrasted completely with the way that Elizabeth reacted when she found out what he had added in himself. Telling him that no one wanted to hear what he thought was harsh, and that was a truly stirring scene. I don’t know where O’Connor fits in awards-wise, but he deserves an Emmy for his work in the episode in whatever category he’s eligible.

What I’m Watching: Stranger Things

Stranger Things: Season 3, Episode 4 “Chapter Four: The Sauna Test” (B+)

It’s a rare relief to see our characters actually onto the right targets on this show, with Eleven rightfully suspecting Billy of being more than a little bit weird when she and Max found him acting strange with Heather and her parents. At least the two of them were open to answering the phone from the boys when they kept calling in a code red on the radio, though Eleven isn’t anywhere close to forgiving Mike for not treating her well. I was very worried that Max was going to crack and decide to let her brother out, but the mind flayer managed to reveal his presence before that happened and he burst out. Eleven was a good match for the mind flayer but she wasn’t strong enough, and it was freaky watching Nancy panic as Mrs. Driscoll’s body went crazy at the same time. The sight of that whole army of mind flayer drones at the end of the episode was extremely disconcerting, and let’s hope that Robin, Steve, and Dustin can be just as resourceful as they were in this instance by hiring a small assistant by offering her lots of free ice cream to give them a leg up on their enemies. The mind-flayed Tom was very angry at Nancy and Jonathan, and unfortunately the real Tom was mean and terrible enough that they didn’t realize he was being possessed. Now their relationship also appears to be in jeopardy. Hopper didn’t waste much time going back and forth with blackmail with Larry, and that situation got violent fast. This season, now at the halfway point, is definitely heating up.

What I’m Watching: The Marvelous Mrs. Maisel

The Marvelous Mrs. Maisel: Season 3, Episode 4 “Hands!” (B+)

It’s so interesting to see how Joel and Midge really are a better couple now that they’re not married. The notion that he would be so up for just flying out to see one of her shows when him finding out that she was doing stand-up comedy was one of the reasons for the dissolution of their marriage is really crazy, and he was so complimentary after he saw her. That couldn’t last so long, of course, since Midge was far too casual about the fact that they got married while they were drunk after spending such a long time in the process of getting divorced. His newfound relationship with Mei really is in his infancy, but he’s much more tethered to reality – and one more place – than Midge, though she is enjoying tremendous success in her traveling tour. Susie is also doing well for herself despite having few clues to start, like her lack of knowledge about gambling and tricking two Broadway producers into meeting with her by putting on a Katharine Hepburn voice. I couldn’t peg who it was playing big star Gavin Hawk, and it turns out it’s Cary Elwes from “The Princess Bride” and “Psych,” who I imagine we’ll see more of if Sophie deems him attractive enough to be her costar. Abe and Rose living with Moishe and Shirley was indeed a terrible idea, since the Maisels make the Weissmans, with all of their eccentricities, look completely sane. Waking them up at 5am to move their car or wash the sheets they’re physically sleeping on is absurd, and even Zelda wants to hide out with them in their bedroom. I’m not sure how long that can last, but Abe and Rose have never been great about getting out of the situations in which they’re trapped.

Pilot Review: The Witcher

I'm trying something new with my pilot reviews, so from now on, check out video takes on each new series, which I'll embed below and you can also watch by subscribing to movieswithabe on YouTube.

Pilot Review: Soundtrack

I'm trying something new with my pilot reviews, so from now on, check out video takes on each new series, which I'll embed below and you can also watch by subscribing to movieswithabe on YouTube.

What I’m Watching: Dollface

Dollface: Season 1, Episode 5 “Beauty Queen” (B+)

I’m so glad that we finally get to meet Madison’s “much older” boyfriend Colin, played by none other than Goran Visnjic, seen most recently on NBC’s “Timeless.” Expressing a desire to meet Madison’s friends because he couldn’t keep them straight was a fantastic catalyst for Madison to go nuts trying to prepare a dinner that she wasn’t at all cut out for, complete with some destroyed chickens, burnt shoes, and a wild night with a stripper in attendance. The presumption that Jules’ place would be safe to use because she never has anything going on was in this case flawed, and in addition to not being able to hide the largest penis of all, a whole bag of them ended up getting eaten by her cast. That did result in Jules’ new “cat doctor” friend from the park, played by Matthew Gray Gubler from “Criminal Minds,” stopping by to save the day and let Jules know that he is indeed romantically interested in her. I also liked the casting of Emmy nominee Michael Angarano from “This Is Us” and “Will and Grace” as Steve the stripper, who was actually able to make that adult conversation Madison so desperately wanted to happen to impress Colin. I liked having all of the characters together for us, and also appreciated the opportunity to see Ramona, who’s not nearly as understanding of Jules’ situation as she could be and not at all willing to let her off the hook as a bridesmaid at this point. While not all of her oddities work, I enjoyed Izzy giving an example of how she likes to call things “fire” in a manner that makes absolutely no sense.

What I’m Watching: Dickinson

Dickinson: Season 1, Episode 5 “I am afraid to own a Body” (B)

It’s interesting to see this show reference other writers who either don’t live up to their reputations or who cause plenty of controversy in exactly the kind of way that Emily would love to if she ever managed to get more than just a small piece published. Austin’s eagerness to play a female part didn’t go over too well with some of the people in attendance, but it was George’s insistence in front of everyone that Emily’s father wouldn’t want a black man acting with them that truly sent Emily over the edge. She’s not down with most of the social conventions that dominate her time, and to be told that someone isn’t equal and deserving of socializing with them wasn’t even the most offensive part of what he said. Telling Emily that he had asked her father for her hand in marriage was the worst possible way George could have followed up that confrontation, and, surprisingly, Edward seemed to understand that, to a degree. Emily’s mother wasn’t happy that Edward suggested that a spinster had more independence, possibly encouraging her to pursue that lifestyle, and she seemed to think that Edward wouldn’t ever want to let his daughter go. We saw a brief glimpse of Sue in her new life in this episode, and it doesn’t seem that she’s achieving the serenity or peace she might have hoped from escaping the pressure of her Dickinson admirers. Maybe she’ll make a return to Amherst soon, though which Dickinson she’ll choose to be with, if any, remains a question mark.

What I’m Watching: The Morning Show

The Morning Show: Season 1, Episode 7 “Open Waters” (B+)

Sure, things might not actually happen like this in the real world, but this show knows how to present compelling speeches. It feels like Aaron Sorkin could have written a lot of this, though the content is more often personal than political. The MVP of the hour was Karen Pittman as Mia, who didn’t ask for the man who made a crude comment to her to be fired and then wasn’t ready to be blamed for it, resulting in a pretty memorable loudspeaker session in which she warned “dicks beware,” among other things. Chip said about all he could after that, urging everyone to heed what she said and get back to work. Yanko and Claire’s decision to go to HR to come forward with their relationship did not go particularly well, though Yanko didn’t seem nearly as shaken by it as Claire did when she was repeatedly asked if she needed help getting out of it and if she had been taken advantage of when all she wanted to emphasize was that it was completely consensual. We keep seeing Mindy Kaling’s Audra trying to get inside Daniel’s head, and I’m curious what will come of that. Alex talking to her daughter about her divorce did not go over well, and she lashed out in a pretty harsh way at the end when she got tired of the response. I’m worried about how flirtatious Cory and Bradley are being since their working relationship will likely be seriously jeopardized if things turn personal. Bradley seems ready to talk to Mitch, which is sure to be interesting and enlightening.

What I’m Watching: His Dark Materials

His Dark Materials: Season 1, Episode 7 “The Fight to the Death” (B-)

Watching this show supports the idea that it’s really better to experience film and television without having knowledge of the source material. One of the most formative moments for me from the books was when Lyra came up with the idea of pretending to be Iorek’s daemon so that she could trick Iofur into thinking that such a thing would be possible and that Mrs. Coulter had been lying to him. The first battle between the two polar bears didn’t go too well for Iorek, and then Lyra managed to distract him enough so that Iorek could take back the advantage and vanquish his enemy, now ruling back over the other bears as their rightful king. It took long enough for Lyra to finally be reunited with Lord Asriel, who seemed very upset to see her before realizing that Roger was there too, which for some reason made him much happier. Mrs. Coulter, who nearly killed someone with her own bare hands while in a fit of rage, isn’t ready to accept what has been decided by those who have heard news of what’s going on up north, and she’s usually able to get what she wants. I recognized Andrew Scott, the hot priest from “Fleabag,” as Jopari by his voice alone when Lord Boreal was watching a video of him on his phone, and I’m glad that Will is taking the proper steps to keep himself safe and try to find the truth. Though he’s not eager to fight, Lee getting his gun back should mean that he’s ready to do his part. I hope the season finale will make me eager to return for season two, because I’m not exactly feeling that way right now.

Round Two: Work in Progress

Work in Progress: Season 1, Episode 2 “176, 172, 171” (B+)

This was a great second outing, one that demonstrated that this show, which really surprised me in its pilot airing, is absolutely worth watching. Abby going to her therapist’s funeral was a melancholy event, and I enjoyed that she essentially had a session with her, which may have been helpful but definitely got the other people there upset that she was hogging time with the deceased. Her trip to Weight Watchers, or whatever that was supposed to be, was far less affirming, particularly with the unsubtle confirmation that she had gained seventeen pounds since she last weighed in. Fortunately, the development of her relationship with Chris is much more inspiring, and they had a cute exchange when she woke up first and checked her breath. It was endearing that she helped him into his Uber before he left, and things seemed to be going pretty well. Going to the club together should have been a positive occurrence, and it was actually quite informative to see Abby experience it both in the moment and in reference to when she visited that same club years earlier and met someone else. Talking about how they shouldn’t be discussing his dead name made things somewhat more comfortable, and their age and culture difference shouldn’t prove too problematic given his good nature and eagerness for them to share something good. I’m definitely sticking around for episode three, and I’m curious to find out what’s going on in Abby’s literal closet, remnants of her past that are likely to be very informative about how she’s reached this point.

Round Two: The L Word: Generation Q

The L Word: Generation Q: Season 1, Episode 2 “Less Is More” (B)

This second installment was a lot like the first – flashy, risqué at times as expected, and overstuffed with a whole lot of content. I like that it’s taking a new approach to these characters that doesn’t feel like rehashing what we already know happened and was tired by the time the sixth season of “The L Word” started and finished. Bette did mention a handful of things and people from that show when she was telling Dani about her past, and I’m glad that she didn’t get too much into the mess that was Jenny at the end. I’m impressed with the array of talent this show is involving, and I neglected to mention one player in my pilot review who I recognized, and that was Leo Sheng, who had a great role in the dramedy “Adam” from this past year. This episode introduced us to a few new characters, and I’m most excited about Tess, played by Jamie Clayton from “Sense8.” I was also happy to see Olivia Thirlby from “Goliath” and “Juno” as Rebecca, and Mercedes Mason from “The Finder” and “Fear the Walking Dead” as Lena. I’m hoping Rebecca will positively balance out the overeager and highly irritating Finley, while Lena might provide some solace for Shane in the wake of her divorce. I like that Alice had a chance to bond with Gigi after that flashback to the ring-hammering scene, and all of these characters do seem to be rather three-dimensional. I think I can commit to six more episodes over the course of a relatively light time for TV.

What I’m Watching: Mr. Robot (Penultimate Episode)

Mr. Robot: Season 4, Episode 11 “eXit” (B)

This isn’t technically the second-to-last episode of this show, but its two-hour series finale airs in one block this Sunday, which will be the last time I’ll tune in to watch it. I wasn’t overly taken with this episode because our characters spent much too long talking, and that’s pretty much all that’s been featured this season, with those who want to justify their versions of villainy given endless time to explain themselves and force us – and usually Elliot – to listen. Showing us a bit of the scenes we’ve already seen explained how they turned out differently than we might have expected, like Whiterose having her soldiers take out the actual FBI and SWAT teams that stormed her house. When Elliot was escorted through the plant past all the executed employees, it was definitely disturbing, and then he got laughed at by Whiterose because she thought he hated much more than she did. Shooting herself in the head after telling Elliot that she wanted to show him what she had shown Angela was a puzzling ending, and then we got that red screen after his gameplay didn’t work. I liked, earlier, that Darlene acknowledge Mr. Robot separately and said goodbye to him, and that Mr. Robot showed up to help Elliot when he needed him most. I’m not sure how to interpret the alternate reality in which Elliot is an only child, his father is still alive, he’s CEO of AllSafe, and he’s about to marry Angela. I’m intrigued but unconvinced, and I’m hopeful that the series finale will be more resounding and emphatic, closing out an incredibly creative show that’s sometimes hard to follow and truly enjoy.

What I’m Watching: Shameless

Shameless: Season 10, Episode 6 “Adios Gringos” (B+)

This episode was a real rollercoaster for most of our characters, with the least responsible parent of all time starting to feel nostalgic about his opportunity to spend time with one of his offspring. Liam, the youngest of the clan, was all business and eager to take the $100,000 offered by one potential buyer, but he didn’t see that the loving couple who just wanted to get a chance to spend some time with their potential new child was going to blow town and take the kid with them. It shouldn’t be hard for Frank to get over this loss, though it might propel him to fast-track some similar schemes. On the baby front, Debs had to play ball with what can only be termed a playground opportunist in order to trick Pepa into not wanting to spend time with Franny, and the replacement child wreaked a whole lot of havoc in just a few minutes. Tami wasn’t happy to be abandoned with Lip’s parent group, and it was very sweet that he decided to buy them an RV so that they’ll have some space of their own. He even got her to admit that she still likes him! Ian stood up for what was right and saw what the consequences of that were, and having Mickey back around might make things more complicated since he surely won’t stand for the way that Ian is being manipulated by his parole officer. Kev’s plans to get in on a potential settlement payout were busted by his sheer stupidity, and it seems Veronica could use some of what Liam is on regarding getting back to his black heritage. Some of Carl’s plans to help his new friends fend off the competition didn’t go well, but he managed to impress Anne in the end, who now seems like she’s going to spending a lot of time with him for his own sake rather than out of necessity.

What I’m Watching: Watchmen (Season Finale)

Watchmen: Season 1, Episode 9 “See How They Fly” (B+)

I’ve been reading some articles on how this show hopefully won’t be renewed for a second season since it should remain this controlled and contained story, but I couldn’t disagree more. I’d compare it most to “Westworld,” another show that’s often incredibly confusing and even infuriating, yet reveals such depth and complexity that it just needs to be watched more. The second season of that show wasn’t as good as the first, but I have every hope that season three will be infinitely more watchable. I’d sign up for more of this show in a heartbeat. The twists that were revealed hit me completely by surprise since they didn’t even need to occur, and that’s part of what makes this show so brilliant. Trieu showing up to meet Adrian and tell him that he was her father was a shock, and her need to do something incredible and terrible in front of him as payback for him not wanting her was truly intriguing. Senator Keane gave his big speech about what they were doing in the sake of rightful racism, including a mention of how Judd and Jane were purposely trying to get close to Angela because they knew Cal was Dr. Manhattan, and then he got himself melted into goop by Trieu before she found herself eaten apart by the squid that Adrian sent to save the day. Laurie trying to arrest Adrian demonstrated that she still believes in law and order even after everything she saw, and I have a feeling he won’t go quietly into another prison of someone else’s making. Looking Glass showed up to help too, which was nice, and now it’s up to the two of them to rebuild after all of these threats converged on Tulsa. Angela eating the egg and then testing out whether she has in fact inherited Dr. Manhattan’s powers was a fantastic ending, and I’m still reeling from everything that this show threw at me this season. I look forward to analyzing it and recommending it more to other people, and I sure hope that we’ll get another chance to see what’s going on in this dark, immensely fascinating universe.

Season grade: B+
Season MVP: Regina King as Angela